Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court, Vol. 5

By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

In the last volume we saw that discovering the wonders of living inside a healthy and hale body broke down Reirin’s emotional reserve, to the point that when she was confronted with a horrible tragedy she broke down in tears. In this volume we see that the experience of having a friend who doesn’t spoil her and treat her like she’s made of fragile glass has broken her reserves even more without her knowing it. Unfortunately, this friend is also the sort of person to have every single emotion, no matter what it is, come out as “anger”. And this is very unfortunate, because for once in her life, Reirin is completely unable to cope. As for said friend, Keigetsu, well, she’s throwing wild tantrums and raving that she’ll never, ever apologize, but that’s far less surprising. Unfortunately, the timing on this is really awful, as the maidens are having a competition for the Top Spot, and the knives are coming out.

Three months have passed since the events of the last book, and it’s now time for Rite of Reverence, where the five maidens all compete to see who can show the most devotion to the Emperor. This is a hotly contested battle, with the respective house fortunes rising and falling depending on the placement of said maidens. As such, Keigetsu is even more stressed out than usual. And she’s not the only one, as we get a good look at the other three maidens in the series. Seika is trying to do this in an honorable way, but is cowed by her consort’s power and threats. Houshun is discovering that her cutely incompetent act is starting to show its cracks, and her own consort can see them. And Kasui is on a detective mission, desperately trying to find out what happened years ago that led to the death of her sister and the mere mention of her name being forbidden in the inner court. As for Reirin? She’s fiiiiiiiiine.

This is an amazing book in an amazing series, frankly, and I am desperate to read the next one because, of course, it ends on a cliffhanger. Reirin and Keigetsu get into a huge fight, and you can absolutely sympathize with both of them. After four books of finding Keigetsu’s tantrums cute and funny, Reirin is finally hurt by them, and finds her powers of observation and judgment severely curtailed. Of course, that may also be the fact that she’s getting progressively more ill after getting her foot burned in a murder attempt and diving into an icy lake to try to save Keigetsu’s poetry. I think everyone else in the cast was too stunned at seeing the supposedly deathly ill Reirin doing these things to bother to be angry at her. Keigetsu, though, expresses all her emotions through rage. Including worry, and concern, and guilt. Not great. Especially when Reirin genuinely screws up in a conversation with Kasui and ends up beaten up and dying at the bottom of a well.

That said, the cliffhanger is not “will Reirin be found before she dies?”, because the author is aware we know she will. Also, this is a book where the main premise is bodyswapping. So the cliffhanger is, instead, how are we going to stop Reirin’s Roaring Rampage of Revenge this time? Everyone, I beg you, read this.

The Holy Grail of Eris, Vol. 4

By Kujira Tokiwa and Yu-nagi. Released in Japan as “Eris no Seihai” by GA Novels. Released in North America by Yen On. Translated by Winifred Bird.

A few days ago I reviewed the 4th volume of The Sorcerer’s Receptionist, a series that ended naturally at three volumes and got a fourth anyway, and lamented the fact that sometimes authors and publishers just can’t let something end naturally. That said… there are exceptions. Because here I am reading The Holy Grail of Eris, a series that ended naturally at three volumes and got a fourth anyway, and am absolutely delighted that I got to spend more time seeing these characters get into wacky hijinks again. I guess it simply comes down to the main character. TSR has a tsundere who is constantly in denial, and the fourth book, despite a love epiphany, doubles down on that. Connie, by contrast, is very confident in the love she and Randolph have for each other, and instead struggles with the fact that he’s married to his job rather than her, even when they go on vacation. That said, Connie can’t seem to go on vacation without thrilling adventure following behind her, so she’s not one to talk.

The Kingdom of Adelbide is asked to check in on Ulysses, the young Faris royal with a tendency towards being in peril. He also wants to see his “dear friend” Lucia, who he bonded with in the last book when they were in mortal peril together. So a contingent, including Connie, Randolph, and Scarlett, is sent to the island of El Sol – and Connie has another errand from Adolphus – take Scarlett’s mother’s ashes back to where she grew up. Of course, once they get there chaos begins to unfold. The local noble, Antonio, dislikes Connie on sight; Connie ends up getting dragged into a series of petty lawsuits that need an arbiter who can insult everyone till they surrender (fortunately, she can get possessed and let Scarlett do it for her), and most importantly, the terrorists form the first three books are still around, and they’re after a shipment of fireworks that were being sent for the Summer Carnival festival. Is Connie going to have any time at all for a vacation with her fiance?

Well, no, of course not. That’s not why we read Holy Grail of Eris. We read it for the intrigue, and for the thrills, and for the still hilarious otome game biographies that come after every chapter. Connie may still need Scarlett to possess her when a debate is needed, but she’s perfectly fine on her own when it comes to things like high-speed boat chases… well, it’s a rowboat, so medium-speed boat chases. There’s also a sense that she’s going to end up being one of the many Women In Power in this series, whether she likes it or not, and I honestly think that it will be good for her. Meanwhile Antonio is feeling like a third wheel in the relationship between Lucia and Ulysses (who gets kidnapped, again, but has gotten much better at handling it) and, well, he is, but it’s a toy ship, so we don’t need to worry about breaking anyone’s heart till they get older.

This genuinely seems like the end of the series, a bonus book for fans who wanted more. It was a delight.

A Tale of the Secret Saint, Vol. 5

By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Matthew Birkenhauer.

I have to be honest, I should not enjoy this series as much as I do. It really does a lot of things wrong. At its core is broad humor involving a heroine who misunderstands almost everything everyone says to her, and that’s fine. In fact, it’s almost a genre in itself. And she’s really, really good at not getting it. But it also manages to bring up her very real PTSD that comes from her actual death and everything leading up to her death, to the point where she’s actively repressing the worst memories of it. This is also quite well written and handled with care, but the two plotlines really should not co-exist next to each other as well as they do. In addition, this volume once again is 2/3 of an actual book, followed by endless extra side stories that either tell other character’s POV of what Fia narrated for us, or Fia’s wacky adventures as Serafina in the past. Where we find she was also a giant ditz.

After the events of the previous two books, Fia is now officially a knight, but before she can get down to the business of protecting the royal family, she’s given some time off. She uses this to go north to visit her older sister, aka the one sibling that did not treat her like hot garbage growing up, and also check in with Zavilia, who is no longer a tiny little dragon familiar but has become King of the Mountain – literally. He even has his own dragon cult, though there’s some implication that this is mostly due to pure terrifying force of will. Unfortunately, when she gets back to her home, she’s also met by Guy Osbern, who used to “tease” her as a kid by calling himself a legendary demon. Sadly, he had no real way of knowing the very real trauma that she had in the past from demons, and seeing him again brings it all back.

Again, for the most part this is hilarious. Before she sets off on her journey she runs into “Green” and “Blue”, the royals from the neighboring kingdom who are still just random adventurers to her, and she takes them with her on her journey. Literally everyone except Fia can see they’re Very Important People, but she does not care. She also has a nice dose of accidentally using her saint powers and having to pretend that it’s for some random reason, though fortunately she doesn’t have to restore any severed arms here. Amidst all this, we do get actual plot, if only a bit. The past history of the kingdoms does not quite match up with Fia’s memory of her past from 300 years ago, and Kurtis knows why but does not want to upset Mia too much. What’s more, it turns out that they may not have defeated the real demon lord – and “the demon lord’s underling” is the one part of Fia’s memories that she’s still running away from in terror.

So: this is hilarious You will laugh. But there’s an odd current of deep tragedy also rolling through it, and the resulting taste should not work but does.