The Magic in This Other World Is Too Far Behind!, Vol. 10

November 6, 2024 by Leave a Comment

By Gamei Hitsuji and Yunagi. Released in Japan as “Isekai Mahou wa Okureteru!” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Hikoki.

First of all, let’s get rid of that elephant in the room. The 11th volume is, as of this writing, not out in Japan yet. I really hope there is not a 5-year-gap between books 10 and 11 the way there was between Books 9 and 10, thank you very much, if only as I had to try to remember things I had long since forgotten when I assumed this series had gone the way of, say, Altina the Sword Princess. Secondly, I apologize to this book for having to read it today, when I was, for reasons I won’t get into, a bit distracted. That said, in the end we are here to see Suimei do cool magic things, and we definitely get that here – at least in the second half. The book is basically a ‘darkest before the dawn’ sort of book, and the first half or so focuses on Reiji, who feels his own hero power is Too Far Behind, and is prepared to possibly turn evil in order to solve the issue.

Suimei and his party are still in Japan as this book starts, which is unfortunate, as the demons have chosen this moment to attack… supposedly. It’s a somewhat puzzling, half-assed attack, as if their real goal is something else – much to the frustration of one of the demon generals. Unfortunately, with only one mage, a girl from Japan who’s new to the profession, actually present, the battle is not going well, especially as there are new artificially created demons that are sort of Noumu from My Hero Academia, only more insectoid. Reiji, without Suimei there to back him up/save his ass, is feeling powerless and pathetic, and unfortunately the power within him takes this time to tell him to beg for more power no matter what. The “no matter what” being a corruption that starts to happen almost immediately.

I feel for Reiji, but I will not deny that once Suimei returns to the story I was far more invested in actually reading it. I suspect we’ll be getting an “I know you’re still in there somewhere, fight!” moment for our hero soon. He and Suimei do share one very obvious trait, though, which is their total inability to see exactly how many young women want them. The scene in the baths was easily the most “light novel” in the volume, and honestly after the darkness of the previous 3/4 of the volume it felt like a breath of fresh air despite having an “oh no I fell and now your face is in my boobs” moment. The other highlight is the climax of the book, which helps to show off Suimei’s two superpowers, which are being incredibly overpowered and also being an incredible dick. His taunting of the demon general was hysterical, and, again, helped to take the edge of an “is our protagonist dead for real” scene even though we knew the answer was no.

So yeah, this was good. Was it worth the wait? Nothing is worth that wait. Hopefully the next one comes sooner.

Filed Under: magic in this other world is too far behind!, reviews

The Dorky NPC Mercenary Knows His Place, Vol. 1

November 5, 2024 by Leave a Comment

By Toryuu and hamm. Released in Japan as “Kimo Ota Mob Yōhei wa, Mi no Hodo o Wakimaeru” by Overlap Novels. Released in North America by J-Novel Club. Translated by Josh DM.

Sometimes you don’t need everything to be new. Sure, we love it when there’s a groundbreaking work that creates a new template going forward, but sometimes all you need is a different ingredient to make everything not quite stay the same. There have been other light novels that are set in space, of course, but those are irrelevant to me as I don’t read those. I did give this a try, though, as part of my “every once in a while I’ll try something I wouldn’t normally read” pick. And it’s good. Not great, not something I’d recommend. But it reads easily, the main characters are likeable (they may be the only likeable characters in this fictional world), and the fact that it’s in space helps to cover up the fact that this is basically a standard fantasy guild adventurer book, only with spaceships and lasers rather than dungeons and monsters. And then there’s the hero, who… well, despite what he says, we’ve seen his type before.

John Ouzos is a mercenary for hire, doing such jobs as security for a repair job, trying to stamp out space pirates, and occasionally getting involved in a war between rival nobles. He tends to stay out of flashy situations, do his job, and not get killed. He is a commoner, and knows that in this world that is trying to become more equal but isn’t yet, this is just the right thing for him to do. Unfortunately, not everyone agrees. Another mercenary pilot is furious that he’s hiding his true talents and being “lazy”. A sentient spaceship is determined to get him to pilot her so that she can be rid of her current immature pilot. And his old classmate is now a famous professional racer, and wants him to join her team. They all know what he won’t admit – he’s one of the very best.

Again, this hits its beats pretty well. As you can tell from the cover, it has a thing for breasts (and, as future covers will show, butts as well), but honestly I’ve seen worse. There was a very odd paragraph describing two arrogant noble siblings as “anti-men feminists” that made me growl a bit, but it went away almost as fast and the POV character was not to be trusted either. And of course, if you don’t like the sort of protagonist who will do anything to avoid being part of an exciting story, this isn’t for you by definition. But I liked how, the more you get to know the world John lives in (mostly through his endless exposition, which wasn’t too boring so I’ll let it slide), you realize that his plan to stay unnoticed is pretty smart. That said, even in his past he tended to get into death-defying situations, and that hasn’t changed. He may think he’s an NPC, and he’s certainly surrounded by evil nobles, but the hot girls around him know his true value.

Yeah, that’s right, it really is a stock light novel, but in space. I expect more harem next time. But till then, if you want to enjoy a standard LN that doesn’t require you to know how to cast from hit points, this is good.

Filed Under: dorky npc mercenary knows his place, reviews

Earl and Fairy: Awaiting a Moonlit Elopement

November 4, 2024 by Leave a Comment

By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

Sometimes I don’t read the blurbs before I start a volume, particularly if it’s a series I’ve been reading for a while. As a result, I came into this book not knowing that it was a short story volume. This is good and bad in some ways. It allows for less complicated narratives that better show off the two leads, and can also venture into other areas, such as Lydia’s pre-Edgar life. (All but the last short story were collected elsewhere, and the prologue was the first thing the author ever wrote for the series at all.) On the down side, without a big, action-packed and terrifying narrative to drive everything, we can sometimes be reminded a bit TOO much how irritatingly smug and possessive Edgar is, and how annoyingly naive and stubborn Lydia is. Fortunately, they’re only really at their worst in one of the short stories featured in this volume. So, of course, that particular story is the one that was used for the volume’s subtitle. Sigh.

There are five short stories in this book. 1) Before the events of the main series, a Lydia who’s just starting out meets a violinist plagued by a fairy, and makes a foolish decision that will need to be fixed by the man she’s trying to save. 2) We learn how Lydia first met Kelpie, as she helps to reunite Kelpie’s bookish brother with an elderly woman who romanced him in her youth; 3) Edgar takes Lydia to the opera, and they deal with a flower girl whose daisies are telling very accurate fortunes; 4) Lydia, having just read an exciting romance novel about a couple eloping, finds a young man being troubled by a lhiannan-shee, and decides to get involved despite Edgar, accurately, saying this is incredibly shady; 5) After the events of the 6th book, we see Edgar in London and Lydia in Scotland, both lonely at Christmastime.

The first three stories are all various shades of ‘pretty good’. The fourth annoyed me the most, as Lydia is even more naive than usual, which of course requires Edgar to be more possessive than usual, and they reinforce both their worst habits, especially as Lydia is still the sort of girl who will stubbornly jump off a cliff if Edgar tells her it’s a bad idea. That said, Lydia has heroine plot armor, unbeknownst to both of them, and therefore, of course, her naive ideas of romance and eloping turn out to be correct after all. The best story in the book is the final one, especially on Edgar’s side, as it shows him trying his best to try to fall for some other girl so he can let Lydia go and not involve her in his drama and failing miserably. The climax of the story, where fairy magic brings the two of them together for a brief period,. is the most romantic this series has gotten to date.

Next time we likely should get back to the main plot. Will we get Lydia firmly admitting her feelings with no backsies? That’s less likely. Will Edgar stop flirting with every single girl in London as part of his schemes? Even less likely.

Filed Under: earl and fairy, reviews
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