My First Love’s Kiss, Vol. 2

By Hitoma Iruma and Fly. Released in Japan as “Watashi no Hatsukoi Aite ga Kiss Shiteta” by Dengeki Bunko. Released in North America by Yen Press. Translated by Kiki Piatkowska.

So there’s a huge cliffhanger plot twist at the end of the book, and I’m gonna have to discuss it, so let’s put it after the picture and plot summary. In the meantime, let’s talk about the only reason I really am keeping up with this series: how does it tie into Adachi and Shimamura? Last time it was hinted that Chiki was somehow connected to Hino’s extended family, and a prologue in this volume continues to hint that’s the case. This volume, desperate to find out more about the woman that she’s become so besotted with that it’s become obsession, Umi does detective work and manages to infiltrate Hino’s vast estate, and gets the information she needs, mostly thanks to the timely arrival of Nagafuji. I joked that I would scream if this series ended up getting Nagafuji involved in its tawdriness, and the good news is that she and Chiki never meet. Indeed, Umi sees Hino and Nagafuji’s friendship and envies it. The bad news is the rest of the book.

We open, after a prologue showing a young girl deliberately injuring herself and blaming a family member, with Takasora confronting Umi and Chiki. Chiki, highly amused by all this drama, admits they’re going to a hotel, and then invites Takasora along, to have a “girls’ sleepover”. To Umi’s horror, Takasora accepts, and they all spend the night in a swank hotel room, though sex does not happen, or at least not while Takasora is awake. The next day, while Umi is asleep, Takasora (who has confessed her love, and been rejected, as expected) has a long chat with Chiki, who reveals her real name is Shiho Chitaira (which Takasora doesn’t really believe), and not to tell Umi. A couple days later, Chitaira takes Umi out on a date, shopping and buying her a seemingly expensive ring. What Umi doesn’t know is Chitaira is also taking Takasora out on reluctant outings, playing on her jealousy and self-loathing and preying on her just as she’s preyed on Umi.

So the artist on this is Fly, and it has to be said, the characters in the series do tend to look alike, particularly Umi and Chitaira. I wonder if Iruma saw the art and decided on the plot twist at the end of this volume, and said “hey, since they already look like sisters…” So yes, this volume’s cliffhanger ending was a twist and a half. I had assumed that the book would end with Umi’s rage at Takasora for getting caught up in Chitaira’s scheming, and there is a bit of that. That’s the normal “toxic yuri hell” part of this book. Then Umi’s mother shows up, greeting Chitaira warmly, and wonders why she never said she’d introduced herself to Umi. And then says “Umi, this is Shiho, your older sister.” Honestly, if that came from Chitaira I wouldn’t have believed it, thinking it would be another weird scheme to create more drama. But it’s coming from Umi’s mother, who we’ve seen throughout the series has all the scheming ability of a cream puff, so I have to assume it’s the case. I didn’t think anything could make things worse, and I was oh so naive.

If this were a longer series, I would nope out. But it ends in the next book. I had idly wondered, midway through this volume, if the final twist would be Umi managing to actually get Chitaira to genuinely stay with her, but obviously the end of this book has blown that out of the water. I now wonder if the series will end with everyone alive.

Oh, for the curious, Hino, when she shows up, talks about meeting a kid in a spacesuit while fishing, if you’re trying to figure out where this is in the Adachi and Shimamura timeline.

Alya Sometimes Hides Her Feelings in Russian, Vol. 6

By Sunsunsun and Momoco. Released in Japan as “Tokidoki Bosotto Russia-go de Dereru Tonari no Alya-san” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Matthew Rutsohn.

I feel badly for Alya at times. This is, theoretically, her series. She’s the character on the cover art, she’s obviously going to be the winning girl, and she’s cute. But the overall plot of her arc is “I need to open up to others and not just rely on myself, and also I need to admit I’m in love with Masachika.” As arcs go, it’s simple. It’s not something that can carry a series. That’s Masachika and Yuki’s arc. Yuki’s not going to be the winning girl, for obvious reasons, but the screwed-up family she and Masachika are both in is what we’re going to be seeing more and more of. We get a bit of it here, and see that everyone is still carrying Expections, with a capital E, and that failing to meet them is worse than actually murdering someone. This has a lot of fluff in it, but the back half sets up darker things going forward.

The first half of this is pure fluff and fanservice, as we continue to have the school festival arc. We now see Alya dressed up as an elf, which frankly is perfect for her, and the sight blows everyone’s mind. Meanwhile, Masha is running a magician’s bar, and has some brilliant tricks… that she can’t perform in front of her sister because she’s always forced to be the goofy one in her presence. We get Ayano’s incredibly intimidating MAID SKILLS, which threaten to overwhelm Masachika when she maids a bit too hard at him. And, of course, the band get ready to perform. Unfortunately, it turns out that some mysterious person forged invitations to the festival, and there are now various pranksters, thugs, and bad guys there, who have been ordered to destroy it. Can the student council find out who’s responsible and save the day?

It’s really brought home here how this is a school for elites. Yuki, in an amusing takedown of one of the ringleaders, points out that his romantic angst would make a very poor subplot in a villainess book, and that’s kind of what we have here – not the villainess herself (though Yuki’s trying her best), but the “nobles rule the world” worldview. The elite families of many of the students are at the event – including Masachika and Yuki’s family – and they observe the chaos that’s been created with an amused eye, knowing that it will all come down to who controls the narrative and who can win the day. No great prizes for guessing who’s the man behind it all, but I did appreciate the ending, which does not revolve around Alya’s band performance (again, she’s not narratively important), but around Masachika’s, and his tendency once again to a) be miles ahead of everyone around him, and b) hate himself so much I worry he’ll end the series with a suicide attempt. Though I doubt it gets THAT dark.

The next book looks to be the athletics festival, and will no doubt once again be half otaku nerdery and half GRIPPING DRAMA.

The BS Situation of Tougetsu Umidori, Vol. 1

By Kaeru Ryouseirui and Natsuki Amashiro. Released in Japan as “Umidori Tougetsu no “Detarame” na Jijou” by MF Bunko J. Released in North America by Yen On. Translated by Andrew Cunningham.

This is one of those titles that I ended up taking a flyer on after seeing Twitter comments by Andrew Cunningham (who ended up translating it after it was licensed), and I thought it sounded pleasantly odd. The start of the book certainly makes you think that’s going to be the case. We meet Umidori, the tall, voluptuous but seemingly normal straight man, and her classmate Nara, who has a normal vocal emotional range but whose face shows no expression. This is good, that’s a quirky character for a quirky series. She then starts to talk about how someone is stealing her pencils, showing a somewhat monomaniacal obsession with them, and Umidori seemingly responding with “uh huh” and “is that so” responses. This then leads up to the payoff, when we find out the true culprit behind the theft. Even when we see WHY the pencils are being stolen, I went “OK, wow, that’s very, very weird” but it was still to be expected. Then Bullshit-chan showed up.

So yeah, as you may have figured out, Umidori is not just the straight man of this series. She’s unable to lie, to anyone, and as you can imagine this has left her upsetting everyone around her, to the point where she makes sure never to get too close to anyone – even Nara, who she is seemingly good friends with. Then Bullshit-chan shows up at her apartment, furious, and wielding a knife, and starts to explain the plot, and you realize that this is not a “eccentric high school kids” series but a “supernatural action drama with utterly messed up protagonists” series. This is compounded by Nara showing up, who talks about her own issues (which are somewhat hamstrung by the art for the series – it’s fine, but anytime you have someone who is “the most beautiful person in the world” and you have to draw them, it’s never going to work). And then the ACTUAL bad guys appear.

The main plot for the series in general seems to be to get Umidori to be able to lie, as her truth-telling is presented as a condition or “curse” rather than her own choice. I also get the feeling that it’s going to be getting Umidori friends as well – thanks to a conveniently plotted glass of alcohol, she doesn’t even remember how her words a year ago saved Nara from a fate where she too may have cast off everyone around her. (Umidori of course lives in an apartment by herself, and her parents are divorced). As for Bullshit-chan, she’s an interesting concept, but at the moment that’s all she is – I’m not as invested in her as I am in Umidori and Nara. I did like the villain – no, not the concept, but the human behind it, and her own twisted desires and how they ended up horrifying everyone (which seems to be the theme with those afflicted by the series’ concept.)

If it sounds like I’m trying to write around giving any spoilers, you’re right. This is best experienced cold. It’s good, though. Try it.