Villainess Level 99: I May Be the Hidden Boss but I’m Not the Demon Lord, Vol. 4

By Satori Tanabata and Tea. Released in Japan as “Akuyaku Reijō Level 99: Watashi wa Ura Boss Desu ga Maō dewa Arimasen” by Kadokawa Books. Released in North America by J-Novel Club. Translated by sachi salehi.

The anime is currently airing as I type this up, and it’s quite enjoyable, if very low budget. It’s also doing something very sensible, which a lot of series are doing lately: it’s adapting the manga, not the light novel. This is obvious if you watch any scene with Alicia, who is simply far more sympathetic and nice in the manga than she ever was in the LN. I’m not sure how the manga resolves the Alicia plotline, if it’s even gotten to that point yet, But I remember how the light novel did, with Alicia essentially under house arrest, and still traumatized by the finale of the first book. And, as it turns out, the author was rather jealous of how Alicia was handled in the manga. And so, after taking a couple of books off, Alicia returns for this new book. Unfortunately, this is still the light novel version of Alicia, which means that the reunion is more pathetic than anything else.

After resolving issues with her alternate universe self, there’s not really much standing between Yumiella and Patrick’s wedding… except for Yumiella, who suddenly realizes that a large wedding is exactly the sort of thing she doesn’t want. Given this, she naturally decides to fly to the moon. This doesn’t work out, so instead she plummets into the neighboring country of Lemlaesta… which you may recall is the country that Patrick’s mother despises. There she meets a man named Gilbert, who looks a lot like Patrick. And he has the same name as Patrick’s brother, something which Patrick just told Yumiella before all of this insanity happened. Naturally, she doesn’t recognize him. Incredibly, she also manages to fool (?) him into thinking she’s not Yumiella. Can the two densest people alive possibly manage to stop a war?

How much you enjoy this book may depend on how much you can tolerate Yumiella being even more of an airhead than usual. The anime reminds me just how far off the rails she’s gotten since the first volume, and she now rarely if ever manages to descend to anything resembling reality. There are a few times when I just wanted to throttle her, particularly when she tried to jump to the moon to run away from her problems. On the bright side, sometimes Yumiella being this dense really is very funny, and once you get behind the idea that she and Gilbert don’t know who the other one is, despite the 87 billion clues each one has, you just roll with it and laugh. And yes, Alicia comes back. More interesting than her actions in this book (which are predictable as hell) is the fact that she’s being trained to be a weapon that will be deployed in case the country’s bomb (Yumiella) goes off. I’d feel bad for her if it weren’t for, well… (waves hand at everything Alicia does in this book).

I didn’t even mention Yumiella measuring her new level, which leads to some of the best jokes but also sets up the final confrontation. Oh yes, and Yumiella sprouting wings like an Evangelion shout out. In any case, despite Yumiella starting to get a bit *too* dense, this is still a series I enjoy.

The Condemned Villainess Goes Back in Time and Aims to Become the Ultimate Villain, Vol. 1

By Bakufu Narayama and Ebisushi. Released in Japan as “Danzaisareta Akuyaku Reijō wa, Gyakkō-shite Kanpekina Akujo o Mezasu” by TO Books. Released in North America by Airship. Translated by Alyssa Niioka. Adapted by Vida Cruz-Borja.

As I was reading this volume, I thought about the simple fact that there are too many villainess books at the moment. It’s inevitable, of course, just as there are too many isekai books (though that’s slowing down a bit), and that we briefly had too many high school romance books before that bubble quickly burst. And so I start to drill this new series down into subcategories. There’s no Japan or otome games involved, which is nice. Aside from the time travel, there’s no magic here. It’s one of those “person goes back in time” series like Tearmoon Empire, though this series is far more serious than Tearmoon. As expected, “becoming the ultimate villain” mostly involves things like trying to be a good person and avoid making the same mistakes, rather than “getting revenge” or anything. And, unfortunately, its biggest weakness is one that many other villainess books possess: there’s a “heroine” as well, and in order to balance against our clever villainess, the heroine is an amazingly annoying dipshit. Anti-Maria Campbell Syndrome.

Unlike a lot of other villainesses in this genre, Claudia Lindsey really was an annoying, petty villainess who tried to sabotage her half-sister Fermina, and is somewhat poleaxed to find that everyone hates her and she is not only not engaged to the Prince, but she’s being sent to a nunnery. Things do not improve when, on the way to the nunnery, her carriage is beset by bandits and she’s kidnapped and sold into a brothel. She spends the next few years there. maturing and realizing how shallow and selfish she had been. She also becomes a top-notch sex worker. Unfortunately, her one main ally dies from disease, and a couple of years later Claudia also passes away… and wakes up ten years earlier, in her 14-year-old body, on the day of her mother’s funeral. After realizing what’s happened, she takes advantage of “grieving” for her mother to completely redo her personalty, gain actual allies, and avoid the fate which Fermina manipulated her into last time. Because oh yes, Fermina is not a nice person, regardless of the timeline.

The strengths and weaknesses of this book are similar to other “serious” villainess books. The weakness is Fermina, who despises Claudia for having the life she feels she deserves, but without Claudia being shallow and vapid, Fermina can’t achieve anything she did in the past timeline, and is reduced to a one-note character we’re happy to see the back of at the end of the book. The strength is Claudia, who I greatly enjoyed. I liked that she is 10 years older in mind but still has room to mature, and in fact a lot of her actions are driven by her terror of Fermina somehow gaining the upper hand on her again. I also appreciate that this is a heroine who is allowed to have a libido: we don’t see her sex work, but she’s certainly more experienced in flirting than a woman of her age and noble status should be, and her growing horror as she realizes that teenage hormones means that she’s not able to put a lid on things as much as she’d like to is amusing. I also enjoyed her casual bisexuality, as she admits she finds one of the prince’s bridal candidates to be just as enticing as the prince.

The rest of the cast are good but stereotypical: the sadistic prince who loves Claudia because he can’t tell what she’s thinking; the beleaguered aide, the doting older brother, and the ludicrously loyal maid (who is her former mentor at the brothel in her former life, because nobles rescuing women from terrible fates and making them household workers is another villainess cliche). If you’re looking for something new, look elsewhere. If you’re happy with more of the same, this is quite good. It also feels like it ended with this volume, but there’s 4+ more out in Japan, so…

You Are My Regret, Vol. 1

By Shimesaba and Ui Shigure. Released in Japan as “Kimi wa Boku no Regret” by Dash X Bunko. Released in North America by Yen On. Translated by Andria McKnight.

As with the author’s previous series, I wasn’t going to originally be reading this at all. Mostly that’s because the author’s previous series was Higehiro, and the first volume of that annoyed me in about 8,000 different ways. The other reason is that it has a title and cover art that made me think it was another of Yen’s many “license the novel based on a new animated Japanese movie starring a young teenage couple whose love is perfect and yet also tragic”, and I’ve kind of gone off those. But then I saw it was none of those, that’s it’s a romantic drama which tries to dig into the concept of “free spirits”, being selfish about being selfless, and how middle school students are dumbasses who can’t talk to each other. Honestly, the same holds true in high school, which is why this is a romantic drama and not a comedy. Everyone is in love and it’s killing them inside.

Back in middle school, Yuzuru and Ai dated. She had confessed to him, and he loved being around her. They walked around, did couple-y things, etc. But eventually the pressure of thinking that Ai was the sort who shouldn’t be tied down to anyone and should live her life freely got to be too much for Yuzuru, and he broke up with her while badly communicating this. Shortly afterwards, her family moved away,. and he now contents himself with sitting in the literature club classroom, reading, and being completely oblivious to the feelings of angry tsundere Kaoru. Unfortunately for him, Ai has moved back and is transferring into their school. Even worse, she’s still in love with him. Can they manage to recover their relationship and figure out what went wrong in the first place?

This was a bit of a mixed bag for me. That’s actually a plus, because it means that it rises ahead of Higehiro. Unfortunately, it does that by actually taking place in high school and featuring kids the same age, meaning it doesn’t have 90% of what made Higehiro annoying. It does have the remaining 10%, which is Yuzuru, the male love interest. I want to push him into a canal. That said, I get it. He’s a high school kid. He’s also one of those “cool intellectuals” who really isn’t, and fails to understand how women think or even that they do. I really pity poor Kaoru, who not only is clearly in love with this schmuck but also has to take him by the hand and lead him to the actual clue, that clue being that when you break up with someone because you feel dating them is too selfish, you need to ask yourself what it means to be dating, AND talk to the other person. As for Ai, I am honestly not sure it’s healthy for her to BE dating him at this point, but I suppose that’s what fiction is for. She is a ball of energy and angst, and I hope we get more depth about her in the next two books (a 2nd book from her perspective would help, but I’m not expecting that.)

This is a compact three volumes in Japan, so it should resolve things fairly quickly. I wasn’t wild about it, but I’ll try another volume. Just remember that teenagers are idiots.