Is It Wrong to Try to Pick Up Girls in a Dungeon? Astrea Record, Vol. 2

By Fujino Omori and Kakage. Released in Japan as “Astrea Record Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by GA Bunko. Released in North America by Yen On. Translated by Jake Humphrey.

I hate to break it to the author of this series, but the core readership are not 15-year-olds. They, I think, would get the most out of Lyu’s angsty rage and Erebus’ ridiculous trolley problems. The core audience of this series are the ones who have followed it since it began, which means my guess is most are in their thirties. And those folks might find Lyu’s emo teen phase just a little annoying. Or indeed a lot annoying. It’s very true to teenage life, I will admit, but I mean, having Lyu throw a shitfit is baked into her backstory already, do we really need for it to happen again, especially in a novel based on a game story that cannot actually affect canon? Fortunately, there are good parts to this book, including several rousing speeches. But honestly, if you want a light novel version of the “yet you participate in society! Curious. I am very intelligent!” cartoon by Matt Bors, you’re in the right place.

The cover shows Lyu looking down at the ground, despondent and despairing. Behind her is Ardee, who is smiling broadly, possibly as she’s dead and therefore doesn’t have to be in this book. Ardee’s death weighs heavily on a lot of people in this book, and she’s not the only one who’s died. The Evils are on the loose, and their goal is to make the adventurers give up. Lyu, being one of the shiniest and most idealistic of them, is the perfect breaking point, so Erebus is determined to break her. In the meantime there’s tons of fights, deaths,. gore and despair, but also some really cool life-saving, desperately never giving up, and some strong speeches by Finn, who has either been reading Churchill or Henry V. Who will win? (This is a prequel taking place 7 years before the series begins. We know who will win. And yet.)

There is one point in this volume that is easily the best by far, and it’s when Lyu, who is acting like a child, runs into 9-year-old Ais, a literal child, and the two of them have what is basically the sword version of a slapfight. I especially love Riveria, who stops the fight not by yelling at them, or by getting in between them, but by bonking Ais on the top of the head like she’s in Yotsuba&!. It was a lovely break from the rest of the volume, which is made up of half “Become vengeance, Lyu. Become wrath.” and half “I know you’re still in there so fight, damn you!” Astrea Familia gets a lot of time on the page, but I’d argue that the stronger moments go to the characters we know from the main series. There’s nothing wrong with Astrea’s folks, they’re just don’t have the raw impact of, say, Syr cheering them up while also handing out soup to everyone (a moment that works even better after the events of Book 18).

There’s one more to go, and hopefully we’ll get some answers about the Zeus and Hera bad guys, because let me tell you, I do not give two shits about any of the other villains. Still worth it for Danmachi fans, but prepare to be frustrated.

Spy Classroom: A Glint in Monika’s Eye

By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

Generally speaking a large chunk of fiction, especially fiction written for drama and starring teenagers, revolves around one major problem: the entire plot would not happen if only the characters would communicate with each other. Talking solves the problem, so we have to prevent that, either by character flaw or by authorial fiat. Fortunately, this new volume of Spy Classroom does not have that problem. Oh, sure, things are very bad and Monika is very much not talking about it. But, as the volume goes on, we come to realize that, at least if Monika is going to act in a way that’s true to herself, she cannot talk about this. As it would involve sacrificing a friend. Or a team. Or a country. Unfortunately, that’s very bad news for literally everyone else in the cast. Including most of the bad guys. And Monika, who by the end of the book is not quite suicidal, but close. Wacky fun times are absent here.

We pick up right at the cliffhanger ending of Book 6, with Monika betraying Lamplight. She breaks Thea’s arm, beats up Erna, puts Annette in the hospital, and kidnaps Grete. She’s teamed up with Green Butterfly, who is, of course, blackmailing her something fierce. Monika, being very clever, quickly realizes that “fake traitor” is not going to work in this case – though that’s not to say that she just completely turns evil – there are plans within plans, as is always the case in these books. Meanwhile, the rest of Lamplight are devastated and upset, but also still dealing with the fallout of the last two books. Can they manage to find out why Monika has betrayed them? And does it even make a difference?

I try to avoid giving away the major surprises in these volumes, and I will in this review as well. But we gotta talk about one, as it’s been around almost since the start, and it goes from subtext to text: Monika is gay, and unfortunately in the suspicious, Cold War-esque world that this takes place in, homosexuality is illegal. And while we’ve been told before that she’s in love with one of the members of Lamplight, here we find out who it is. It’s not too much of a surprise, and of course the enemy uses her as a threat against Monika – which works very well, as the seemingly cold and emotionless Monika has far less experience with feelings of love than anyone else in the group. If you enjoy old-school lesbian angst, with sturm und drang, unwillingness to confess because they’re sure the other party doesn’t love them, and a last-minute “I love you” before Monika gets sent to Super Hell cliffhanger ending’d on us, this is right up your alley.

So the next book should, theoretically, wrap up this arc. Unfortunately, most of the cast is in prison, in the hospital, or presumed dead. The good news is that if you love Lily, Sybilla or Sara, you’re going to have a ball. Sara gets the cover at last, and for once we don’t have a SS volume breaking up up. That said… how are they gonna resolve this?

Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside, Vol. 11

By Zappon and Yasumo. Released in Japan as “Shin no Nakama ja Nai to Yuusha no Party wo Oidasaretanode, Henkyou de Slow Life Surukoto ni Shimashita” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

I did not intentionally line up two books in a row where the plot is “the author tries to write a light and fluffy vacation volume, but cannot help hammering on the more serious plot”, it just turned out that way. So yes, if you read Seven Spellblades and this series, you may want to stick something else in between them. As for the book itself, it’s quite good, continuing to hammer on the main themes of this series (destiny vs. free will, fighting god, etc.) while also trying to let our heroes get in some swimming and beach volleyball. That said, when you have to remind yourself to make happy memories, there’s something going wrong, and it’s arrived in the form of the latest antagonist, who is (what a surprise) on a mission from God. The end of the series has been announced in Japan, but I think that Red and Rit will be battling till the end.

It’s the height of summer, and Zoltan is far too hot, meaning no one is shopping for apothecary items. Perfect time to take a vacation, right? They can also invite along Tanta, who we just discovered has the blessing of the Cardinal, which definitely gets in the way of following in his parents’ footsteps. Heading out to a remote island, they get in some swimming (and fighting sharks), some boat building, some fishing, and some barbecue. Unfortunately, also on the island is an ascetic woman who has blinded herself to better serve her faith for God, and she’s clearly very suspicious, and very eager to talk to Tanta. Can he really achieve his dream of being a carpenter? Or is he going to have to be indoctrinated by the Church, (and, it’s implied, have to fight Ruti and Red)?

There’s a lot of good stuff here. The series themes are handled very well, with some good discussion of how to work with your blessing without letting it control you, and Eremite is seen as someone whose family couldn’t do that, and she is course correcting far too much in the other direction. She makes a very good one-book antagonist, though she may come back. Tanta is the real winner here, being forced to use his skill points for healing (which puts him on the fast track to the Church, not the house building), but his response about what he thought when he saw the family in that collapsed house is wonderful. As for the “little things” in the series, Red and Rit are cute and flirty, Ruti is badass, Mister Crawly Wawly is fantastic, and there is, thankfully, zero incest subtext this time around.

There’s a prologue I skipped over, and now that we know we’re in the final third I’m sure it will be relevant in future books. For now, though, I’m still quite pleased with this slow life series that, like most of them, struggles for every relaxing moment.