How I Swapped Places with the Villainess, Beat Up Her Fiancé, and Found True Love, Vol. 1

By BlueBlue and Meiji Anno. Released in Japan as “Danzai Sareteiru Akuyaku Reijou to Irekawatte Konyakusha-tachi wo Buttobashitara, Dekiai ga Matteimashita” by M Novels f. Released in North America by Cross Infinite World. Translated by JCT.

There are good elements to this book, which I promise I’ll get to later. But for the most part, as I was reading this I found myself thinking ‘we’ve finally hit the era of generic villainess books’. It’s boilerplate, and most things that it does do well (such as our heroine beating up her problems) are done better in other, more famous series and also ignored for the majority of the book. It features a super evil “heroine” character, which I have grown very bored with – if you’re going to be evil, you’d better at least be as interesting as Lilia. But the most annoying part of the book may be how easy it is. Everyone immediately figures out the problem and comes up with a solution. Our main character is overpowered. And mostly it’s just her friends doing a Noel Coward play while the heroine fumes. This book suffers from being smug.

You know how this begins. Truck-kun. After our main character is killed saving a mother and child from a truck at the cost of her own life, she meets a goddess who has a deal to make for her. She was killed by accident, so can’t be reincarnated in Japan. But fortunately there’s a bad situation in another world. Alexandra Vistriano is in a time loop. She has been betrayed by her friends and fiance, exiled, and brutally murdered four times now, and it’s about to be five. Her soul is so damaged by despair that she’s at risk of being lost forever. Could the main character, who grew up learning karate and is a bit of a tomboy, step into the villainess’ place? Of course! The new Alexandra has no issue beating the crap out of everyone trying to exile and betray her. That said… when she does that, time loops AGAIN, and Alexandra has to do everything for a sixth time.

I did mention the good things. There are some plot conceits I quite liked involving the time loops, which also help explain one of the book’s biggest and most ludicrous handwaves, the amulets of protection. I also really loved Alexandra finally snapping at the end of the book and screaming at Celette for everything she’d done, expressing sheer horror and disbelief that she could possibly be so cruel and uncaring. It felt earned. That said… the rest of the book feels too easy. Since Alexandra has her past life memories, AND she now has a ton more magic power thanks to the reincarnation, this particular loop mostly consists of the heroine failing over and over again and everyone sneering at her. Also, the main love interest is, well, a jealous and obsessive stalker, and YMMV with those types – I just read one two days ago in the other October CIW debut, so was less forgiving this time around.

And of course, one more common villainess book cliche – despite wrapping up all its plotlines in the first volume, there are four more. For completists only.

A Pale Moon Reverie, Vol. 3

By Kuji Furumiya and Teruko Arai. Released in Japan as “Tsuki no Shirosa o Shirite Madoromu” by DRE Novels. Released in North America by J-Novel Club. Translated by Jason Li.

The third volume of this series, as with the previous two, is very much concerned with people who are trying to control other people vs. people who want to live their lives freely, and it’s not a surprise that we’re very much on the free side. The bulk of the first two-thirds of this volume involves fighting against a god who really wants to have Sari do what he says, and is quite content to blow everything up if he can’t do that. We also have Xixu, hemmed in by his royal blood and his diligence to duty, who needs to be almost killed and possessed himself before he and Sari finally agree to make the choice we’ve been waiting almost 1000 pages for them to make. Even the last third, an epilogue, features a bunch of slave traders kidnapping people, or blackmailing them into evil. At the end of the book, one open ending has an antagonist, no longer being blackmailed, simply leave the city, unsure how to be free. Sometimes control can feel safer.

There’s war in other countries, but it hasn’t quite hit Irede yet. Unfortunately, as a result of the fight she had in the last volume, Sari accidentally left behind a pool of blood for the enemy to find – which the enemy can now use to essentially create a number of brainwashed assassins. A much more down to earth problem is that there’s a new guy showing up to the Pale Moon every day, and he wants to go to bed with Sari, and he is not taking no for an answer. And of course there’s Vas, now possessed by a God and very interested in making Sari give up her humanity and making Xixu dead. It’s becoming increasingly apparent that most everything that’s been happening to date is the god’s doing. As a result, it’s probably a very good thing that, after a bit more pouting and self-deprecation, our couple are finally ready to BE a couple.

So yes, spoiling the one question that everyone who’s read the first two volumes has, they do indeed have sex. Indeed, it’s possibly the most awkward first time ever, as due to all the machinations of the plot that have been going on, it also involves some death and resurrection. Which feels very fitting in a book with so many gods going on. Xixu remains the same awkward but heroic guy he’s always been, but it’s really striking how much Sari comes alive after she’s finally chosen Xixu as her life partner. The Epilogue section in particular shows her fully in control, kicking eight kinds of ass, and freezing bad guys in ice and then shattering them to bits. She’s gotten over her worries. I also liked the plucky young royal we saw here, introduced as a theoretical threat but in reality that’s defused almost immediately and she proves to be a savvy businesswoman with a good head on her shoulders – which is good, because she gets abducted. Abductions happen a lot in this series.

Fans of Kuji Furumiya should read this, of course, but it’s also a good read for those who are sick of isekai RPG-style fantasy and want something different. It also has a lot of cool sword fights, magic battles, and giant snakes. I loved reading it. And hey, a lot less death than I was expecting!

The Frugal Priestess Becomes a Saint

By Hanami Nishine and Suzuka Oda. Released in Japan as “Isekai kara Seijo wo Yobe to Muchaburisareta Shinkan wa, Cost Performance no Tsugou de Seijo ni Naru” by Muchu Bunko Aletta. Released in North America by Cross Infinite World. Translated by Kashi Kamitoma.

I always like it when a book hits all the things I enjoy, though sometimes I have to remind myself that it’s fine because it’s fiction. The main romance here works because a) despite even the publisher labeling the Crown Prince a yandere, he’s very careful to go so far and no farther, so he gets to be extremely possessive and give chilly looks to everyone else, but around the girl he loves he’s a total soppy sweetheart. b) Fiona, our heroine, is as oblivious as a bag of things that don’t know they’re hammers, but because she’s so serious and dedicated, it’s refreshing. She lacks the ditzy quality we frequently see from this type, and it’s also very clear why she’s like this – she’s been carefully kept in a gilded cage for the last ten years. The reason for that, frankly, is not a mystery to the reader, but it is to her.

Fiona Everett is a talented priestess and aide to the pontiff. Unfortunately, the King has demanded that they summon a saint, mostly as the country next door has summoned one and he really wants to keep up with the Joneses. They already tried to summon a saint ten years ago, but it failed, and summoning one again will cost a great deal of time, manpower, and MONEY. So Fiona has an idea. Since saints traditionally have black hair, a rarity in this kingdom, and Fiona also has black hair, why doesn’t she says the spirit of the saint possessed her and she can act as a fake saint? The crown prince and the pontiff seem to go along with this pretty easily. Honestly, a bit too easily. And because Fiona is an overly serious, bookish sort, she’s decided she is the Saint of Cost Performance, balancing the books so that we see a lot more fixed bridges and a lot fewer replacement wigs.

So yeah, not to spoil too much, but Fiona actually has no memories from before she was ten years old, where she was taken in by the pontiff and also when the crown prince started doting on her. It does not take a brain surgeon to figure out the big secret everyone is covering up. The best part of the book is how the writing keeps Fiona both likeable and powerful without having to back off on her not understanding why Linus is kissing her hair, going with her wherever she goes, and having her sleep in his lap when she’s exhausted. This is played for humor, mostly in the coments from everyone around them who cannot believe she doesn’t get it, and it really is funny. Everyone calls Linus a sexual harrasser, which is true in terms of the letter of the law, I suppose, but it’s not as if Fiona ever tells him to stop either. Basically, she’s unconsciously in love with him the entire book. We also do meet another saint from a different country, who manages to be an absolute terror and makes me very happy Fiona decidedly does NOT regain her memories at the end of the book.

It’s also only one volume long, so even the series is cost-effective! If you can put up with clueless but studious heroines and handsy, possessive (but not sadistic) princes, this is a must read. Also, it has Fiona solve a problem by slapping someone in the face over and over and over again, which was glorious and I now want that in every book I read.