Loyal Soldier, Lustful Beast

By Sumire Saiga and Saya Shirosaki. Released in Japan as “Gunjin wa Ai no Kemono” by Sonya Bunko. Released in North America by Steamship. Translated by M. Jean. Adapted by H. Qi.

(This book is meant for readers over the age of 18,. and the review uses a few words that are a bit naughty.)

Steamship is one of Seven Seas’ many different imprints, and specializes in what my grandmother might have called “smutty books”. Until now, they have specialized in manga titles, all under the “josei” umbrella and basically a romance-novel style manga, only with added sexual content. Now we get this stand-alone novel, which is the first light novel under the imprint. We got a sexually explicit light novel licensed a few years ago, but that one was more on the “for guys” end, and I think Amazon pulled it relatively quickly. This one is probably safe, if only as if you removed all the sex scenes from it, it would still have a coherent and interesting plotline. Well, eventually. This book is a slow starter, and does not exactly have prose that compels you to read on, so it took me a while to get into it. In addition, a word of warning, there’s as certain amount of “codependency is good if it’s romantic” here.

Giselle is a young woman of marriageable age, but unfortunately she’s seen as a bit drab, so all the potential marriage meetings she’s been to have ended in failure. Then her brother, a soldier in the royal army, brings home a colleague, who was kidnapped and enslaved as a young boy, and still has a bit of a slave mindset to him. Giselle takes pity on him and tries to teach him how to think for himself and not just do whatever anyone tells him to. In fact, she’s falling in love with him, and he with her. This is, needless to say, a bit of a problem given that he’s an ex-slave and she’s a noble. As if that weren’t enough, the King has asked for her to join his court as one of the royal concubines. This is not really an order that can be refused. What will become of her relationship with Wallace?

So, first of all, the sex is fine. There’s quite a bit of it, mostly featuring different positions and quite a bit of cunnilingus. Wallace had a tendency to put everyone before himself, so blowjobs are not really on the table, and even asking if he can do her from behind is saved till the end when they’re far more familiar with each other. The main reason to read this, though, is the intrigue. The King straight up admits that he’s using Giselle as a hostage to keep Wallace loyal to him, and the threat ends up driving the latter half of the book. As I indicated earlier, Wallace worships the ground Giselle walks on, and would happily murder anyone if she asked him to. Meanwhile, Giselle has always felt drab and unloved, except maybe by her brother, so suddenly getting someone who adores her and is also fantastic in bed is quite a cocktail. Hopefully a lack of constant danger will allow these two to mature as a couple to where they aren’t the only thing in each other’s lives.

Despite pedestrian prose (AO3 has spoiled me) and a tendency towards romance tropes (there’s a sexual assault here, though Wallace arrives in time to break it up, and he’s always a gentleman to her in bed), this got better as it went along, and I’d recommend it to those looking for a good smutty book.

My Magical Career at Court: Living the Dream After My Nightmare Boss Fired Me from the Mages’ Guild!, Vol. 2

By Shusui Hazuki and necomi. Released in Japan as “Black Madōgushi Guild o Tsuihō Sareta Watashi, Ōkyū Majutsushi to Shite Hirowareru: White na Kyūtei de, Shiawase na Shinseikatsu o Hajimemasu! ” by SQEX Novels. Released in North America by J-Novel Heart. Translated by Mari Koch.

As with the previous volume, how much you enjoy this will depend on two things. The first is how much you care about people who are ridiculously the best at everything they do. Noelle especially, but also Luke, are both prodigies, and show it off throughout the story. This means there are multiple scenes of them being praised to the skies. I know this can annoy some readers. The bigger issue may be the romantic tension, which is using a combination of two devastating “put this off as long as possible” moves – she’s oblivious, he’s a coward. These are both also really, really emphasized throughout, and in my opinion grate far more than the OP stuff. If you can get past both of these, this remains a fun series about a woman in her dream job not realizing how incredible and loved she really is.

After the events of the last book, and after reassuring the now recovered wyvern that she doesn’t really need anything right now from him, Noelle returns to the Magical Court, where she remains busy. She gets a new teacher who everyone calls the hardest teacher they’ve ever had, and while she initially struggles, she ends up being fantastic. She is invited to the Royal Invitational Tournament to fight the World’s Greatest Swordsman, a match everyone expects her to lose instantly. And she and Luke are headed off to the worst dungeon in the world, which just had a new level open after 20 years, and they must face off against a last boss. Still, can’t be worse than Noelle’s last boss, amirite?

The romance here is frustrating but understandable. Noelle is firmly in “I am a commoner” mode, helped along at times by various jerkass nobles, and never even considers a romance with Luke as she knows it’s impossible. Luke has been in love with her almost since they met, but a) has the same problem in reverse, and b) worries that he will ruin their friendship forever if he confesses and it goes wrong. and, to be fair to Luke, we even see that a bit here – after being forced by his superiors to take Noelle on a date to the theater, it turns out it’s a theater where an underground drug ring is operating, and he and Noelle are forced to step in and stop the bad guys. As a result, the present he got her joins the dozens of other presents he’s bought her over the years in a room that is basically a shrine to his failure. The only way he can really make this work is for Noelle to get so insanely powerful so fast she gets a title… but before that, she may end up being poached by the Royal Family for their guard. So yes, Luke’s a coward, but I get it.

This has 5 volumes in Japan, so don’t expect it to end soon. Next time we’ll get a tournament arc and an elf queen, so also don’t expect it to be original. But it’s fun, provided you remember my caveats.

Spy x Family: Family Portrait

By Aya Yajima, based on the series by Tatsuya Endo. Released in Japan as “SPY×FAMILY: Kazoku no Shōzō” by Jump Books. Released in North America by Viz Media. Translated by Casey Loe.

It’s always difficult to review these spinoff/tie-in novels. By their very definition, they cannot affect the main series in any way. There can’t be plot progression, or significant character development. Usually, there also can’t be a dramatic plotline or cool action scenes either. The novel is not here to provide anything that can’t be done better in the parent manga. Instead, it’s here to give us fun stories using the series’ sandbox to play around in. The author thinks of cute ideas, gets approval from the creator and the Jump editorial staff, and then writes them down. Then Tatsuya Endo reads the stories and gives us an illustration for each of them. If you want to call it a success or failure, then as a product it’s a definite success. This feels very Spy x Family-esque. As something a fan of the series can read and think “I think the world of the manga is better for these short stories”, it’s probably a failure. These are very basic.

The book consists of four “main” stories and one very short story. In the first story, Anya, Damian, and the class go on a “Nature’s Classroom” expedition, and an overconfident Anya causes her and Damian to get lost in the woods. In the rain. In the second story, Yuri is asked to babysit Anya, and ends up taking her to a children’s career fair, where kids can pretend to be any number of things, from a police officer to a jewelry maker. In the third short story, Franky meets a blind singer in the hospital when recovering from an injury, and consoles her about an upcoming operation, while also bemoaning his appearance. The fourth story is the “title” story, as our family, on an outing, is seen by a painter, who wants to paint them. Unfortunately, he’s incredibly famous, and Yor is worried that if her portrait is seen everywhere, it will jeopardize her assassin job. In the final short, two waitresses moan about the lack of good men and gush over regular patrons the Forgers being the “perfect” loving family.

The best story in the book is easily the one with Yuri and Anya, and Endo agrees with me. It’s a clever idea, makes good use of the characters, and is funny. Its only problem is it stars Yuri, and I hate Yuri, so I did not enjoy it. But that’s on me. Aside from that, the stories suffer from having the most obvious resolution there is. Anya and Damian find a cave, and both get closer when the rainstorm brings lightning. Franky’s story would be touching if it had not already been done eighty times before, and the family portrait story, while fun, also has a punchline that I predicted the moment the painter said “can I paint you?”. In addition, Loid and Yor really don’t get much to do here except in that one story, and the book feels a bit empty without them – Anya can’t carry everything on her own, much less Yuri or Frankly.

This is, as I said, perfectly good product, but it’s also the definition of inessential.