I Abandoned My Engagement Because My Sister is a Tragic Heroine, but Somehow I Became Entangled with a Righteous Prince, Vol. 2

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By Fuyutsuki Koki and Haduki Futaba. Released in Japan as “Higeki no Heroine Buru Imōto no Sei de Konyaku Hakishita no Desu ga, Naze ka Seigikan no Tsuyoi Ōtaishi ni Karamareru you ni Narimashita” by Overlap Novels f. Released in North America by Airship. Translated by Sarah Moon. Adapted by Veles Svitlychny.

This is a classic example of a sequel that manages to do some things right and some things wrong for the second book. Much to my relief, a lot of the broad humor that felt out of place in the first volume has disappeared, which is good, as there’s a very real threat to the kingdom going on here. That said, the tendency of the author towards writing ridiculous cartoon villains has not gone away, and I ended up calling the main villain of the book Jacob Rees-Mogg, if only as he had a top hat AND a monocle, and his inner monologue tended to end in “Mwa ha ha ha ha ha ha!”. There is an exception, though, which I’ll get to later, as it was easily the biggest surprise of the book for me. Oh yes, and the Chinese stereotype girl? She’s worse. I wish she hadn’t been in it.

After the fallout from the arrest of Jade Berklein, Eric and Leia are ready to do things such as visit the new popular ice cream shop, run by a mage with a talent for ice magic. Unfortunately, while they’re there, Baron Almer, one of the minor villains from the first book, is poisoned, and while Leia saves his life, evidence points to the ice cream shop being responsible. While this is going on, Eric and Dale’s father the King declares that he is going to announce the revocation of special rights to the elite families in the kingdom, and boy are those families pissed. So the King needs extra guards. Fortunately, Duke Rees-Mogg… erm, Algrene, is here to lend the King his crack mercenary troops who are totally not assassins in disguise. Can Eric and Leia manage to save the king? And what’s up with Dale anyway?

The surprise I was alluding to, which… mostly works – I give the author credit for trying it in the first place – is the presence of Jill in this book. No, she is not, as I expected, escaped and once again being the worst. She spends the entire book in a cold, damp cell. But she is visited by someone who keeps asking pointed questions, such as “why is no one coming to save you?” and “why do you think your sister hated you?”. And the lack of her mother or other people telling her how to think forces Jill to think for herself, and you can see the “Are we the baddies?” meme show up on her face. This doesn’t go perfectly – she was such a cartoon in the first book that I found her sudden turn a bit hard to buy – but certainly I like it better than just having her executed. It was also a surprise, which is nice.

The third book, judging by the wedding outfits on the cover, is the final one. This isn’t great, but it’s also not awful, stereotypes aside. Also, given she’s now engaged to the prince, we’ll get the Princess Leia joke soon.

The Legendary Witch Is Reborn As an Oppressed Princess, Vol. 2

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By Touko Amekawa and Kuroyuki. Released in Japan as “Shiitagerareta Tsuihou Oujo wa, Tenseishita Densetsu no Majo deshita: Mukae ni Koraretemo Komarumasu. Juuboku to no Ohirune wo Jamashinaide Kudasai” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Kashi Kamitoma.

I have fantastic news. The main thing that stopped me really enjoying this series is now gone. Claudia is now eight rather than six, and while she still tends to act like a small cute child when it serves her purpose, she no longer talks like Elmer Fudd. As such, the book is much easier to read and we can concentrate on the mystery aspect of it. Because, despite the reincarnated aspect of it, this is essentially a mystery. Claudia accepts a marriage negotiation, but has no intention of really following through – the main goal is to try to solve the other kingdom’s tragic secret. Honestly, if there’s any romance here it’s between Claudia and her servant/best friend/etc. Noah, who is obsessed with her but in a cute way, because he’s 11 and she’s 19 + 8 counting the past life. OK, year, the reincarnation shenanigans means there are still issues here. Japan loves its age gap.

As noted, the nearby country of Klingate is looking for someone to marry their 11-year-old crown prince Lewis, and Claudia fits the bill. Of course, neither she nor her father are really expecting this to be a normal marriage meeting. You see, Klingate has a problem that has been growing over the years. Princesses in the royal family keep falling into comas and not waking up. Each year a new princess, and now eight of them are sleeping without waking. The kingdom, needless to say, is trying to hide this as much as possible. But Lewis himself seems a charming young man… if perhaps falling madly in love with adorable Claudia a little too quickly. That said, there’s an older brother, Stuart. He’s no longer in line for the throne, possibly as for the last eight years he’s barely left his room. And he seems obsessed with painting the sleeping princesses.

Not to spoil too much, but a lot of the climax of this book once again asks us to remember back 500 years ago to Claudia’s past life as Adelheid. She ended up sacrificing her own life in order to make sure that those who served her did not do the same, but that doesn’t necessarily mean that they were all grateful and happy about her doing this. It also compares nicely to Noah, who is clearly meant as a mirror here. He’s told point blank that if Claudia were to die, he’d want to destroy the world, right? But Noah, who still has a living Claudia next to him to help, is able to say that yes, he’d want to, but he wouldn’t, as it would make Claudia sad. Instead he’d just wander off into the forest to die alone. So yes, it’s a codependent relationship, just like the ones she had centuries ago. But it’s OK, this is the “romantic” kind of codependent.

Despite its flaws, this is a stronger book than the first one, and I’ll happily read the next volume.

Kuma Kuma Kuma Bear, Vol. 20

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Airship. Translated by Jan Cash & Vincent Castaneda. Adapted by Lorin Christie.

I admit that I am sort of ready to give up? Not on Kuma Bear, mind you, it continues to be fine, if somewhat obsessed with its ongoing parade of children adoring Yuna. But look, this site gradually morphed into a thing where I only review light novels on it a few years back, and the one thing that’s been hardest for me to learn is that not all light novels need to have a full review. This especially goes for the slow-life ones that end up going on forever and ever, like this or Smartphone. And as readers have figured out, there are only so many ways I can say “boy, Yuna sure hates people praising her” or “gosh, this series loves to tease yuri fans while pointing out how not gay everyone is”. (Actually, this volume seems to be leaning more towards everyone staying single forever – the series’ almost complete lack of men doesn’t help.) But let’s roll up our sleeves, because I did see one thing this time I can talk about.

After the battle against the orochi in the Land of Wa, we get the traditional post-arc cooldown. Yuna is gifted a mansion to reward her for her efforts in saving the country, and the mansion being filled with hot springs leads to to actually accept the reward for once. She then grabs Fina, Shuri and Luimin and brings them over there for a lakeside barbecue as well as going around the shops, eating Wanese food and dressing up in kimonos – all things Yuna is strangely familiar with given she’s not supposed to be from Wa. On returning home, she decides to write a new volume of the children’s book series, and spends the rest of her time giving out souvenirs and candy. But there’s a competition in a country Yuna hasn’t been to yet, and Shia’s part of it, so Yuna and Noa go to cheer her on.

There were two interesting points this time around. First, Yuna’s love of natto, and the fact that the natives of Wa were baffled that she knew about it, almost caused her to give away her otherworldly origins. Yuna’s backstory, to everyone but Yuna and the reader, is wrapped in mystery, and she wants to keep it that way, partly because I think she doesn’t want to remember it very often. We do see her wish that she could invent Coke and anime so she could go back to being a shut-in, but I think Yuna’s grown past that now. The other interesting thing is the fourth picture book, where Yuna continues to rewrite her own reality to make it more palatable. Not only is she a literal bear in this series, but she also smooths things out and makes them more narratively easy to understand. The author has already been doing this with the novels themselves – it’s been a long time since we’ve seen a whiff of the sexual assault that plagued the earlier books. Yuna is not quite a self-insert, but the line is vague.

I’m not sure what will happen next, but I do know that what we’re getting next is another short story collection. Till then, this continues to be for fans who hope that when they grow up Fina and Yuna will marry. Keep hope alive, I guess.