The Blessing of Liefe: Leave This Magical Letdown Alone!, Vol. 1

By Kureha and Yoko Matsurika. Released in Japan as “Liefe no Shukufuku: Muzokusei Mahō Shika Tsukaenai Ochikobore toshite Hottoite Kudasai” by Arian Rose. Released in North America by J-Novel Heart. Translated by Alex Castor.

This one took me by surprise a bit. The opening suggests it’s going to be a much darker book, with a girl who has “useless magic” getting physically and emotionally abused by her terrible father. But after her mother divorces said father and returns to her life as a commoner, everything starts to get much better, for the most part. Oh, sure, people still bully her, and she’s forced to endure verbal abuse from various folks. But there are a ludicrous amount of people in her corner, and as it turns out (please tell me you’re not surprised) her magic that’s useless unless you spend years studying it really hard turns out to be fantastic when you actually do this. In the end, she wins battle tournaments, scores high in exams (by accident), and even helps to heal, both with magic and the heart, the second prince, her childhood friend and a man who is deeply in love with her. Something she, of course, does not get at all.

Yui O’Brian (later Yui Curtis) is born with non-elemental magic, in a world where the ‘fire/water/wind/earth” dichotomy is everything, and her magic is seen as support, and something not to be bothered with. As such, not only does her father despise her, but kids make fun of her, and once she’s in school, arrogant nobles look down on her. Fortunately, it turns out that Yui has had, for some time now, a ludicrous number of allies. Her twin older brothers adore her. The second prince sneaks out of the castle and meets up with her, and since she’s the only one who can touch him and his over the top magic and not be injured or killed, the former king is absolutely fine with this. Her mother remarries another noble who turns out not only to be devoted to his wife and daughter (to an annoying degree – see below), but is also the prime minister to the current king. And her friends in the “losers” class at school all seem to be far too powerful for that class. What’s going on here?

At one point, Yui is called to the castle after a magical accident traumatizes the second prince, and as she goes off to his room I was expecting her to pose dramatically and say “It’s OK. I’m a light novel protagonist.” There is… frankly, a distinct LACK of drama and trauma after about page 10 or so, and while I think the story works better for it, folks looking for actual struggle may be a bit annoyed here. Speaking of annoying, while I don’t think that the stepdad is incestuous like some other folks discussing the book, he is a ludicrous example of the “overaffectionate/overprotective dad” trope we see a lot of in Japanese anime and manga. Usually they end up being the comedic butt of jokes, but alas, Layce has too much power for anyone to push back against him (except Yui). I did also enjoy seeing a “noble marrying a commoner” love story go the way it likely really would in a non-light novel: Yui’s father wanted to marry Yui’s mother, a commoner, harassed and bullied her till she gave in, and then hated her once something did not go his way. Even in a series like this where Yui has allies everywhere, nobles are mostly scum.

We get a confession at the end of this book, but Yui is not emotionally prepared to respond, and there are some other subplots that haven’t finished yet. I’ll definitely be reading more, but this feels like a series where someone has entered cheat codes for the heroine’s life.

Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters!, Vol. 6

By KAYA and Naru. Released in Japan as “Tensei Shōjo wa Mazu Ippo kara Hajimetai: Mamono ga Iru toka Kiitenai!” by MF Books. Released in North America by J-Novel Club. Translated by Amy Osteraas.

First of all, let’s get the most important thing out of the way: this volume features the triumphant return of “I’m good on wolves”, the running gag that made the first volume such a delight for me. It’s very welcome, and yes, the fact that it’s back means that Sara ends up going ALL the way back to Rosa this volume, courtesy of the plot. Also returning is the author continuing to not confirm but nevertheless convince me that Sara is a monster attractor, and that anywhere she goes will see an increase in their population, ranging from hellhounds and wyverns to the surprise guest monster we’ll be talking about in a bit. Oh yes, and we also get more attempted marriages, with Sara turning all of them down. She’s still not thinking of Allen as anything more than her bestie and family, but we may finally be starting to crack that a bit. His almost dying in this book helps, no doubt.

Sara has returned to Hydrangea, where she is living the happy apothecary life, despite acquiring another suitor – Liam’s younger brother Noel (I see what you did there), who fortunately is a lot nicer than his sibling. Unfortunately, suddenly a lot of dangerous monsters appear in the dungeon where they shouldn’t be, including crossing supposed no-monster zones. After finding mysterious invisible portals in the dungeon, Sara and company come across something much bigger and more dangerous – a continental turtle, which has decided to get up and start to walk. It’s the size of a three-story building, and the last time it did this it caused untold destruction. Now everyone’s got to get together to try to nudge its path slightly so that it does not run through any major cities. What? Kill it? Don’t be silly, it’s invincible. Who would be stupid enough to try that?

So this book is filled with a lot of people learning their life lessons at last. Ted has been exposed to life outside the noble city he grew up coddled by, and gets as close as he ever will to thanking Sara. Liam may be coming up with dumb plans, but he at least is self-aware enough to know that “find a scapegoat and throw them in jail” is not the answer when said plans don’t work, and he DOES apologize. As for Sara and Allen, it’s amusing that they both accuse each other of going with the flow and avoiding confrontation too much. We’re more used to seeing it in Allen, as Sara is the POV character, but he’s right – for all her snarking and complaining, she’s only now getting around to actually refusoing to do things. They’re not together by the end of the book, but they’ve basically admitted that they’ll never be apart from each other.

That said, the cover of the 7uth volume suggests another slow-burn romance may get resolved first, and we might see that next time. Till then, enjoy your fill of wolves, turtles, and teenagers who try to do far too much, and mostly succeed.

Kuma Kuma Kuma Bear, Vol. 19

By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Airship. Translated by Jan Cash & Vincent Castaneda. Adapted by Lorin Christie.

Sigh. So not only does this volume retread a lot of ground I talked about last time when I was reviewing Kuma Bear (Yuna is a big softie but hates when people call attention to it), it’s also a huge battle volume, which means that 2/3 of it is made up of fights that I also can’t really review very well. It is nice to see Yuna having to think about various ways to try to defeat the fire orochi head, whose strengths actually block Yuna to a degree, and seeing her try some stuff that, back in Vol. 2 or so, was an immediate win move end up doing nothing whatsoever. She’s having to think on her feet and be clever, even though a lot of this is just “I can do things everyone else can’t because of the bear costume”. And we get a flashback showing how the orochi was first sealed, which is interesting if you’re invested in the fox spirit. Which… I wasn’t really. So yeah, still struggling.

Sorry, cover art fans, but Yuna spends barely any time in the white side of the suit this book – this is powerful, punching things Yuna through and through. Everyone realizes that the orochi’s seals are breaking, especially now that Mumulute shows up and it starts to really try to break its binding. The answer is to just fight and actually defeat it this time, but the orochi has four heads and its huge body, and even Yuna can’t duplicate herself. So Shinobu and Kagari also get involved, and unfortunately Shinobu is injured and has to be sent to the penalty box (the penalty box being Yuna’s home, where Fina is called over to nursemaid her). As for Sakura and Luimin, two of the latest girls to revolve around Yuna’s “10-year-old girls seem to dog me” orbit, well, they can at least try to stop it waking up for as long as possible. Still, in the end, it takes a bear. A bear who really, really does not want a reward.

So, stop me if you’ve heard this one before, but Yuna hates being praised and deflects attempts to credit her for anything, saying she just wants to live a life where she’s not viewed as the hero. That’s getting increasingly difficult, and it doesn’t help that Kagari (who, by the end of this book, is also in the body of a little girl – The Author’s Barely Disguised Fetish is always the weakest part of this series) is doing the same thing. On the bright side, I did enjoy seeing Luimin and Sakura bond immediately, to the point where they vow to travel the world together once they grow up, and it might even eventually be yuri if I thought the author was ever going to do anything of the sort, which I don’t. And we got to see Fina pouting and hitting Yuna with her fists like an anime cliche. That was cute.

We’re only a little behind Japan now, which has Vols. 20 and 20.5 out. Next time should see the start of a new arc, and no doubt new things for me to complain about. But I’ll read it. Yuna is as Yuna does.