By Iota AIUE and Misa Sazanami. Released in Japan as “Nanashi no Ōjo to Reikoku Kōtei: Shītagerareta Yōjo, Konse de wa Ryū to Mofumofu ni Dekiai Sarete Imasu” by M Novels f. Released in North America by Cross Infinite World. Translated by JCT.
In the first book, we dealt with a girl who is so mistreated that she’s not even given a name. In the second book, Angelina has a name, but everyone still only regards her in terms of her position and power, rather than as a person. That continues in this third book, but it’s OK, because we have someone who’s been with her almost from the start who sees her as a person. The title is now truly incorrect. That goes both ways as well, as the plot complications mean that the emperor is forced to confront his past and accept that he really did earn his “cruel” title, while also admitting that he doesn’t really want to sacrifice it all because he was a bit of a dick, but rather wants to live with his family and do better. Both Angelina, though her loops, and Feilong, through what happens in this book, become better people. Well, Angelina doesn’t have far to go.
Angelina is riding a high. Everyone adores her, she has her best bud Ryuho, and also joining them at the academy is other best bud Hisame. Then a traveling player band of refugees from the destroyed country Yule (home of Angelina’s late mother) arrive, and they show off their shadow puppetry. Unfortunately, when their leader has Angelina try out the magical barrel organ they use to control the puppetry, it activates a horrible magic… which the Emperor blocks and takes himself. This causes the emperor to become a small child… in both mind and body! Worse still, the leader of the troupe was the only one who really had bad intentions, and he turned out to be a fake. Now the three youngsters have to try to find a way to restore Angelina’s father…which involves searching for a legendary beast who will only speak to the pure of heart. Good thing they have our main cast, who are so pure they squeak.
Angelina always works best when she’s in deadly peril. The start of the book reads a bit smug, as everyone loves her, she loves everyone, and things are all sunshine and roses. Thank goodness that doesn’t last. There’s the trauma of her past lives still weight in on her unconsciously, as she knows she still hasn’t actually said “I love you” to her father yet. There’s her father’s own actions, as she argues with an all-powerful spirit about how sometimes purging an evil family by killing them may not actually be worse than BEING an evil family. My favorite part is where it turns out that the one who’s been controlling everything in this book turns out to be a bit of a scapegoat himself, and when given the choice between “let your father die” and “let me die”, Angelina naturally chooses neither one of those. Which, well, leads to more folks being utterly devoted to her. By the end of the book she’s Queen of her mother’s now restored country, and has Ryuho proposing to her. But the most important part may be that she finally gets to go back to the pub she spend her past life in and eat its really great food once more.
This was, provided you can get over the aggressive, weaponized adorableness of its heroine, a decent, solid series. I’m glad Angelina has a name, a tiger boy fiancee, and most of all, no more timeloops. 3 more and she’d hit her 7th time loop, and that’s been done.
