Durarara!! Side Stories?!

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By Ryohgo Narita and Suzuhito Yasuda. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Even more than the Index SS volumes, I’m surprised that this is coming out over here at all. With Index, at least, you can argue that the SS books genuinely affect the plot of future novels. This one is a collection mostly of stories that ran in one or more of Dengeki’s 87 million tie-in magazines, and half the book is a tie-in to either a Japanese video service or a Narita series that has not been licensed over here and likely will never be unless it gets an anime. That said… it’s still a fun volume, because this is Durarara!!, and it’s ridiculous, and I’m just happy to spend more time with these idiots. There are no short stories in here that made me annoyed, though I will note that two of them do accidentally feature the same sort of thing. As for Vamp!… yeah, can’t do anything about that. Hope that Vamp! gets an anime.

The stories: 1) While eating the hot pot as seen in the main novels, we get “what were Mikado and Masaomi like as kids?”, “how did Anri and Mika become twisted friends?”, and “how did Shizuo and Tom meet?”. 2) A goon decides to impersonate Shizuo, a decision so hilariously awful that the rest of the story coasts by on “watch him suffer”. 3) Some quick hit short-shorts starring Celty. 4) We hear about the coming-of-age ceremony of Shizuo, Izaya, Kadota and Shinra. You can imagine how well it goes. 5) A desperate Erika tries to get Celty to become a Niconico streaming star, as Erika is in a war with a rival streamer. The identity of this rival may surprise you. Or not. 6) In a crossover with Vamp!, an unnamed succubus comes to Japan to feed off the desires of victims, but quickly realizes that everyone in this series is dangerously unhinged.

There are, honestly, two short stories here that are head and shoulders above the others, and unsurprisingly they’re the two that feature information that we really should have gotten in the main series. Mika and Anri’s meeting and subsequent friendship is not only driven by Mika’s supposed “need to have someone around to make her look better”, but also the culture of high school bullying in Japan, and she’s fantastic in it. (Speaking of Mika, the succubus chapter points out that while she’s obsessed with Seiji, there is zero sexual desire involved.) The other really good story is Shizuo meeting Tom, who right away is absolutely the best thing that’s ever happened to him. Elsewhere, the fake Shizuo story was very silly and dumb, though I liked seeing Vorona again. The succubus story (I don’t think she’s a cast regular in Vamp!) mostly serves to show off how bonkers Walker is. And there’s honestly too much Erika here. Finally, the book’s surrounding interstitial material is basically “Shinra and Celty are adorable”, which we already know.

DRRR!! fans should feel happy reading this, and are now doubt asking Yen about Vamp! as we speak. It’s a nice look back.

Is It Wrong to Try to Pick Up Girls in a Dungeon? Astrea Record, Vol. 2

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By Fujino Omori and Kakage. Released in Japan as “Astrea Record Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by GA Bunko. Released in North America by Yen On. Translated by Jake Humphrey.

I hate to break it to the author of this series, but the core readership are not 15-year-olds. They, I think, would get the most out of Lyu’s angsty rage and Erebus’ ridiculous trolley problems. The core audience of this series are the ones who have followed it since it began, which means my guess is most are in their thirties. And those folks might find Lyu’s emo teen phase just a little annoying. Or indeed a lot annoying. It’s very true to teenage life, I will admit, but I mean, having Lyu throw a shitfit is baked into her backstory already, do we really need for it to happen again, especially in a novel based on a game story that cannot actually affect canon? Fortunately, there are good parts to this book, including several rousing speeches. But honestly, if you want a light novel version of the “yet you participate in society! Curious. I am very intelligent!” cartoon by Matt Bors, you’re in the right place.

The cover shows Lyu looking down at the ground, despondent and despairing. Behind her is Ardee, who is smiling broadly, possibly as she’s dead and therefore doesn’t have to be in this book. Ardee’s death weighs heavily on a lot of people in this book, and she’s not the only one who’s died. The Evils are on the loose, and their goal is to make the adventurers give up. Lyu, being one of the shiniest and most idealistic of them, is the perfect breaking point, so Erebus is determined to break her. In the meantime there’s tons of fights, deaths,. gore and despair, but also some really cool life-saving, desperately never giving up, and some strong speeches by Finn, who has either been reading Churchill or Henry V. Who will win? (This is a prequel taking place 7 years before the series begins. We know who will win. And yet.)

There is one point in this volume that is easily the best by far, and it’s when Lyu, who is acting like a child, runs into 9-year-old Ais, a literal child, and the two of them have what is basically the sword version of a slapfight. I especially love Riveria, who stops the fight not by yelling at them, or by getting in between them, but by bonking Ais on the top of the head like she’s in Yotsuba&!. It was a lovely break from the rest of the volume, which is made up of half “Become vengeance, Lyu. Become wrath.” and half “I know you’re still in there so fight, damn you!” Astrea Familia gets a lot of time on the page, but I’d argue that the stronger moments go to the characters we know from the main series. There’s nothing wrong with Astrea’s folks, they’re just don’t have the raw impact of, say, Syr cheering them up while also handing out soup to everyone (a moment that works even better after the events of Book 18).

There’s one more to go, and hopefully we’ll get some answers about the Zeus and Hera bad guys, because let me tell you, I do not give two shits about any of the other villains. Still worth it for Danmachi fans, but prepare to be frustrated.

Spy Classroom: A Glint in Monika’s Eye

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By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

Generally speaking a large chunk of fiction, especially fiction written for drama and starring teenagers, revolves around one major problem: the entire plot would not happen if only the characters would communicate with each other. Talking solves the problem, so we have to prevent that, either by character flaw or by authorial fiat. Fortunately, this new volume of Spy Classroom does not have that problem. Oh, sure, things are very bad and Monika is very much not talking about it. But, as the volume goes on, we come to realize that, at least if Monika is going to act in a way that’s true to herself, she cannot talk about this. As it would involve sacrificing a friend. Or a team. Or a country. Unfortunately, that’s very bad news for literally everyone else in the cast. Including most of the bad guys. And Monika, who by the end of the book is not quite suicidal, but close. Wacky fun times are absent here.

We pick up right at the cliffhanger ending of Book 6, with Monika betraying Lamplight. She breaks Thea’s arm, beats up Erna, puts Annette in the hospital, and kidnaps Grete. She’s teamed up with Green Butterfly, who is, of course, blackmailing her something fierce. Monika, being very clever, quickly realizes that “fake traitor” is not going to work in this case – though that’s not to say that she just completely turns evil – there are plans within plans, as is always the case in these books. Meanwhile, the rest of Lamplight are devastated and upset, but also still dealing with the fallout of the last two books. Can they manage to find out why Monika has betrayed them? And does it even make a difference?

I try to avoid giving away the major surprises in these volumes, and I will in this review as well. But we gotta talk about one, as it’s been around almost since the start, and it goes from subtext to text: Monika is gay, and unfortunately in the suspicious, Cold War-esque world that this takes place in, homosexuality is illegal. And while we’ve been told before that she’s in love with one of the members of Lamplight, here we find out who it is. It’s not too much of a surprise, and of course the enemy uses her as a threat against Monika – which works very well, as the seemingly cold and emotionless Monika has far less experience with feelings of love than anyone else in the group. If you enjoy old-school lesbian angst, with sturm und drang, unwillingness to confess because they’re sure the other party doesn’t love them, and a last-minute “I love you” before Monika gets sent to Super Hell cliffhanger ending’d on us, this is right up your alley.

So the next book should, theoretically, wrap up this arc. Unfortunately, most of the cast is in prison, in the hospital, or presumed dead. The good news is that if you love Lily, Sybilla or Sara, you’re going to have a ball. Sara gets the cover at last, and for once we don’t have a SS volume breaking up up. That said… how are they gonna resolve this?