By a Twist of Fate, I’m Attending the Royal Academy in Disguise, Vol. 1

By Ringo and Tsukasa Satsuki. Released in Japan as “Wake Atte, Hensō Shite Gakuen ni Sennyū Shiteimasu” by PASH! Books. Released in North America by Cross Infinite World. Translated by Alex Castor.

I had talked about artifact titles only a couple of days ago, and this is an even better example: after the first forty pages, the title becomes totally incorrect, as this book does not take place at the academy at all beyond that point. Which makes sense: like the best LaLa titles, this started off as a complete in 40 pages short story, which was then expanded, and is now a volume, with a second one on the way. Despite that… yeah, she’s still not attending the royal academy. Oh well, I’ll happily read it anyway, because I like the main couple. We have a heroine (and yes, for once it’s not a villainess or fallen noble but is playing the cliche straight) who is straightforward and blunt and also perhaps doesn’t care enough about her well-being, and a royal prince who is far more similar to her than he’d like. But she’s a commoner, so they can’t marry. Certainly not with everything getting in her way this volume, at least…

As the title suggests, Cesia is at the Royal Academy pretending to be Selene Diane, a noble lady who is a bit of a bitch, and doesn’t want to deal with the bullying she’ll get from being engaged to the handsome lothario Lord Raymond Chaser, so Cesia has been there the last two years in her place. A pile of money awaits her at graduation… unless she’s working for evil nobles. Oh, no, she’s working for evil nobles! So, after escaping from her imprisonment, she resolves to attend graduation to try and get some revenge… even if she has no idea what it is. Then she runs into Marcus, the second :Prince, who not only is here to help her with her revenge but also seems very familiar… After this, the rest of the book plays out, which basically involves Cesia working for the government and ending up in constant life-threatening danger.

There are several interesting aspects of this book, but my favorite is probably Maria. Maria was an acquaintance of Cesia’s at the academy… and also turns out to be Prince Marcus, who can disguise himself to magic to be a woman. Despite discovering this, Cesia continues to see Maria and Marcus separately. Part of this is likely due to the fact that Marcus is royal and it’s easier to be more casual with Maria, but a lot of it is simply subconscious, Cesia is more comfortable with Maria. Which makes Marcus… feel a bit ambiguous. The rest of the book is not all that original (jealous younger sister who turns out to be a total sweetie pie, decadent nobility taking drugs, Cesia almost dying like 4 times…) and ends with a nasty cliffhanger, but Cesia is fun, and really needs some self-esteem. Marcus calls her a “stray cat”, never wanting to settle down, and he’s not far off, but he’s also ignoring his own lack of self-regard, as he’s not the heir.

The second volume is coming out relatively quickly, which is good. For those who like a bit of thriller in their commoner/noble romance.

The Do-Over Damsel Conquers the Dragon Emperor, Vol. 4

By Sasara Nagase and Mitsuya Fuji. Released in Japan as “Yarinaoshi Reijō wa Ryūtei Heika o Kōryaku-chū” by Kadokawa Beans Bunko. Released in North America by Cross Infinite World. Translated by piyo.

I feel confident in saying that very few readers of this series will have gone through the same thing that Jill has. Which is good, really, because yikes, Jill once again goes through some stuff in this book. We’ve been reading the series from her perspective, and of course we know it’s a villainess-style “back in time” story, so we’re expecting a lot of fighting fate and never giving up, etc. The problem is that everyone else in the world does NOT have Jill’s perspective. And to them, this is absolute lunacy, and the Dragon Emperor is going to go mad, start a war, and destroy everything. Why on earth would they let this 11-year-old (yup, still, just assume I talked about it already) do whatever the hell she wants just because she says that the two of them are in love? Especially when that love is tested – again – and Jill is forced to once again fight for everything she’s achieved to date or else everything will be set back to the original track.

Jill and Hadis are headed off to get permission to marry from her parents, which requires essentially going through days of traps and dangerous travel because, unsurprisingly, Jill’s entire family are all as eccentric as she is. (It turns out she did the wrong test, too, because Jill is still not the brightest bulb.) Unfortunately, Jill has assumed this will mostly involve her dad saying “you can’t date my daughter, you cur!” and other wacky light novel cliches, forgetting that her family are, in fact, part of the kingdom of Kratos, and that it would be much, much easier, instead of agreeing to Jill and Hadis getting married, to start a war to get Jill away from him. Something which, to Jill’s horror, Hadis is 100% okay with.

Probably the best part of this book (aside from the ending, where Jill once again proves there’s no problem that cannot be solved by extreme violence) is how it ties back to the rest of the series. It’s paying close attention to its backstory, and has not forgotten about the other taboo subject in the series, with is Gerald and his sister starting the whole plot off with their incest. First of all, everything we’ve seen about Gerald in this new timeline makes that seems puzzling, as he just doesn’t seem the type. Then his father, who is a real piece of work, explains what’s actually going on to Natalie, who appears to be taking the role of Jill in this new timeline since Jill has abdicated. It’s not completely explained, but it’s certainly ominous, and is not helped by Faris, who appears to be about to go full evil. I also really liked the look we got at the past Dragon Consorts, and how they all tried to have a wonderful relationship with the Emperor only for it to fall apart. It weighed the tragedy and fate just right.

Assuming you kept reading past the basic premise, this is an excellent volume in the series, from an author who really knows how to make everything feel that the words “BAD END” will appear on the very next page.

Third Loop: The Nameless Princess and the Cruel Emperor, Vol. 2

By Iota AIUE and Misa Sazanami. Released in Japan as “Nanashi no Ōjo to Reikoku Kōtei: Shītagerareta Yōjo, Konse de wa Ryū to Mofumofu ni Dekiai Sarete Imasu” by M Novels f. Released in North America by Cross Infinite World. Translated by JCT.

I always enjoy it when a series with an “artifact title” manages to find a way to work it into future volumes regardless. An artifact title is when you title a book or a show after something that happens at the start that gets fixed, and you’re then left with that title even though it really doesn’t make sense anymore. See, for example, The Ideal Sponger Life. Third Loop was an obvious candidate, as the Nameless Princess gets a name at the end of the book: Angelina. As such, well, how is she nameless? This ssecond volume, though, comes up with something quite clever: people are calling her “the Polaris Princess”, but are seeing her as her title or her power rather than as a four-year-old girl. (To be fair, she’s mentally a lot older… well, kind of.) So she once again has o deal with enforcing her identity upon those who would deny it. Luckily, she has friends.

We’re coming up on a ten-day celebration and ritual for her older brother Kyril. Naturally, having won over everyone in the first book, Angelina will have a large role, despite being four years old. Indeed, one of the main parts of the ritual HAS to be done by her, as the Emperor, um, sort of killed off every other women in his family to ascend to the throne. As one does. That’s not the only issue she’s facing. The goddess of the Heavenly Sovereign Temple has descended for the ceremony, and she does Not Like Angelina At All. There’s also the issue of some wells in the commoner part of the kingdom freezing up… in high summer. Could this be related to the demon tribe that their nation has been at war with, who have arrived seemingly just to be jerks? And can Angelina really solve everything by gumption and cuteness?

Well, nearly. As I alluded to above, this series is not really very good at making Angelina act her age. This is not an uncommon problem with time loop or reincarnation stories that start with them as a baby – technically they should act like they’re in their thirties, but the reader wants to see her be an adorable kid who lisps when she gets stressed. But maybe that’s the way to keep her from being too OP, as it’s clear that Angelina being adorable and forthright solves almost every problem in this book. It’s how she gets gods on her side. It’s how she deals with introverted royalty, insecure priestesses, and her bodyguard and best friend. She’s weaponized being cute as a button. (Perhaps too much – I could have done without the standard “overprotective dad” joke where he worries his four-year-old girl is running away to get married.)

So yes, flawed. But honestly, if you’re hear for the cute? You can put up with a lot of flaws. And the gumption and forthrightness is also excellent.