Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters!, Vol. 4

By KAYA and Naru. Released in Japan as “Tensei Shōjo wa Mazu Ippo kara Hajimetai: Mamono ga Iru toka Kiitenai!” by MF Books. Released in North America by J-Novel Club. Translated by Amy Osteraas.

I am frequently proved wrong when I write reviews of light novels, but it’s rare I’m proven this wrong this fast. Last volume I wondered if we could get a bit more of happy, joyful Sara because I was annoyed with cranky, grouchy Sara. I am prepared to do a complete 180 – after this volume, I think the reason I find Sara most interesting is because she’s always so bitter about everything. First of all, it helps to differentiate her as a character from various other plucky young girls who were reincarnated and now have massive amounts of power in their adorable teenage bodies, and secondly because it’s not really tied into her past life in Japan. We know she spent most of it sick, and that is why she seems to find such joy in seemingly normal things in this world (like the butterflies), but the cranky “why are you telling me what to do/including me in your drama?” is entirely her own self, and it’s just fun.

Sara, Allen, Nelly and Chris are headed towards Nelly’s hometown to get Nelly’s family to become Sara’s guardian, so that she is less likely to be forcibly abducted by the knights. On their way there, they come across a village dealing with an infestatio0n of seven-colored swallowtails, a butterfly monster whose skin can cause paralysis when touched. When they arrive in Hydrangea, Nelly’s hometown, there is some predictable family stuff, and we learn that Nelly is basically exactly what we guessed she was, but their dungeon is also having a swallowtail infestation. In addition, Sara seems to have finally realized that when she’s not being pushed into it by anyone, she really DOES want to be an apothecary, so she starts learning basic things at the guild -her education with Chris having been erratic, to say the least.

One source of Sara’s constant simmering annoyance is the fact that everyone is trying to decide her future for her, be it passively or actively. Chris, of course, wants her to be an apothecary, and that’s one reason she took so long to decide she actually likes doing that. Nelly and Allen want her to be a hunter, since she’s got fantastic power and ability for it, but, as we see in possibly the best scene in the book, she simply doesn’t have the stomach for it – she can’t kill off monsters like it’s a game, she sees them as living creatures who don’t deserve to die. I loved her delight at seeing hellhounds in Hydrangea’s dungeon, essentially putting them on the same level as her wolves from back home. Speaking of home, it’s interesting to hear that the ‘Dark Mountain” is not just a dangerous place, but a real dungeon – dungeons simply work differently in this world. So Sara was essentially reborn at the bottom of a dungeon, like a final boss. How apropos.

The cliffhanger ending of “if we can’t take her by force, we’ll take her by marriage” implies she’s going to have to go to the capital next volume, so I do not expect her snark to recede anytime soon. This remains an enjoyable reincarnation series.

Private Tutor to the Duke’s Daughter: Illusions of History

By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by William Varteresian.

Private Tutor to the Duke’s Daughter is hardly the first Japanese series to feature what are, for want of a better term, “battle maids”. They’ve been around for as long as there have been anime. Generally speaking the key two aspects of battle maids are that they are ludicrously good at combat, but also incredibly proud of being maids, also to a ludicrous degree. That said, Leinster maids also have one very important aspect to them, one that can even get in the way of maid duties or combat: they like to watch Allen and Lydia be sweet together, and gush over it. In essence, they are us, because that’s exactly what I did in the last book, and in the parts of this book that feature the same thing. Oh, yes, and as if that weren’t enough, some of the maids are also orphans, kids who were discriminated against, or in one case a literal experimental child soldier. None of that matters, though, as long as you can protect Lydia and take video of her being tsundere.

When we left off, Allen and Lydia had just lost to a hideously powerful vampire woman, who fortunately had to leave before she could take care of them once and for all. Now they’re recovering their strength, trying to research vampires, protecting the boy that everyone seems to want to kidnap, and of course Lydia is also putting in the “you’re in love with me, right?” press every second of every day. (Allen’s response is ambiguous, as you can guess, but it’s clear he’s mostly lying to himself.) Unfortunately, the vampire’s reason for leaving them was to help the Church make sure this war absolutely starts, and by the end of the book they’ve pretty much almost succeeded. While back on the Southern Continent, everyone is trying to assault an impregnable castle, and they will need to combine all their “in love with Allen and badass” powers to make it happen.

Tina, once again, gets some stuff to do but is not the focus, though that should change by the next book. The main narrator here, aside from Allen, is Lynne, who has always suffered a bit from being “smaller, more sensible Lydia”, and indeed her big spell is Firebird, only this one is not backed up by an ancient hard to control spell. Lynne, like the rest of the female cast, is mostly defined by “being in love with Allen”, and you get the sense they’re all doing this not so much to save the country as to not disappoint him. Caren also gets a lot to do here, and she and Lynne have a final confrontation against a smug Church kid, and Lynne, Caren and Tina are headed off to the City of Water for the next book. Stella is still suffering from Magical Plot Device Disease, but she’s better at being a general anyway. Only Ellie suffers, as it’s frankly clear that the story has outgrown her since Book One, but the author hasn’t the heart to get rid of her, as she’s simply too nice. (And clumsy, but only around Allen. The girls know how to abuse tropes in universe.)

So yes, after a huge arc, we’re getting another huge arc, as this war (or near war) is not ending anytime soon. If you enjoy watching girls beat the shit out of people and pine for a perfect guy, keep reading, you’ll get more of it.

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 14

By Toshio Satou and Nao Watanuki. Released in Japan as “Tatoeba Last Dungeon Mae no Mura no Shonen ga Joban no Machi de Kurasu Youna Monogatari” by GA Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

I was somewhat surprised when I read the afterword to find that the 15th volume of this series is supposed to be the last. Honestly, this felt like the sort of series that could go forever, even if it did feel like it was wrapping up all the plot points. But here we are, with the penultimate volume, and the focus this time is definitely on our main Big Bad, Eve. She’s always been a fairly dislikable figure, even in the bunny suit, and the prologue we get here hammers home why she’s far more loathsome than anyone else in the cast could ever hope to be. That said, we get the next best thing: to see the narrative treat her almost as badly as the other characters in this series. (I say almost. Marie is still the worst. Sorry, Marie.) Almost every single woman in this cast has humiliated themselves because they’re in love with Lloyd, after all…

A prologue gives us the full story of what we already know: Eve has possessed the body of Vritra’s daughter Asako, who has the same incurable disease Eve has, and has been running amuck in said body since the very start of this. Now she’s blackmailing Vritra to finish her new, adult body… though when it’s finally revealed, everyone notes it’s a bit too bling for anyone to really appreciate. In the meantime, a summit is being held to accuse Eve of her crimes, held in Eve’s own country… except the king and queen are sending Lloyd and Maria as their representatives, knowing that Lloyd is a secret weapon that can defeat almost any evil plan. That said, I don’t think anyone expected this evil plan to go off the rails in QUITE this way…

So yeah, this is one of those books that’s eclipsed by its best scene, which overwhelms the rest. Don’t get me wrong, there’s some funny stuff here, and even a bit of drama, but the interrogation of Eve, and her responses to same, is pitch-perfect. Eve, of course, is baffled that she’s behaving this way, possession or no, but it makes sense: inside her rests a 17-year-old girl whose dream it is to be rescued by a prince on a white horse, and Lloyd ticks every single box imaginable. Of course love was going to come into the equation. And I appreciate that it’s the possession talking, because that’s what makes it funny rather than creepy – Eve herself may be influenced by this, but when push comes to shove, she literally concusses herself to stop it and move on with her evil plan.

So yeah, now Eve has a new superpowerful body, looks like she stepped out of a Donki, and is headed off to take out Alka and her village of oveerpowered superpeople with her anti-superperson serum. I’d be worried, except, well, Lloyd. Also, who (snicker) will Lloyd end up with (guffaw) in the end? (Come on, we know this is not resolving jack.)