Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court, Vol. 6

By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

There’s a lot of terrific humor in this volume, most of it stemming from the series’ premise. I’ve talked about this before, but it’s even more true in this book: both Reirin and Keigetsu are absolutely, 100% terrible at pretending to be each other. For the most part they’ve been helped in the past by a) no one knowing bodyswapping was a thing, and b) no one knowing the two well enough to be able to pick out the obvious poor performance. Now that both of these things are no longer true, the best gags in the book come from Reirin’s misplaced confidence that she’s got Keigetsu down pat, or Keigetsu’s inability to not let her cynical anger seep in through everything she does. That said, it’s a good thing that there’s some humor in this book, as the basic premise of this arc is evil and terrible, and the consequences, for some people, are rather chilling.

We pick up where we left off. Reirin has just been rescued from her attempted murder, and has swapped bodies with Keigetsu in order to repair all the damage she blames herself for and take back everything they’ve lost. In practice, this means finding out why exactly Kasui snapped and tried to kill Reirin, plus what she’s actually desperately looking for. She also needs to try to stop Reiga and Hourin from trying to kill her – or rather, using their maidens to try and kill her – and if the way to solve that problem is by getting the maidens on their side, then it’s something she’s going to have to do, even if it means allying with (ugh) Houshun. And then there’s Anni the shaman, the cause of everything that’s led up to this and possibly the most evil person we’ve seen in the series to date.

I continue to absolutely love Ran Houshun, even though she’s also possibly the most terrifying of the maidens. I’m used to hearing Reirin rattle off “Though I am an inept villainess” when she’s gloating over her supposed attempts at being bad, which usually are nothing of the sort. With Houshun it’s chilling when she utters the same phrase, because she’s about to let her Consort and “mentor” be beaten nearly to death by all of her court ladies. And yet it’s also triumphant, because Hourin is a piece of shit who’s spent years abusing and torturing those same court ladies, and for once vigilante justice feels like (at least narratively) the correct answer. As for the others, Kasui gets the closure that is all she can get, really, and can finally achieve a real bond with her own (non-evil) consort. And as for Seika and Reiga, they also get a good scene, but it pales next to Houshun, who’s simply better at this. You can see why Reirin hates her.

I enjoyed this so much I will forgive the use of a deus ex machina “this gets people so drunk they tell everyone the plot out loud” device, though I do hope this is the last we see of it. The next volume promises to be lighter in time, and (theoretically?) only one volume rather than an arc. Can’t wait.

My Stepmom’s Daughter Is My Ex: “A Proposal Isn’t Enough”

By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

For a series whose strongest point is not its fanservice, this series sure has a lot of it. That said, at least the fanservice serves a narrative purpose. Even the sex scene in the book – not between our two leads, I hasten to add, but between Aso and Hoshibe – ends up demonstrating, somewhat painfully, that the blush of first love is not always perfect, and that sometimes simple physical difficulties can “ruin” your perfect memories. Meanwhile Yume has been revving the fanservice up, in an effort to get Mizuto to drop his stoic poker face, and ends up going overboard, to the point where he finally snaps and screams at her in desperation. As for Isana… well, yeah, that is fanservice pure and simple, but it also serves to underline for Mizuto that he can’t simply pretend to be a logical robot who makes every decision using bullet points. And that’s important, because there’s a rather annoying thing undercutting this wannabe romantic reuniting… they’re both family now.

It’s Christmas, and Yume has a lot to worry about. She’s set a deadline of the new year to either get Mizuto to rekindle their relationship or just give up, and he’s not cooperating very well, to the point where she’s forced to do things like wave her cleavage at him and hope he reacts. Her birth father wants to meet with her and Mizuto, and given that he’s never particularly cared about Yume before, she’s not quite sure why. And Mizuto has started spending all his time at Isana’s place. The last is for a very good reason – having seen Isana’s art and how good it is, he realizes that she needs a manager in order to achieve anything, as she has no real drive to succeed of her own. So it’s time for Pixiv accounts and Twitter alts, as well as drawing more and more so that she improves. But doesn’t everyone still think they’re dating?

The “is this incest or not?” part of the conversation is not really resolved here, mostly as, well, the premise of the series means that “not” is going to have to be the correct answer. I think the fact that they’ve only been siblings for 9 months takes the curse off it a bit. More difficult is that these two are both big, BIG nerds, and it not only comes out in their school work and reading but also in how they live their lives. Mizuto has never really felt passionate about much till he gets the idea to “manage” Isana’s art, and he proves to be very adept at it. Unfortunately, he’s also listening to Yume’s dad, who is projecting hard onto Mizuto and giving him advice that may not be that helpful. As for Yume, she doesn’t want to cut Mizuto off from Isana, who is her friend as well, but can’t quite work out how close they should be after he and Yume become a couple without resorting to math. Never decide how friendly your lover can be with other women using math.

The author is quick to assure us the series is not ending despite the couple confessing (reconfessing?) at the end, so we’ll see what the fallout is. But this was an in-character, if not entirely satisfying, way for these two to fix things.

Spy Classroom Short Story Collection: The Spy Teacher Who Loved Me

By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

(As a warning, this book deals with the sexual assault of an underage girl near its end, and this review briefly discusses that.)

Spy Classroom has, as one of its main goals, to strike a careful balance between gripping, and frequently deadly, spy drama and the wackiest and goofiest of comedy. Sometimes it manages to hit this goal a bit better than others. The first story in this book is a good example: it’s almost entirely light-hearted, then gets more serious towards the end, then gets very serious as we’re reminded how screwed up Annette is. By contrast, the Erna story pinballs between very dark themes and “ha ha, Erna suffering emotionally is funny” so fast that I could not keep up, and it jars. That said, on the whole these short stories are stronger than the first collection, both tying into the girls’ backstories (Thea especially) and expanding on some of the books – the 4th short story is blatantly “there wasn’t room for this in the fourth volume”, as the author admits. And, as a Lily fan, I’m pleased with this, though it does not really remove my irritation of how she’s treated in the actual 4th book.

The wraparound story has Thea trying to decipher a note left to her by Hearth, the spy who mentored Klaus and also rescued Thea from kidnappers. Unfortunately, several of Lamplight get a very wrong idea about the note. In between this, we see Annette being the best waitress ever in order to see if a former spy front is now a legitimate restaurant; Sara gets a secret admirer and Thea tries to make sure that she has the best date ever while also making sure the guy is good enough; on the cruise to not-America in preparation for the 4th book, Erna discovers a suicide cult that makes her their leader; and during the events of the 4th book’s climax, we see how Lily managed to escape getting brutally murdered by Purple Ant’s people.

Some of the comedy in this is very amusing – Annette being a fantastic waitress, and everyone’s reaction to this, is probably the highlight. I think I’d have appreciated Erna’s story more if the suicide cult had not been… well, a suicide cult, and its attempts to show off how the war destroys the underbelly of society needed greater depth, I feel. Sara essentially takes over Thea’s story, and we are reminded that she is the one girl in Lamplight that everyone loves unreservedly. Reading Lily’s story I wondered if the author has read the Excel Saga manga, as Lily very much reminds me of Excel at times (what are you, Steel God Jeeg?), and her truly monstrous stamina is terrifying. And then there’s Thea’s backstory, as she confronts repressed memories of being raped by her kidnappers. Fortunately, the author knows this is NOT the time to insert some laughs, and it’s handled fairly well.

So yeah, good stuff. That said, I’d like to read the next few books of the actual series soon. How are things with our FILTHY TRAITOR? :)