The Promise of Marielle Clarac

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By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Yakusoku” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Jasmin Thairintr.

Usually when it becomes apparent the author is getting a little tired of writing their best-selling series, it’s not quite as blatant as this. Oh, don’t get me wrong, this is another fine book in the franchise for those who like the sort of things Marielle Clarac gives you. But the author states flat out that they had not expected to still be writing this as Marielle hits her 20th birthday (which she does at the end of the book), and they don’t really have a desire to write an adult Marielle. (This re-emphasizes my feeling that we won’t ever see her as a mother, or if we do it will be in an epilogue in the last book.) And I get it. This series is meant to be about Marielle Clarac, but she’s been Marielle Flaubert for far longer. She’s no longer the teenage girl who can lurk in the background and hear juicy gossip, the juicy gossip is now about her. Not great.

Marielle is horrified to find that the gossip newspaper La Mome has a story accusing Agnes Vivier of plagiarism. After talking her down a bit, Simeon agrees with her that her publisher should handle things themselves… but of course, Marielle can’t help but investigate anyway. She meets up with the reporter that she teamed up with a couple of books ago, and discovers that the article was in fact meant to lure her out, as a piece of jewelry described in her latest book perfectly resembles a piece that a young nobleman needs to get his inheritance. Needless to say, that story is absolutely full of holes, and Marielle doesn’t buy it either. This does not stop her from getting involved, chased, kidnapped, kidnapped AGAIN, and seemingly nearly murdered a few times. Fortunately, she has her overprotective husband by her side. Most of the time.

One of the things I liked best about this book is it has a double bluff revelation. We get the somewhat obvious revelation I was expecting about 3/4 of the way through the book, which I did not complain about because it made a lot of the previous peril Marielle was in make a lot more sense. But then there’s another revelation near the end that was more of a surprise. And it’s always fun seeing Marielle sleuth, and fangirl over her husband looking dark and menacing. But I will admit, it *did* feel a bit like the writer is going through the motions, giving the readers what they want. There is a plot point dangled which promises to be of greater importance in the next book (which should be out faster than this one), but a lot of the most exciting things in this book are looking back at past triumphs rather than ahead to the future.

If the author does not really want to write Marielle as an adult, there’s not much further this can go. But it’s going another volume, at least. For fans.

Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court, Vol. 8

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By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

This was supposed to be the final arc of the series, but the author says in the afterword that it’s being extended, supposedly because there’s so many stories still to tell, but also probably because this sells quite well in Japan. That said, I get the feeling the bulk of this volume may have been written before the series got the OK to continue, as there’s very much a “headed into the final act” feel to this, with the danger ramped up even more, and with one of the most violent and hard to read sequences in the series so far, which is thankfully cut off by a series of punch the air moments. Honestly, this is a punch the air series much of the time, as the first half of the book shows us how dangerous things are going to be, and the second half sees Keigetsu managing to succeed somehow and Reirin simply blowing everything up and doing exactly as she pleases. That said, this one is gonna be hard to fix.

Our two heroines have still not been able to swap back to their own bodies, even a month after the 7th book. The reason for this is the Emperor is very suspicious, and wants to execute any magic users he finds. They try to figure out a way to do the switch during a ritual that’s coming up, but the Emperor figured out they were going to do that, and instead sends them all out into the poorer areas of the country to distribute food. Keigetsu (really Reirin) will be sent to the most dangerous, remote part of the country, a land that’s caught between two families and thus has no one taking responsibility for everything. He also sends an assassin after her. Meanwhile, the Emperor himself surprises the other four maidens by showing up at their own distribution site, and he’s determined to prove that Reirin is not Reirin. Which is going to be easy, as she isn’t.

This is the first volume where we’ve really had to dig into the Emperor himself, as mostly we’ve seen the generation after him – his son Gyoumei and the maidens. As it turns out, Genyou’s had it very rough as well, and is consumed by the idea of revenge – which is the main reason that he’s trying so hard to uncover Keigetsu’s magic. Elsewhere, as you’d expect, this volume is filled with Reirin doing jaw-droppingly amazing things, but it also has yet another instance of our two besties completely misunderstanding each other. Reirin has spent so much of her life at death’s door that she has no idea how to deal with things like depression, longing, and love – and let me tell you, this book may not be yuri, but even Reirin’s fiance AND her brothers agree that she’s head over heels in love with Keigetsu. Fortunately, they make up in the most overdramatic way. Unfortunately, they’ve sort of blown any chance of keeping things a secret.

After last volume’s one-volume breather, we’re back to a cliffhanger ending, but fortunately the 9th book came out in Japan a couple months ago. Also fortunately, this is going to continue. I want to read the stories the author says are still to be told.

From Villainess to Healer, Vol. 1

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By Punichan and Yoh Hihara. Released in Japan as “Kaifukushoku no Akuyaku Reijō” by MF Books. Released in North America by J-Novel Club. Translated by Adam Seacord.

I do appreciate that an author might feel that the villainess genre is played out. There have been many, many, MANY villainess books in the last eight years or so. They all tend towards specific types. Some have the villainess actively trying to change her fate, as they were reincarnated long before the “break off the engagement” event. Some have them fighting death after they’re unable to avoid that fate. Sometimes they go to a different country, where they’re welcomed with open arms. Hell, this particular author will do almost the exact same premise and first chapter in a later book – you could have copy/pasted much of the start of this book into the start of Camper Van Villainess. So I do appreciate the conceit of this book, which is “what if the villainess is an RPG nerd who just wants to be hitting up dungeons and grinding levels?” Oh wait, we had that too, with Villainess Level 99. That said, this does get the “boring as hell” part of these RPG books 100% correct.

Mitsuki loves playing the RPG game Reas Life Online, as well as its Otome Game side story game, Reas Love. When we next see her (and it’s never clear how she dies), she’s in the body of Charlotte Cocoriara, the daughter of a duke and fiancee to the prince. But this is one of THOSE games – the player is a commoner girl who the prince falls for, and Charlotte is the villainess, who the prince exiles. Expecting her to object, he’s a bit stunned when she says “OK” and bolts instead. (It’s really, REALLY just like Camper Van Villainess.) She runs home, tells her parents what happened, and leaves to achieve her dream – become an adventurer and play Reas Life Online rather than Reas Love!

There were some things here I found interesting. Unlike most otome game worlds, where the “heroine” has to be yelled at by the villainess for treating it like a game when in fact it’s real life, but here it really DOES seem like a game, inasmuch as our protagonist can see status screens, levels, etc. I also like the conceit of the otome game being a side spinoff of the main RPG core. As with Camper Van Villainess and Otome Survival Game, this is more interested in taking the skeleton of a villainess plot and spinning it off into a different genre. Sadly, the genre, generic RPG power leveling, is something I’ve tried to avoid for the last few years when trying out new books, and seeing it in a villainess book really didn’t help much. At least the RV book is meant to be more ridiculous – this is just basic. And then there’s the same problem the villainess genre as a whole seems to have – by emphasizing the villainess as good and the heroine as bad, it plays into “commoners should know their place, only noble people have the breeding to rule”. Which is not helped by this heroine being, well, a generic selfish heroine.

I’ll happily read more of the author’s other series. But as for this, if I wanted an OP isekai, I’d read an OP isekai.