Monthly Archives: December 2011

Manga the Week of 1/4

Happy new year! At least next week, when you’ll be able to celebrate with a nice stack of manga from Kodansha and Viz! Courtesy the Midtown Comics list, and mostly the same as your friends at Diamond. (I say mostly as Wandering Son still is AWOL.)

Kodansha has two big omnibuses for all you Ken Akamatsu fans who enjoy buying things twice to get new, more accurate translations. Which, let’s face it, is most of you. The second Love Hina omnibus and third Negima omnibus will bring you over 1000 pages of tsundere girls getting embarrassed and hitting the men/boys they love. (Hey, it’s a known buying market. Stick with what you’re good at, that’s what Ken says.) There’s also the third volume of Monster Hunter Orage, for Hiro Mashima fans. (Note that all that was out this week in bookstores. Diamond: where shipping dates go to die.)

About 257 years after the release of the first One Piece artbook, the series has apparently sold well enough that Viz is releasing the second. Oda’s fantastical color pages are filled with imagination and strange animals, and I can’t wait to see what they look like in a larger size.

Meanwhile, the first week of the month always means a healthy dose of Viz’s Shonen Jump and Shojo Beat lines. From the former we have Naruto 54 and One Piece 60, both getting a slight speedup due to Shonen Jump Alpha. (They’re already available digitally.) There’s also Vol. 2 of Psyren. Jump Square gives us the 7th volume of the 2nd series of Rosario + Vampire, and the little-known V Jump, which specialized in video game tie-in manga, gives us Yu-Gi-Oh GX 8, one of the grandest game tie-ins of them all.

Shojo Beat is putting out several of its heavy hitters: Black Bird 12, Kimi ni Todoke 12, and Skip Beat 26. There’s also new volumes of Dengeki Daisy (oh, those cliffhangers…) and Oresama Techer (SUPER-BUN!). Lastly, for Sanrio fans, Viz releases the first volume of the adorable-looking Fluffy Fluffy Cinnamoroll, which is surprisingly printed right-to-left. Well, may as well get the future manga fans reading that direction early on, I suppose.

MMF: Sailor Pluto

When I was writing about Makoto, I used her own personal name in the header. We first meet her as a normal teenage girl, and despite becoming Sailor Jupiter and defending justice and the like, the manga follows her life as a normal teenage girl. When we first meet Sailor Pluto, though, in the middle of the second arc of the manga, we see her as the senshi first and foremost. We don’t even realize she has a civilian identity until the third arc, when we finally “meet” Setsuna Meiou. This fits rather well, as Pluto’s arc is time in reverse compared to the others – she’s the no-nonsense soldier of the future, then upon her return she’s allowed to live a (somewhat) carefree life.

We know next to nothing of Sailor Pluto’s actual past. One flashback in the manga shows Queen Serenity telling Pluto the three rules of time that she is never allowed to break. Leaving aside the fact that she has broken all three of them by the end of the manga, what’s striking is that she’s telling this to a Sailor Pluto who looks to be about 7 years old. I mentioned before that these Sailor Senshi are not going to grow up and get married, but grow up and take on their duties as defenders of the Earth. Pluto, on the other hand, seems to have been born to this duty. It’s a rather jarring. What’s more, throughout this first arc we see that Pluto’s life in Crystal Tokyo is a solitary one… her only friends seem to be Endymion and Chibi-Usa. One would imagine even in Crystal Tokyo the other inner senshi all still hang out. Is Pluto’s task really that important?

Speaking of which, why isn’t Pluto’s task actually being the Senshi of Death? There are rumors that Naoko Takeuchi got Pluto and Saturn confused when she was writing the manga, and then gave Hotaru powers equivalent to “death” when she realized it was too late to go back and change it. In any case, guardians of time are not new in the land of fiction, or even manga, and it’s actually more of a surprise that Pluto doesn’t abuse her powers *more*, given the obvious temptation. Then again, Pluto is… well, not exactly a stoic, but her personality definitely tends towards the cooler end of the spectrum. Even when she’s living as Setsuna in present-day Tokyo, we learn very little about her personal life, her likes and dislikes, etc. She has no romantic scenes or pairings, even with the other senshi; the manga hinted she might have a crush on future King Endymion, but even that was mild. It does seem that she’s enjoying her time as Setsuna, at least. Probably the first time she’s had to relax in thousands of years.

We have no real idea how old Pluto is. Her parents are unknown, and she seems to be a young girl in the Silver Millennium when talking with Serenity. Her future is… confusing, given that she dies in Crystal Tokyo and then is reborn into the past to live in the present with Usagi and company as a (presumed) 18-year-old college student. Is she caught in a time loop? I’d like to say she isn’t, given I think that might be a bit too cruel. I imagine the combination of her own powers and Neo-Queen Serenity’s was able to work something out. (In the anime, of course, she doesn’t die in the first place, rendering all of this moot.)

Fan opinion on Pluto is mixed. As I said, there’s a lot of “with great power comes great responsibility” to her senshi powers, and that, combined with her cool and somewhat aloof personality, means that there’s a lot of fanfics and fan opinion portraying her as a manipulator. Heck, I’ve done it myself. In terms of the canon, though, I appreciate Pluto for her role as the Senshi of time, and her ability to show us what duty and sacrifice really are; but I also appreciate just as much her time as Setsuna from the third arc onwards, if only as we do see a teasing and fun side to her, and she’s a devoted parent (along with Haruka and Michiru) to Hotaru. Setsuna is time reversed from the other senshi – we see her as a soldier, then we gradually see her civilian self. As for which is her “true” self, well, that’s a hard question to ask for any of the senshi.

Sailor Moon MMF: Day 1 links

We’ve got some excellent links from Day One of this Manga Moveable Feast!

Aaron Kooienga tells us all why he’s so find of the magical girl genre, and also reviews the second volume of Codename: Sailor V.

Erica Friedman wrote a great article for Hooded Utilitarian a while back about why Sailor Moon was such a huge influence on North America.

Ed Sizemore found that he had issues with Usagi as a heroine in his review of Volume 1, but he was able to get behind Minako more. Ed also did a podcast about the series with Erica and Emily Snodrass.

Erin Jamison gives us a look at what lessons one can learn from Usagi Tsukino.

I’ve reviewed the first two volume of both Sailor Moon and Sailor V here, and I also discussed the character of Makoto Kino/Sailor Jupiter.

And that’s just Day 1! What will other days bring?