Re: ZERO ~Starting Life in Another World~, Vol. 26

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan as “Re: Zero Kara Hajimeru Isekai Seikatsu” by MF Bunko J. Released in North America by Yen On. Translated by Dale DeLucia.

We were spoiled by the first books in Arc 5 and Arc 6. Each of those books was filled with the main cast we know and love, featured Subaru being smart and making good decisions (even when he is getting killed), and generally were a lot of fun and led us into the horror and return by death gradually. This is the first book in Arc 7, and it is absolutely not that at all. We’re in a completely different country, most of the cast are new, and of those who aren’t new, one has no memories of her past, one seems to be mentally a baby, and one… is meant to be a mysterious swordsman named Abel, but anyone who’s read the Ex 4 and 5 novels know who he really is. And then there’s Subaru, who is… shall we say, making poor decisions again. Once again his stubbornness leads him to do things that just a moment of rational thought would show are going to get him in trouble. Whee.

Subaru, along with Rem and Louis, has been somehow transported far away from Emilia and company, who know he’s not dead and what direction he’s in but that’s about it. He wakes up in a jungle. Rem is awake, but has no memories, and of course Subaru has been returning by death a lot lately, so he smells horribly of miasma. What’s more, Louis has come along with them, and he suggests abandoning her… except she looks like a small child and acts like an innocent baby. So, naturally, Rem chokes him unconscious and flees. Congratulations, Subaru/Rem fans, you got your touching reunion? In any case, Subaru also manages to be shot by a hunter and killed, and then when he catches up with Rem he’s captured by an army on the march. And who’s that mysterious masked guy in the woods?

As I said above, reading the Ex spinoffs will help a tiny bit here, but for the most part this is pure unfiltered Subaru with new people – including Rem, who is basically in “angry and distrusting” mode most of the book, though she’s already worried and concerned about him by the end of it. So I’m sure the love will return. As for Louis, I understand why Subaru hates and is willing to abandon her. But his constant disdain and scorn of Louis in front of Rem is easily the dumbest he’s been since the 3rd arc. He doesn’t explain, he doesn’t take Louis at face value, he just… makes himself look like an asshole. Speaking of assholes, we meet a lovely smiling villain named Todd Fang, who I suspect we’re going to get a lot more of in future books. Don’t like him. And he’s not even the abusive one of the pair of soldiers. I do like the Amazon tribe that Subaru and Vincent run into, though – they’re all cool and badass, and I hope they don’t get killed off.

I’m sure as I get used to the arc, things will pick up. But this arc is *eight* books long, and I miss the core cast already. Good writing, interesting stuff, but a Subaru that I didn’t want to see again.

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 8

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By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

Technically this book is the second half of an arc that began with the last one. That said, what this book really does is take everything that we’ve learned in the last seven books and boil it down into an examination of how monarchies really function, especially ones where the nobles don’t necessarily do what the ruler says. And that’s not even the case either, because of course this is a magical kingdom, and being a magical ruler is not remotely the same as being, say, Henry VIII. The magical revolution is still ongoing, and there are people who are very unhappy… not with the revolution itself (i.e. Anis’ magical tools) but simply with the loss of power that this entails. And the fact that it’s come from the non-magical Anis. What does all this mean? It means that both Anis and Euphie spend more time being utterly furious than in any other book we’ve read to date, and both consider simply executing everyone to solve the problem. (Spoiler: they don’t do that.)

Anis is busy working on the construction of her new magical city when she gets an urgent message from Lainie to return to the royal palace, and when she does she finds that Euphie is in her room on forcible rest. What’s worse, she hasn’t been able to sleep for days, and when she tries to eat food it’s tasteless and she can barely choke it down. Euphie is losing touch with her humanity and moving towards being a spirit contractor. And the reason for this? Well, they were meeting with the Western Nobles, who have always been difficult. But when one noble, Count Leghorn (I did try doing the Foghorn Leghorn voice, but it doesn’t match the character) venerates Euphie in a religious fervor, and suggests that all of Anis’ accomplishments have been falsified, Euphie almost loses control of herself in rage. So now she’s on forced leave… and tells all this to Anis, who is now ALSO losing control of herself in rage.

I haven’t really talked much about Lainie lately, who gets the bulk of the narrative here that’s not Anis or Euphie. (Most of the POV in this book is Euphie, and it’s really good.) This series began by combining an isekai with a villainess story, and Lainie was the “heroine” in that scenario. Now a loyal maid, she’s just as livid with what the Western nobles are doing but is not quite as close to it as Anis and Euphie are, so instead calls in the cavalry to come up with a solution. It’s pretty terrific. I also liked her discussion with Lumi, who points out that neither Anis nor Euphie are truly human anymore, and isn’t that a bit disturbing? Lainie believes in them, but then Lainie is a vampire, so she’s dealing with the same problems. The Western nobles have a much higher bar to clear… and they don’t clear it. There are no mass executions, but trust me, an epic smackdown happens.

This book shows that “happily ever after” is hard to achieve and requires constant effort, and even that may not be good enough. Fortunately, it ends rather triumphantly. We get a short story collection before Book 9… but both only came out a couple months ago in Japan, so it may be a bit. Highly recommended.

Lady Bumpkin and Her Lord Villain, Vol. 1

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By Ageha Sakura and Kurodeko. Released in Japan as “Imokusa Reijou desu ga Akuyaku Reisoku wo Tasuketara Kiniiraremashita” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Vasileios Mousikidis.

I’ve never been very good with photoshop or meme creation, and I generally only embed cover images to these reviews in any case. But I will admit, about 20 pages into Lady Bumpkin, all I could think of was that Shrek meme and seeing him saying “She doesn’t even have a loyal maid!”. Now, I am aware that the loyal maid comes later, yes, but I’ve gotten so used to seeing these abused daughters who are simply surviving from day to day in their House O’ Evil Nobles have at least the one loyal maid to be the ally in their corner keeping them from completely losing it. Agnes has had to deal with this solely on her own, where even the help doesn’t help. Fortunately, she’s in luck, in that she’s in a villainess book. No, she’s not the villainess. The villainess is in fact a villain. And he’s just as innocent as most of the villainesses are in this genre, because oh dear, the princess is terrible.

Agnes Evantail is the eldest daughter of an old-school noble house. And I mean really old school. Her parents have furniture that’s outdated, clothing that’s outdated (including codpieces, Christ), and makeup that’s outdated, and they force Agnes into all of those (except the codpiece) before sending her out into a noble world that now regards those things as comical in order to find herself a man. Oh, and when she fails her father hits her. At one of these humiliation events, the princess and her fiance happen to be at the same party… and Agnes watches with horror as the princess denounces her fiancee, Nazelbert Florescruz, as a horrible person who has bullied her new boyfriend, a baron’s son – who has also gotten her pregnant. She insists he be exiled to the frontier… and since Agnes was the only one to help him up after he was knocked over, and she’s a national laughingstock, she’s told to become his wife.

Regarding that cover, I have to assume it’s metaphorical and that Agnes is holding her younger self, as they haven’t even gone beyond kissing on the cheek by the end of this volume. Most of this volume trundles along exactly as you might guess, with the occasional exception when we see Agnes getting the shit beaten out of her, as these sorts of books usually stick to emotional abuse. Once she’s disowned and heads to the frontier with her new disgraced husband, things definitely improve… though not right away, as they’re going to a territory where the previous noble in charge was an abusive rapist louse, so no one trusts them. Fortunately, and feel free to roll your eyes a bit, Agnes’ “useless” magic turns out to secretly be awesome, making this the distaff version of all those “weakest is really strongest” books. Minus the harem.

That said, as you’d expect, once the two of them are away from everyone else, we get a lot of sweetness and cuteness, along with Agnes turning out to be beautiful once you get the heavy makeup and heavy dresses off her. There’s little new here, but the writing style is breezy and fun, and I really liked Agnes. I’ll read more.