A Misanthrope Teaches a Class for Demi-Humans, Vol. 2

By Kurusu Natsume and Sai Izumi. Released in Japan as “Jingai Kyōshitsu no Ningen-girai Kyōshi: Hitoma-sensei, Watashi-tachi no Kibo o Mitsukete Kuremasu ka……?” by Media Factory. Released in North America by Yen On. Translated by Linda Liu.

This is the sort of series where you can call the second volume “more of the same” and have it be a good thing. We’re here for very specific things. We want to see new students trying their best to become human, and we also want to see Hitoma, despite everything, be a really great teacher who is slowly regaining his faith in humanity. We’ve still got the three students from before, and now we add three, which gives us a lovely opportunity to dig into why these girls want to become human. Sometimes it’s pretty easy, like Minazuki and her desire to be a dancer (she’s still graduated, by the way, and doesn’t show up in this second book). Sometimes it’s harder, like Usami, whose goals have gotten so large that they’re almost impossible to achieve. And sometimes they’re… well, done to please someone else. And that forms the crux of the most interesting part of this book.

As noted, there are three new students in the classroom this year. Karin Ryuzaki is a dragon girl who has fallen in love with her teacher at first sight, and is determined to confess – despite the obvious issues with a student teacher romance. Machi Nezu is a mouse girl with an obsession with food and also an obsession with her little sister, who is in the lower grade of the school. And Neneko Kurosawa is a cat girl who seems to sleep most of the time and be relatively uninterested in class when she’s forced awake. When asked why she wants to be human, she replies at first that it’s a secret, then later that it’s someone else’s desire. But Neneko has a bigger secret, one that will severely impact her time at this school: she doesn’t actually want to become human at all.

The other girls do also get attention paid to them. We now know Haneda’s secret, of course, so she has a larger role than usual. Usami is trying harder than ever, but at least is allowed a bit of closure from her previous life. And Ohgami is… well, I hesitate to say that she’s the weak link. Her story is touching and feels earned. But I get the sense she graduated mostly as the author had run out of things to do with her. We don’t even see the “split” that is supposed to allow both aspects of her to pursue separate human lives, it’s all implied. Bit of a bummer. By contrast, Neneko’s story is the most interesting, being a companion of a witch who is at risk of becoming a yokai rather than a human. But she’d rather deal with that than deal with being separated from the one she cares for, and I like that she’s able to get that across and that they’re searching for a solution.

The book ends with a cliffhanger that makes me wonder if it will end in the next volume, as it certainly promises to wrap up Hitoma’s past trauma. But the 3rd book in the series only came out a few days ago in Japan, so it will be a while. Till then, this is good fun and heartwarming.

Alya Sometimes Hides Her Feelings in Russian, Vol. 4.5

By Sunsunsun and Momoco. Released in Japan as “Tokidoki Bosotto Russia-go de Dereru Tonari no Alya-san” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Matthew Rutsohn.

I joked on Twitter that after Agents of the Four Seasons (which was terrific) and The Deer King (which was sublime), anything read after it would always suffer in comparison, so I’d have to “sacrifice” a series and it might as well be Alya. Honestly, though, I think I’d have been ‘meh’ about this volume even if it hadn’t come after books that are much better than it is. First of all, and most obviously, my least favorite part of the series to date was the horrible hypnosis subplot in the third book, and so it’s not surprising that I greeted a short story that’s basically a sequel to that with numb horror. More to the point, though, the last volume was relatively disconnected to begin with, showing the cast on summer break, so I’m not sure why we needed another volume that shows the summer break stories we missed the previous time. Can’t we just get on with the plot?

The stories: 1) Sayaka and Yuki bond over their love of otaku stuff, but that also means they’re rivals; 2) A day in the life of Nonoa, whose facade hides a whole lot, and her underlings she has picked up from the bottom; 3) Alya and Ayano both suffer trying to cure their fear of spicy ramen; 4) Masachika and Yuki’s father gets home from overseas, and realizes that his son and daughter are a bit weird; 5) The cast try to clear up the “seven mysteries of the school”, which involves wandering around the school late at night; 6) Part 2 of this, involving Alya and Masachika getting “locked” in a gym storeroom; 7) Part 3 of the story, where we deal with Maria and Alya’s fear of ghosts, and discover that ghosts can be punched; 8) The story of how Touya and Chisaki met; 9) more hypnosis; 10) Maria and Alya go shopping for swimsuits; 11) the cast has a “guess who cooked what meal” competition; 12) the girls, late at night at the summer event, talk about love; and 13) Masachika and Alya, on the subway, discuss the kiss that happened in Book 4.

As with most of these collections, some stories are better than others. I enjoyed the “guess who cooked what” chapter more than I expected, mostly as it did not fall into the trap of anime cliches. Sayaka and Yuki being giant nerds was also amusing, though honestly we get that from Yuki all the time. Masachika and Yuki’s own father worrying they’re a bit too incestuous helps to show why the two of them have gotten away with hiding their sibling relationship for so long – people don’t want to pick the creepy option. And the final chapter was sweet and quiet, and probably should have been in the fourth book to begin with. Aside from the one I mentioned above, none of these were bad, but they weren’t essential – even the author admits they’ll never be brought up in the main series. It is a quintessential .5 volume.

Fortunately, Vol. 5 is next. Let’s hope for plot.

The Deer King, Vol. 2

By Nahoko Uehashi and Masaaki Yamamoto. Released in Japan as “Shika no Ō” by Kadokawa Bunko. Released in North America by Yen On. Translated by Cathy Hirano.

There’s a lot that happens in this book, and much of it is in the back half. But I’ll be honest, for me the book’s main purpose was achieved right before then. We spent the entirety of the first book going back and forth between two narrative strands, one with Van and his struggles, the other with the doctor, Hohsalle, and his attempts to fight the ongoing plague. There was a great deal of tension because we really wanted the two of them to meet, but they never did. The same could be said of this volume as well, though the narrative here is a lot more weighted on the Van side by the end. So when they finally meet, it’s the payoff we’ve been waiting for, and it’s easily my favorite part of the book. Which is odd, because this book is filled with action scenes, tragedy, political wrangling, and good old fashioned terrorism. But yeah, my favorite part is Hohsalle breaking down exactly how antibodies and vaccines work.

We pick up where we left off. Yuna has been kidnapped, and Van is trying to go after her, helped along the way by Sae, the woman who fell off that cliff and distressed Makokan so much. While trying to find her, he ends up meeting Ohfan, chief of the Ahfal Oma, who has big big plans for Van. Mostly as Ohfan’s father, Kemoi, is the Dog King, and can lead the infected dogs to do his bidding. Van, of course, is also able to do this. Now they finally have a way to destroy the invaders once and for all. There is just one slight problem: Van doesn’t want to do this at all, so they’re going to have to somehow trick, blackmail, and use underhanded ruses to get what they want. Meanwhile, Hohsalle continues to struggle to try to get a vaccine for the illness going around, but he might actually be helped by the missing Yuna, who turns out to be able to see the lichen that provide what he needs.

This book has too large a cast. Even the helpful cast list provided at the start is long and unwieldy. It doesn’t help that, because this is an immersive fantasy novel, all the names of fathers and sons look very similar except for a couple of letters. That makes it hard at times to follow along with the actual plot. That’s OK, though, as I’m not sure I was reading this book for the plot. This is a book you read for mood, and in that it excels. That said, there were as few plot-related things I was following. Van and Sae, both middle-aged and grieving, end up having a sort of slow-burn kinda romance that is sweet to see. I also wanted to see if this book was going to be a downer at the end, and the answer is, kinda but not really. Can has everyone he really needs.

If you like mature, serious fantasy, this is a winner. Just… have a good memory for names.