Babel: A Girl Embarks on a Journey of Words

By Kuji Furumiya and Haruyuki Morisawa. Released in Japan as “Babel I: Shoujo wa Kotoba no Tabi ni Deru” by Dengeki Bunko. Released in North America by Yen On. Translated by Amelia Imogen Mason.

I will admit this review is slightly harder now that the Spring Anime season is al;most over. “From the creator of Unnamed Memory, the hot new anime, a semi-sequel!” would be a much bigger deal if the anime had not been a lifeless mediocre adaptation determined to get through the story as fast as possible. Which is a problem when you have an author that writes books as long as Furumiya does. This one is 460 pages, a good 300 pages longer than the average KonoSuba. It doesn’t lend itself well to a speedrun. So, I will amend: if you enjoyed READING Unnamed Memory, and also enjoyed the author’s series A Pale Moon Reverie, this is more of the same, with good character writing and some exciting action scenes. And yes, it is a sequel, but it takes place 300 years after the first series, and you don’t need to have read it to get a lot out of it.

Shizuku is a young college student dealing with a massive case of middle child syndrome when one day she is confronted with a mysterious hole in space, which transports her to another world. She is lucky to survive landing in the middle of a desert, and ends up in a town that is clearly nothing like the Japan she knows. Fortunately, she comes across a stoic but kind mage, Erik, who promises to help her try to find a way back home, if she will teach him about her mystery books. As, while Shizuku can speak the same language as everyone else in this world, that does not extend to reading or writing, so she just has her college textbooks, which are in Japanese. And English, and German, which she’s also studying. Can she get home without getting involved in plot stuff? And can she learn to read and write from the handsome but remote young man with a mystery past?

Shizuku is easily my favorite part of the book, yet another heroine with massively low self-esteem who doesn’t understand how fantastic she is. Her older sister had extroversion and charm, her younger sister had focus and anger, and Shizuku seems to have seen herself as someone who wasn’t really much of anything, floating through life. That said, she’s able to stand up to a lot of situations in this book that would give most people the screaming heebie jeebies. The isekai part of this book (which was rewritten and expanded from a version that came out in 2016) is new to this author, whose Unnamed Memory was known for avoiding the standard light novel cliche. But it’s handled well here – Shizuku only has her college freshman education, which means that she struggles to explain things she learned through cultural osmosis, and she will not be inventing mayonnaise anytime soon. That said, the fact that she isn’t of this world allows her to save the day at the end of this book, and I expect this to continue.

This has already ended in Japan, and so we know there’s 3 more books, no doubt as big as this one. I’m here for them. I really love this author.

Miss Savage Fang: The Strongest Mercenary in History Is Reincarnated As an Unstoppable Noblewoman, Vol. 2

By Kakkaku Akashi and Kayahara. Released in Japan as “Savage Fang Ojō-sama: Shijō Saikyō no Yōhei wa Shijō Saikyō no Bōgyaku Reijō to natte Futatabime no Sekai o Musō Suru” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Sarah Moon.

First of all, some good news: while she is still fairly worshipful towards Mylene, the character of Colette is allowed to keep a lot of her kickass attitude from the first book. In particular, while I would not call this a yuri book per se, it is very clear that a) Mylene, being a male mercenary reincarnated, is not interested in men, and b) Colette is incredibly thirsty for Mylene and will absolutely try to seduce her whenever she gets a chance, held in check only by Mylene’s grumpy attitude and realization that it would upend a lot of things Mylene does not want upended. Basically, Mylene is looking to get through the next few years without what happened in the previous world happening again. Unfortunately, that religious cult is still around, they do not like Mylene at all now that she’s not their evil queen bitch, and they are ready to assassinate her.

Sure, this may take place in a world with magic, gods, and apocalyptic prophecies, but we are still in a high school of sorts, adn that means that there’s going to be a culture festival. Or the equivalent in this universe, which basically has the students compete to see if they can be good businessmen and women. Mylene realizes that selling upscale goods that nobles can get anywhere is not going to cut it, and suggests what amounts to a maid cafe… and is somewhat horrified to find that this means she will have to wear a maid outfit as well. There’s also a student, Melissa, who is hanging around, glaring at Mylene, and then running away. She’s essentially the “heroine” of this universe, a priestess who led the charge against Mylene in the old world and died a martyr. Here Melissa is more concerned by Mylene’s current personality, which is nothing like her old one.

This had a big “difficult second album” feel to it, as I got the sense that the author had written it as a one-shot and wasn’t sure where to go from here. The fact that we haven’t had a 3rd volume in Japan in the last two years does not really help that feeling. Still, the volume’s not bad. Colette is just plain hilarious, especially when she’s trying to politely say “take me now” and getting into fierce rivalry with Prince Albert. (She also gets the blatant fanservice in the book’s color pages.) The assassin himself is also interesting, mostly as he’s not a devoted cultist like the last bad guy, but a serial killer who just delights in killing off “interesting people” for the sake of the drama. Literally – he was a playwright. The final fight between him and Mylene is excellent, though I was annoyed that Melissa is basically just there to be a plot device. Oh well, I’m sure she’ll integrate better in the next volume.

If there is one. Till then, this is decent enough villainess fare, for those who like one who swears a lot.

The Angel Next Door Spoils Me Rotten, Vol. 7

By Saekisan and Hanekoto. Released in Japan as “Otonari no Tenshi-sama ni Itsu no Ma ni ka Dame Ningen ni Sareteita Ken” by GA Bunko. Released in North America by Yen On. Translated by Nicole Wilder.

This series continues to feature more of exactly what readers want, provided what readers want is Amane having an amazingly low self-image and also being overly polite about “not going too far” to the point that it’s actually starting to annoy Mahiru a bit. More to the point, now that they are a couple, and everyone in school knows it, they’re both having to deal with jealousy. Yes, both. It’s expected from Amane, as Mahiru is the Angel of the School, and that’s the premise of the series. But Mahiru is also starting to realize that her attempts to clean up Amane’s life, give him some self-esteem, and show off what a great guy he is means that other girls are going to think the same thing. And she hates that. It all comes to a head at the culture festival, featuring maid costumes, butler costumes, and lots and lots of thirst. Well, it’s Angel Next Door. Not thirst. Mild dryness.

So yes, it’s culture festival time, though this is a milder one compared to other series – no outsiders, invited family and friends only. But there’s still maid cafes, and much to Amane’s annoyance, that’s what the class chooses, even if it means everyone will be ogling his girlfriend all day. That said, she does look REALLY good in that outfit. And he also looks really cool as a butler, though you’ll never hear him say that – all signs of him being cool come from outside his own self-hating narrative, because you can try to clear up all the past trauma but it still lingers on when the plot demands it. Can he survive a customer trying to grope Mahiru’s ass? Can he survive his parents being amazingly embarrassing? And, yes, we finally get the full story on Itsuki.

We’ve heard the story of Itsuki and Chitose in dribs and drabs, and some of it in the short story book, but here we get the actual reasons behind things. He’s from a rich family, where there’s actually a need to carry on the family name. Being a second son, this should not affect him – except the first son decided to marry the girl he liked, who was not father approved. And now that he sees Itsuki doing the same thing, he is determined to dislike Chitose, especially since she’s the sort of girl that would grate on him regardless. I like how everyone realizes and admits that there’s no way to “fix this”, and there’s nothing Chitose is doing wrong per se. It’s just that sometimes family can be difficult. And even so, Mahiru ends up being jealous, as even though Itsuki’s father is against his relationship at least he acknowledges Itsuki exists. Mahiru still has the worst parents crown.

All this plus Amane’s determination to be a gentleman, to the point where Mahiru has to almost browbeat him into using his tongue. The Slow Burn Express is not stopping at this volume, but it’s good anyway.