The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 8

By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

Technically this book is the second half of an arc that began with the last one. That said, what this book really does is take everything that we’ve learned in the last seven books and boil it down into an examination of how monarchies really function, especially ones where the nobles don’t necessarily do what the ruler says. And that’s not even the case either, because of course this is a magical kingdom, and being a magical ruler is not remotely the same as being, say, Henry VIII. The magical revolution is still ongoing, and there are people who are very unhappy… not with the revolution itself (i.e. Anis’ magical tools) but simply with the loss of power that this entails. And the fact that it’s come from the non-magical Anis. What does all this mean? It means that both Anis and Euphie spend more time being utterly furious than in any other book we’ve read to date, and both consider simply executing everyone to solve the problem. (Spoiler: they don’t do that.)

Anis is busy working on the construction of her new magical city when she gets an urgent message from Lainie to return to the royal palace, and when she does she finds that Euphie is in her room on forcible rest. What’s worse, she hasn’t been able to sleep for days, and when she tries to eat food it’s tasteless and she can barely choke it down. Euphie is losing touch with her humanity and moving towards being a spirit contractor. And the reason for this? Well, they were meeting with the Western Nobles, who have always been difficult. But when one noble, Count Leghorn (I did try doing the Foghorn Leghorn voice, but it doesn’t match the character) venerates Euphie in a religious fervor, and suggests that all of Anis’ accomplishments have been falsified, Euphie almost loses control of herself in rage. So now she’s on forced leave… and tells all this to Anis, who is now ALSO losing control of herself in rage.

I haven’t really talked much about Lainie lately, who gets the bulk of the narrative here that’s not Anis or Euphie. (Most of the POV in this book is Euphie, and it’s really good.) This series began by combining an isekai with a villainess story, and Lainie was the “heroine” in that scenario. Now a loyal maid, she’s just as livid with what the Western nobles are doing but is not quite as close to it as Anis and Euphie are, so instead calls in the cavalry to come up with a solution. It’s pretty terrific. I also liked her discussion with Lumi, who points out that neither Anis nor Euphie are truly human anymore, and isn’t that a bit disturbing? Lainie believes in them, but then Lainie is a vampire, so she’s dealing with the same problems. The Western nobles have a much higher bar to clear… and they don’t clear it. There are no mass executions, but trust me, an epic smackdown happens.

This book shows that “happily ever after” is hard to achieve and requires constant effort, and even that may not be good enough. Fortunately, it ends rather triumphantly. We get a short story collection before Book 9… but both only came out a couple months ago in Japan, so it may be a bit. Highly recommended.

Lady Bumpkin and Her Lord Villain, Vol. 1

By Ageha Sakura and Kurodeko. Released in Japan as “Imokusa Reijou desu ga Akuyaku Reisoku wo Tasuketara Kiniiraremashita” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Vasileios Mousikidis.

I’ve never been very good with photoshop or meme creation, and I generally only embed cover images to these reviews in any case. But I will admit, about 20 pages into Lady Bumpkin, all I could think of was that Shrek meme and seeing him saying “She doesn’t even have a loyal maid!”. Now, I am aware that the loyal maid comes later, yes, but I’ve gotten so used to seeing these abused daughters who are simply surviving from day to day in their House O’ Evil Nobles have at least the one loyal maid to be the ally in their corner keeping them from completely losing it. Agnes has had to deal with this solely on her own, where even the help doesn’t help. Fortunately, she’s in luck, in that she’s in a villainess book. No, she’s not the villainess. The villainess is in fact a villain. And he’s just as innocent as most of the villainesses are in this genre, because oh dear, the princess is terrible.

Agnes Evantail is the eldest daughter of an old-school noble house. And I mean really old school. Her parents have furniture that’s outdated, clothing that’s outdated (including codpieces, Christ), and makeup that’s outdated, and they force Agnes into all of those (except the codpiece) before sending her out into a noble world that now regards those things as comical in order to find herself a man. Oh, and when she fails her father hits her. At one of these humiliation events, the princess and her fiance happen to be at the same party… and Agnes watches with horror as the princess denounces her fiancee, Nazelbert Florescruz, as a horrible person who has bullied her new boyfriend, a baron’s son – who has also gotten her pregnant. She insists he be exiled to the frontier… and since Agnes was the only one to help him up after he was knocked over, and she’s a national laughingstock, she’s told to become his wife.

Regarding that cover, I have to assume it’s metaphorical and that Agnes is holding her younger self, as they haven’t even gone beyond kissing on the cheek by the end of this volume. Most of this volume trundles along exactly as you might guess, with the occasional exception when we see Agnes getting the shit beaten out of her, as these sorts of books usually stick to emotional abuse. Once she’s disowned and heads to the frontier with her new disgraced husband, things definitely improve… though not right away, as they’re going to a territory where the previous noble in charge was an abusive rapist louse, so no one trusts them. Fortunately, and feel free to roll your eyes a bit, Agnes’ “useless” magic turns out to secretly be awesome, making this the distaff version of all those “weakest is really strongest” books. Minus the harem.

That said, as you’d expect, once the two of them are away from everyone else, we get a lot of sweetness and cuteness, along with Agnes turning out to be beautiful once you get the heavy makeup and heavy dresses off her. There’s little new here, but the writing style is breezy and fun, and I really liked Agnes. I’ll read more.

Haibara’s Teenage New Game+, Vol. 7

By Kazuki Amamiya and Gin. Released in Japan as “Haibara-kun no Tsuyokute Seishun New Game” by HJ Bunko. Released in North America by J-Novel Club. Translated by Esther Sun.

One of the things that folks tend to forget about teenage years as they grow older is how wonderful, how absolutely cathartic it can be to see your friends, your pals, those you are closest to and hang out with all the time, be complete and utter dipshits and make the worst choices imaginable. Not in a dangerous and life-threatening way – I don’t mean “I’m gonna take heroin” or that jazz. No, I mean things like “hey, I bet I can eat all these hot pockets in one go” or “I wonder how far I can go if I went down this steep slope on a garbage can lid?”. Dumb teen stuff. So when the cast here try to work out how to get Reita to listen to them and not throw away his entire life, Natsuki is the one who understands: we need to do the dumbest thing. Only that can save us. And it does, of course, because they’re teens, and also because this is a romcom.

Reita’s been suspended for a week for getting into a fight outside school. What’s more, there’s a video uploaded to social media of the fight, which is clearly staged BY Reita to destroy his own reputation. Everyone tries to get him to open up, and they all fail – he is really, really determined to throw himself under the bus. A visit to his home gives Natsuki some answers, but not many – home life not the best. But there has to be something there that’s more than just “I wasn’t thinking about Miori, I am a terrible person”. This also isn’t helping Miori much either – her reputation is not in the dirt anymore, but that’s because Reita is trying to say he forced her to do everything. Can Natsuki come up with a plan to solve everything in one go? See above re: dumb things.

Obviously Reita is the bulk of the book, but there is also the traditional romcom that is the reason you’re reading this. I appreciate that Natsuki and Hikari are dating and yet there’s still an acknowledgement that Natsuki also has feelings for Uta and Miori – in fact, as Hikari points out, right now his feelings for Miori are probably greater. But all of that is irrelevant – it has to be. Yes, he can’t let go of those feelings so easily. But he can reject the others girls and dedicate himself to dating Hikari, which he has done. The last part of the book is a classic Christmas Eve date, and it ends with a big ol’ confession and kiss. I will admit that sometimes this series is a bit too fastball-down-the-middle – Natsuki’s rainbow colored life feels a little too easy – but then again, he already suffered in his first life. And he did get the crap beaten out of him in this book. It evens out.

We’re caught up with Japan again – Book 8 is out early next year – so how things go from here is unknown. I can’t see this series going on too much longer, though. But it’s good overdramatic stuff.