The Condemned Villainess Goes Back in Time and Aims to Become the Ultimate Villain, Vol. 3

By Bakufu Narayama and Ebisushi. Released in Japan as “Danzaisareta Akuyaku Reijō wa, Gyakkō-shite Kanpekina Akujo o Mezasu” by TO Books. Released in North America by Airship. Translated by Alyssa Niioka. Adapted by Vida Cruz-Borja.

The general premise of “heroine goes back in time to her earlier self” stories, which Japan calls Yarinaoshi Loop, is that our protagonist tries to change things in order to change the future and in the end ends up changing everyone else’s lives for the better as well. Sometimes this ends up being the entire kingdom, where we see her do things like unite various kingdoms and solve famine (looking at you, Mia). But occasionally our heroine has a narrower focus. Claudia, in her first lifetime, ended up being sold into a brothel, and had firsthand experience of what a wretched life it is, as well as how, for so many women, there may be no other choice. We’ve already seen her rescue Helen from that life in the first book, and in the second book disguise herself to invest in the brothel she used to work in. But she’s not done. Here we see she wants to make sex work legal. Light novels rarely venture into this area.

(As a side note, if your villainess does not look at least as hot as Claudia does in that suit and hat on the front cover, try harder.)

There’s another foreign prince arriving in town, this one from fantasy… Britain? Denmark? One of those. Prince Seraphim is there to visit Sylvester. They have a Church problem – Seraphim’s nation is not monotheistic, and therefore the church which rules over Sylvester’s nation, as well as most of the others, dislikes them and won’t trade with them at normal prices. Seraphim is looking for allies. Meanwhile, Claudia accidentally murmuring about business when she’s thinking about ways to save the sex workers means her father gifts her a business to run – actually, more accurately an entire shopping center. And wouldn’t you know it, it’s in Seraphim’s home country! Now they’re all traveling to try to do various things, the most important of which may be to stop the evil church guy that always pops up in Japanese light novels.

The most interesting part of this book, aside from its putting the plight of sex workers front and center, is the addition of the cardinal, Nigel. Towards the end of the volume, the book felt it was moving far too fast, and I briefly wondered if it was a two-parter. That’s not the case, but I get the feeling that the author realized as they were writing Nigel that he made a great antagonist for Claudia now that Fermina is out of the picture. Nigel fills a lot of villain tropes – besides being a churchman who loves luxury and will happily kill women and children to get minions to obey him, he’s also dreadfully bored and regards Claudia, an unexpected element, as a challenge. Clearly we’ll be seeing more of him.

This isn’t fantastic, but is on the high side of very good, and Claudia is a great lead character. I’m happy to read more.

Too Many Losing Heroines!, Vol. 2

By Takibi Amamori and Imigimuru. Released in Japan as “Make Heroine ga Ōsugiru!” by Gagaga Bunko. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Acro.

I had better get used to these books being backloaded in the second half, because I had the exact same experience with this volume that I had with the first. The start of this volume is packed with scenes designed to make the main characters annoying in a funny way, but I mostly found them annoying in an annoying way, particularly our narrator, who may be trying to contrast with the usual light novel romance narrators, but not by much, because like all of them he’s emotionally sensitive to everything but his own mind. As the book goes on, and it delves into the ongoing issues of Losing Heroine #2, and the way that sometimes even after you’ve been rejected you still have to see the guy you like every day, it gets a lot better. When he’s dealing with other people’s love lives, Nukumizu excels. When he’s dealing with his own inability to know what love feels like, you find yourself rooting for Anna. And I hate rooting for Anna.

As mentioned, our three losing heroines have all been rejected, but life still goes on. Anna attends a reunion and is horrified to discover her childhood friend and his new girlfriend acting like they’re already married. Chika is still in the same literature club with the girl who is now dating her crush, and is still being very smug about it. And then there’s Lemon, who seems to be… walking around town with Ayano? What? Is he cheating on his new girlfriend? Is Lemon trying to horn in on a brand new relationship? Nukumizu absolutely does not want to get involved, but he and Anna are forced to when they run into Ayano’s actual girlfriend, Chihaya, who also worries that something is going on between them, and decides to solve the problem by planting tracking devices on her boyfriend and following him around. This is a bad idea, FYI for new couples.

Lemon, frankly, has always given off the impression that she’s supposed to be the dumb one in our cast, but that’s mostly because the characters are all varieties of trope because this book is trying to be a deconstruction (which it succeeds at roughly 1/3 of the time). In reality, she studied hard with her childhood friend and crush so they could go to school together, and concentrates so hard at track because her family are all known for their brains and she doesn’t want to disappoint them, so plays to her strengths. She’s pretty emotionally mature here once she stops literally running away from her problem. As for Anna, who is clearly the secondary protagonist in these books, she kinda likes Nukumizu, and would be amenable to dating him, but she’s still too hurt by her previous relationship. so she needs him to do the job of asking her – and he’s NOT emotionally mature, so that’s not happening. I expect it won’t be happening anytime soon.

All this plus a very funny parody of Villainess isekai which, frankly, could easily be one – Chika should take that to a publisher ASAP. A combination of really irritating and quite heartwarming. In that order.

Loner Life in Another World, Vol. 10

By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Andrew Schubauer.

First off, we have a change of creative team in the copyright. To Eric Margolis: thank you for your service, please have a rest now. To Lorin Christie: I see you got a promotion, please continue to help us enjoy this as editor. To Andrew Schubauer: Welcome to our new Meat Shield Translator!

I’ve mentioned before that this series does have a real meaning and moral behind “let’s watch Haruka bang his gorgeous monster concubines”. This volume in particular hits it hard at the end of the volume. If you are in power, if you enjoy the largesse of the people, then you have a responsibility to care for those people and make sure they are happy and content. If you do not do this, if you ignore the people saying it’s too hard to help them, or if you actively say that suffering is a good thing, then you are scum and deserve everything you get. When everyone arrives at the Beast Kingdom, the reader is briefly puzzled why Haruka and the girls are so utterly furious, but then it becomes clear – to get there, they had to pass through the devastated beast villages filled with dead people that the rulers didn’t bother to save. As for the Church? Well, using religion to genuinely make everyone’s lives better is still approved of. But the bulk of the Church isn’t doing that. And as for God, no one is impressed.

The last book implied this one would have the visit to the Beast Kingdom and then the attack on the Pope, but you know Loner Life is never going to do things quickly. No, this one is 463 pages, and you feel every one of those pages as Haruka decides to try to level up (remember, something damn near impossible for him to do) by sneaking into dungeons, fighting dungeon bosses, and getting killed/revived over and over till he’s a bloody mess. Needless to say, he does not win any friends by doing this. In his spare time, he rescues some adventurers who had heard about how awesome life was on the frontier, came to test their skills, and then discovered why the frontier is still terrifying. Finally, Haruka ends up setting off for the Beast Kingdom/Battle against the Church, and yes, everyone does come with him – much as he wants to protect them, he can’t put the girls off this time.

One thing that happens at the start of the book is that the Jocks (or Meatheads, as even Class Rep is calling them now) reveal that they’ve gotten engaged to five of the First Division’s warrior women, and, while pretending to be embarrassed, seem pretty happy about it. What’s more, we hear again that the Nerds have gotten into relationships with four of the Beast Girls in their kingdom. Despite all this, Haruka is still talking about searching the Theocracy to try to find something that can get everyone home. Class Rep is already aware that he means “everyone but him”, and that’s just not acceptable. It’s become pretty clear that, much as they miss Japan, the cast have decided that this is their home which they love. The reason Haruka has not cottoned on to this, of course, is because he is determined to distance himself from everyone he cares about and therefore he cannot understand why anyone would want to be around him unless he’s literally enslaved them. And even then, with the Mean Girls, he still doesn’t get it. Class Rep ALMOST confesses to him at the end of this book, but not quite, and it looks like he barely notices.

As I write this, the anime based on the manga is airing, but it really does seem like a completely different series. There’s still a lot to love about this series once you get past everything to hate about this series.