Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters!, Vol. 7

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By KAYA and Naru. Released in Japan as “Tensei Shōjo wa Mazu Ippo kara Hajimetai: Mamono ga Iru toka Kiitenai!” by MF Books. Released in North America by J-Novel Club. Translated by Amy Osteraas.

All right, I apologize, I was reading one of the main plotlines wrong. There’s no real defending it, I had forgotten how this series begins, with Sarasa shunted into this world with her massive piles of mana in order to save it. So when I kept seeing her having to fight off monsters that surprised everyone by showing up all of a sudden, I assumed it was due to her being a monster attractor. But no, I should have realized the more important fact, which is that, with the arrival of a new girl in this volume, there’s now FOUR isekai’d folks running around, more than they’ve ever seen before. it’s not that Sara attracts monsters, it’s that she and the others are here to prevent the apocalypse. As such, even in the parts of the world which traditionally have no monsters around, we end up getting a plague of locusts all of a sudden. The Invited go to where the crisis is going to be.

Sara is headed off to see Nelly’s older sister and her husband, who live in an agricultural region that has no dungeons and few monsters but does have lots of medicinal plants. They’re technically there to take care of a larger than usual attack of green locusts, but in reality they’re there because Nelly hasn’t seen her sister in forever, and also because, to everyone’s surprise, there’s a new Invited, Anzu, who also ended up in this world after falling ill in Japan. Ann has been sickly and weak, which puzzles Sara, who knows that they’re brought to this world in order to get more healthy, but the cause of this is found very fast (she’s coddled too much) and we get to the real meat of this book: Nelly is still unmarried, LOTS of people want to change that, and Chris is going to be very unhappy unless he does something soon.

So yes, finally, Nelly and Chris are a couple, though what I liked most about this was that it was framed as the two of them officially gaining a “daughter” in Sara than any romantic leanings. (Despite his mooning over her for the entire series, neither one is the romantic type.) Speaking of unromantic types, Sara and Allen continue to be besties and that’s about it, though there are hints that they both are aware where they’re going to end up in a few years but are just too young now. As for Sara, she’s forced to admit here that her philosophy of “keep my head down and stay out of the way” just isn’t going to work anymore. She cares about everyone in this world too much, and she wants to be proactive. Which she certainly is here, saving the day with her barriers again. That said, unlike Allen or Nelly, she’s happiest being a giant apothecary nerd with her fellow nerds, and fending off proposals from all and sundry.

This was a fun volume, and I do wonder how Ann will blend in with the cast, assuming that she continues to pursue her new dream. One of my favorite isekai of the moment.

The Royal Hostage Has Vanished: The Black Wolf Knight Yearns for the Persecuted Princess, Vol. 2

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By Ajigozen and Yura Chujo. Released in Japan as “Hitojichi Hime ga, Shōsoku wo Tatta. Kuro Ōkami no Kishi wa Rinkoku no Shiitagerareta Hime wo Zenryoku de Aishimasu” by DRE Novels. Released in North America by J-Novel Heart. Translated by Emily Hemphill.

It’s always awkward when a book doesn’t really do anything wrong but leaves me a bit cold. Most of this second and final volume is fine. There are a few action scenes, which are exciting. The lead guy is perfectly fine, vacillating between stolid handsome hunk and soppy “I’m so in love with my wife” annoyance. There’s a few plot twists near the end that work pretty well, and the evil nobles are cartoonishly evil without feeling like they also kill babies and kick puppies. And yet, I think I came away from this book shrugging. In the end, I think it comes down to having the wrong narrator. This is Sonia/Nia’s story, but except for one or two POV scenes, mostly in the first book, we rarely see inside her head, instead spending all our time with husband Ark. I appreciate that not all shoujo romances have to have a woman’s POV, but this story would have worked better with it.

After getting unofficially married at the end of the last book, Ark and Nia move to their new domain, which as it turns out is dealing with a nasty outbreak of bandits… which are fairly obviously being sent by the second prince of Sylvario, Nia’s brother. Fortunately, when she was Sonia, the princess formed a bond with the denizens of the towns, which helps them win everyone over fairly quickly. The medicine also helps. Ark is a distant third. Once it’s determined that the foreign prince is behind this, it’s decided to bait him into a trap and capture him, which works so well that everyone wonders if they’re in some sort of Reverse Uno situation, but no, the prince really is that stupid. That said, he’s not the only antagonist…

Towards the end of the book we get several genre shifts to go with the “disgraced noble” that we’ve been dealing with all along. There were hints of a “secret saint” plot, and they turn out to be correct, and we also get a villainess plotline that reminds me far too much of the recent arc of Bakarina – the third princess reads very much like the original evil Katarina Claes, and her fate is likely going to be much the same. (Isekai’d otome game villainesses seem to do very badly in this world, in fact, as she’s not even the first one.) I would argue that the identity of a secret royal who can end up being a potential love interest for Prince Alphonse is perhaps one twist too far, and mostly serves as a way to allow our main couple to actually get it on without getting a cold stare of shame. But for the most part they work well. They just didn’t excite me.

If this was ongoing, I likely wouldn’t get more of it. Fortunately, we’re done here. This was good, but in the end, I wish I’d read it from the other POV.

My Next Life As a Villainess: All Routes Lead to Doom!, Vol. 13

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By Satoru Yamaguchi and Nami Hidaka. Released in Japan as “Otome Game no Hametsu Flag Shika Nai Akuyaku Reijou ni Tensei Shite Shimatta…” by Ichijinsha Bunko Iris. Released in North America by J-Novel Club. Translated by Joshua Douglass-Molloy.

Let’s face it, Fortune Lover I was a bad game. Lots of fans have spent ages pointing out what a disaster it would be for the country if Maria’s routes played out the way we’re told they did, but more importantly, it’s shallow and badly written. Katarina absolutely did the best thing possible by “trying to prevent her doom” and accidentally saving everyone. Unfortunately for her, they brought in better writers for the second game. Not in terms of the routes themselves, those are still lame. But in terms of the politics behind it, and how it’s now affecting multiple kingdoms. And unfortunately for Katarina, that one’s much harder to derail. The kidnappings, murder attempts, and potential coups we’re seeing in Sorcier are not “a problem for the player to solve”, and as such even when Katarina does her best, success remains elusive. Especially since she still has that pesky dark magic, and it turns out she now knows how to make it strong, and it’s not a good thing.

Cezar, the prince of Ethenell, is being sent to Sorcier as part vacation and part to see how a country that’s not recovering from a civil war is doing things. Everyone tells Katarina that she should absolutely not get involved with him, because something else he’s doing is looking for a wife. Of course, Katarina absolutely gets involved with him. She accidentally breaks up his meeting with various other desperate noblewomen, she takes him on a tour of bookstores, cafes, and farms (of course the farms are the most interesting), and she sees him touring the ministry of magic while she’s busy trying to practice with her dark magic (she’s only good at absorption) and translating the dark magic book (she gets bored easily). Unfortunately, Cezar is also investigating the conspiracy that everyone else is, and this investigation results in Maria’s family being attacked…

Those who read my Bakarina reviews know that I don’t really care about the cishet pairings, even as I acknowledge the author does. Mary and Sophia barely appear. Fortunately, our one exception is present throughout. Yes, Maria ends up getting a bit damselled in the climax, when Sarah and a bunch of goons overpower her, but the best moment might be when she sees Cezar and Katarina at the orphanage, where Katarina has been showing off what a great place it is for kids, and Cezar starts putting the moves on her (something she has no idea about). I love seeing Maria being jealous, and her cold attitude towards Cezar, though it doesn’t last long (they bond over Katarina being awesome) is great to see. What’s more, Katarina has literally saved the life of her and her mother this time. Maria is going to be more in love than ever.

As for HOW Katarina saved Maria, well, that’s worrying. I get the feeling “have better control over your emotions” is easier said than done, but I don’t think this series will get TOO dark. This continues to meander towards its ending. Mary and Sophia fans (and Alan and Nicol fans, honestly) can drop it, but Jeord, Sora, Cezar, and Maria fans will be happy. (Keith? Who’s Keith?)