Monthly Archives: September 2018

Dr. STONE, Vol. 1

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By Riichiro Inagaki and Boichi. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Caleb Cook.

It’s always difficult to judge these Jump titles because the beginning feels like a prologue even when the series takes off, as this one has. Here we have the new series from the writer who brought us Eyeshield 21 and the artist who brought us Sun-Ken-Rock. So they’re both seasoned veterans, and there’s no doubt the new series feels confident. I’m just not sure who I’m supposed to be focusing on. The guy on the cover, Senku, starts the book as the seeming “intelligent sidekick” type to the classic idiot Jump hero-type guy, Taiju. That said, Inagaki has learned his lessons well from his days at Eyeshield 21 and knows that no one read that series for Sena, likeable as he was. No, Eyeshield’s popularity was entirely due to Hiruma. As such, it’s pretty clear the the intelligent, verbally abusive guy is who we need to keep an eye on. (I’m fairly certain he’s not a real doctor, though.)

Our story begins with Taiju, for whom the words ‘lovable lunk’ seem to have been invented, finally manning up and preparing to tell the cute Yuzuriha that’s he is in love with her. Sadly, as he’s about to do this, something flashes across the entire world and every single human on it is turned to stone. Their consciousnesses survive, they’re just… trapped in stone. (It’s not just humanity, some birds are caught as well, but most animals seem to have survived. Fast forward to the year 5738, and Taiju finally is able to escape his stone body. It turns out Senku, his science friend, has been awake over half a year earlier, and has big plans. Together, they’re going to find a way to un-stone people and revive humanity. Naturally, Yuzuriha is one of the first revived, as, well, you need a cute girl in a Jump series. Unfortunately, their other revival proves a bit more unfortunate.

I’m going to leave aside the likelihood of everyone being turned to stone yet alive and conscious for over four thousand years and being mostly fine when they are revived, because that’s clearly handwave plot powers. I’m also going to leave Yuzuriha aside, because as I said earlier her sole purpose seems to be pretty and female – hopefully the manga will get a few more well-defined women in it soon, but honestly, Eyeshield 21 wasn’t great on that front either. Senku and Taiju are much better defined characters – despite his Dragon Ball hair, Senku is clever (and knows it) and pragmatic, and is ready to rebuilt the world with the help of Taiju’s muscle. The antagonist is also interesting, as he points out this is the perfect time to only revive the best, while Senku, our hero, thinks they should revive everyone regardless of whether they’re evil or not. I’m not entirely sure how you can guess the morality of a person from their stone statue self, but given our antagonist seems perfectly happy to break apart little kid’s stone bodies, I suspect he’s not really meant to be much other than ‘the bad guy’.

The art here is good, and I do like Senku, but it feels very much like a prologue. I think I’ll need one or two more volumes before I see where Dr. STONE is going. Till then, Jump fans should like this. Also, Boichi seems to have studied at the Masakazu Katsura school of female character design. Yuzuhira could have stepped off the pages of Video Girl Ai.

Amagi Brilliant Park, Vol. 1

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By Shouji Gatou and Yuka Nakajima. Released in Japan by Enterbrain. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

In the beginning there was Full Metal Panic!, a long series of light novels that sadly will probably never be rescued but which spawned a long-running anime franchise. Then there was the spinoff, Fumoffu, which was FMP as a gag comedy and featured Sousuke dressed up as an amusement park mascot. As the author admits in the afterword, the design of the mascot was so perfect that the author just poached it outright (with permission) for his new series Amagi Brilliant Park. Sousuke is not inside the costume this time, but fortunately we have Isuzu, who is sort of a gender-reversed Sousuke with about the same amount of social skills and the tendency to use guns as the first and only option. Fortunately, the male protagonist is not a Kaname expy, but instead Seiya is a young man (and former child star) who is smart, handsome, athletic, and smug about all of this. He’s clearly the perfect person to take hostage and beg to save your magical theme park. Which is what Isuzu does.

For most of this book, I will admit, I was a tad underwhelmed. Isuzu and Seiya were flawed characters, but it sort of felt that the flaw was meant to be a “quirk” rather than lead to actual character development. The same applied to other characters – the other heroine is blind, but this is apparently so irrelevant the anime didn’t bother to adapt the blindness. In addition, as part of his job to save the magical amusement park, Seiya is given a magic power, but it’s hilariously useless and for the rest of the book he simply never bothers. The writing itself is solid – no surprise, given the author’s experience – and it definitely does not have the “I am adapted from a webnovel” feel that so many titles do these days. But I really wanted something more from the series, and as the deadline to save the park crept up I was wondering what weird plan our hero would come up with to save the day.

Then came the revelation of what that plan was, which I will do my darndest not to spoil. At first I was sure it was a fakeout, because there was absolutely no way that they were going to go down that dark, cynical road. But they absolutely do, and I literally said “Holy shit” out loud when I read it. It’s a horrible thing to do, and while Seiya wins the day and the amusement park is (for now) saved, both he and Moffle (one of the “mascots” who is the spitting image of Bonta-kun and also the only one we care about in this volume) feel like it is a bitter, undeserved victory. It absolutely is. And it made the book so much better for me, knowing that in among all the wackiness of Isuzu shooting things and the mascots talking about getting it on with hot moms, the author is ready to pull the rug right out from under his readers with this sort of thing. It made me sort of ill. Bravo.

The next volume is supposed to be more lighthearted, and I’m not sure that’s really what I’ll want. But for now, I recommend Amagi Brilliant Park to fans of FMP or ‘comedy workplace’ series who don’t mind the hero coming off as something of a tortured sociopath. I’ll be reading more.

Otherworldly Izakaya [Nobu], Vol. 1

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By Natsuya Semikawa and Virginia Nitouhei. Released in Japan as “Isekai Izakaya “Nobu”” by Kadokawa Shoten, serialization ongoing in the magazine Young Ace. Released in North America by Udon Entertainment. Translated by Caleb D. Cook.

There’s a small subset of isekai series that seem to involve a restaurant that is modern Japanese and yet caters to fantasy characters. This one is particularly odd in several ways, though. It’s based on a light novel series, which makes sense if you think of it as an isekai manga but no sense whatsoever if you think of it in its real genre, which is a “everyone enjoys food and describes it” manga. (I’m not sure it’s technically a foodie manga as there are no recipes. You aren’t supposed to make these yourself.) That said, if you DO see it as an isekai manga, it’s probably one of the few I’ve seen shown almost entirely from the POV of the existing fantasy characters. The “Chief” and Shinobu are the staff of the izakaya in question, and by the end of the first book we know the same thing about them which we knew at the start – nothing. It’s about the fantasy cast, and food.

Even the isekai part of the series is a bit vague. The plot involves this izakaya (think pub) in a side street of a medieval town, which gets traffic at first mostly from the guards who are exhausted after a day’s work (just like real izakayas). They are poleaxed by things like cold beer, oden, etc. – basic Japanese pub fare. It becomes somewhat clear as the book progresses that the izakaya has a “back area” that is connected to modern-day Japan, where Shinobu and the Chief get ingredients and (presumably) live. In other words, they are the ones who are transported to another world. But, as I said earlier, this is a series about the food and the people eating it. boisterous guards, their grumpy captain, an uptight tax collector (who is not Gustav St. Germain from Baccano!, but happens to look just like him), and a spoiled rich girl wander in, think they’re not going to like the food, and like the food.

In the end, you have to think of the series as a food manga to really appreciate it. The attention given to the food is, of course, excellent, and the characters make you really want to dig in. As I said earlier, Shinobu is the waitress girl on the cover, and she’s bright and helpful and that’s about it – likewise, Chief is straightforward and somewhat stoic. There’s some sort of language barrier that isn’t quite made clear – Shinobu using untranslated Japanese at times (particularly her long, drawn-out “haaaaaiiii!”) is meant to show this, but she can also clearly communicate with everyone. The other very odd thing about this isekai is that, as far as I can tell, there’s no magic or fantasy in this world whatsoever. It’s in some sort of German medieval world, but the only isekai think is the Japanese pub. It’s a very odd combination, but the relaxed mood and food descriptions in this volume means I’ll be coming back for more. And hopefully getting at least some backstory for our staff.