Yearly Archives: 2018

Sweet Blue Flowers, Omnibus 3

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By Takako Shimura. Released in Japan as “Aoi Hana” by Ohta Shuppan, serialized in the magazine Manga Erotics F. Released in North America by Viz. Translated by John Werry.

Everyone wants to read about the awkward pangs of unrequited love. Will they feel the same way? Will they hate me? Will this destroy our friendship? But it has to be said, and Sweet Blue Flowers does a very good job at conveying this, the issues don’t magically go away after you’ve started dating. Admittedly Akira’s acquiescence is somewhat lukewarm, which is no doubt why Fumi is feeling this way. But let’s face it, Fumi is the sort of person to overthink things anyway, and these sorts of worries DO stick around. Communication does not necessarily become easier when you’ve confessed. In many ways it’s harder. And of course if you want to keep dating, you have to keep yourself interesting and fun, because what if your partner gets bored with the real you? Sweet Blue Flowers may not be getting any closer to resolution of its main romance, but it certainly knows how to convey its painful emotions.

Sweet Blue Flowers does feature an awful lot of relationships between girls, but unlike some other series of this ilk, they aren’t every single relationship. There are men in this world. Indeed, sometimes the reader thinks that the man is the better choice – Ko breaks up with Kyoko here, and you can’t blame him, but I honestly do hope that she gets it together and gets back together with him, as he’s a good guy, and her pining away is not getting her anywhere. It’s weird to feel this way in a yuri manga, where the nature of fandom tends to regard any man who might get in the way of a relationship between two women as evil. We also have different types of relationships here – Akira and Fumi start to date, but it’s very vague, and you get the sense they’re doing it so that Akira can figure things out more than anything else. Some of the girls in the school are clearly in an “akogare” situation that they’re going to grow out of, but some are not – one of the minor characters outright says she’s a lesbian, and Akira’s teacher is in a happy relationship with another woman. This isn’t just yuri’s classic “Story A“. (Well, OK, sometimes it is.)

Sweet Blue Flowers, of course, also has the same issues that it’s had before. Shimura’s character designs are too damn similar, and I find myself struggling to tell some of the girls apart, which makes it harder for me to remember the plotlines. Akira and Fumi’s teenage passion and fears are endearing but also exhausting, especially given this is an omnibus of two separate volumes. And I have to confess, I don’t like Yasuko all that much, and was irritated when she showed up again. Her going to England really helped this series find its feet. That said, this is still a very good volume, and since I believe it ends with the fourth book, there’s no reason for you not to get it so that you can wallow in panga of young love once more.

Infinite Dendrogram: Those Who Bind the Possibilities

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By Sakon Kaidou and Taiki. Released in Japan by Hobby Japan. Released in North America by J-Novel Club. Translated by Andrew Hodgson.

I’ll pick up with a point I made in the last review: there was honestly no reason that the author couldn’t have simply kept this with the fourth book and released it as one big tome. It took me a while to get back into where the action was, as if you were watching the climax of a movie and stopped with 15 minutes to go so you could go on a two-week vacation. That said, given that we’ve not only got the climax of the previous book, but also an extended epilogue and a side story or two, this is a light, easy read. In fact, the side stories may be the best part of the book. Because this is a series where the world not only is a game, but also one where people are not trapped in said game, we’re actually allowed to deal with real life issues like making sure you do all your pre-college prep. And having the hero and villain pass each other like ships in the night.

We also get more of the Starling brothers and their eccentric awesomeness, though it appears it’s more “the Starling family”, as we hear about an older sister who’s more insane than either brother. (It would be nice to meet her, but I expect she’s just the sort of character to be talked about but never show up.) Shu proves to be, as the reader likely guessed all along, a phenomenal powerhouse who uses his incredibly unbalanced build and real-life martial arts skills to completely decimate Franklin’s army of monsters, all while making the bear minimum number of puns. And then there is Ray, who still sees himself as the typical, normal male protagonist even as he gets himself some evil blood-red armor and also loses an arm, replacing it with a hook. Nemesis was introduced into the book as his lovestruck familiar, but lately she seems to exist to occasionally sigh and mutter to herself about Ray’s tastes.

As for Franklin and Hugo, I was fairly surprised by their relationship, though again, I do think it would have had more impact if the book hadn’t been divided into two parts. Franklin’s “character” is a classic sneering, arrogant villain, the sort who thinks they’re being stoic but really they’re just being awful. I’m not entirely sure if the obsession with Ray Starling will extend into the real world – they’re oblivious to each other at the moment, but I don’t expect that to change anytime soon. I was slightly saddened to see that Marie’s character, while still remaining relatively badass, has acquired a bit of a comic relief quality, mostly in everyone knowing her real identity despite everything. I also enjoyed the two adult Superiors going out for a drink with a third one who, it’s implied, has just turned ten. Again, this is the nature of online gaming.

This book ends the first “arc” of the series, and we’re also almost caught up with Japan, though I think we’ll have one more volume to go before we have to wait. I expect the next arc will deal with what Franklin implied in this one, which is that of course Dendrogram is not “just” a game, there’s clearly something else to it. Till then, enjoy working your way through this book, though you might want to re-read the previous one first.

Sorry for My Familiar, Vol. 1

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By Tekka Yaguraba. Released in Japan by Kodansha, serialization ongoing in the magazine good! Afternoon. Released in North America by Seven Seas. Translated by Andrew Cunningham. Adapted by Betsy Aoki

I’ve mentioned a few times before that ongoing manga series in Japan tend to be written with multiple plots and endings in mind, depending on how popular the series ends up being. The classic example is the failed Shonen Jump series that ends in about two volumes with “and the adventure continues”. And sometimes you see shoujo classics that begin as what seems like a series of one-shots before they pick up an ongoing plot – because that’s what they were. In my opinion, it’s easier to do the cut short version. In fact, editors are experts at it. I imagine it must be a bit more difficult when you have a cute idea that seems to be something that could go nine, ten chapters and then you realize that it’s got enough readers that you need to do more. Sorry for My Familiar feels like the latter. As a cute, one-shot, it’d be fantastic. As an ongoing series? Ummm…

The plot is pretty simple, and drive by comedy. Patty is a very nice little Devil girl who happens to be burdened with the classic deadbeat dad – in fact, as the book goes on you begin to wonder if the dad was written by Rumiko Takahashi. She’s in a demon world where most of her fellows have some sort of magical animal familiar. She’s not strong enough to get those. Instead, she has Norman, who is a human, a demon researcher, and completely and utterly WEIRD. Norman is the reason to read the series – Patty is nice and all, but is mostly used as the straight man and occasional tsukkomi. (In fact, Patty’s niceness may come down to her background – she has no idea what kind of devil she is, and Norman spends some embarrassing moments wondering if she’s actually a cow.) The series involves the two of them trying to find her father and getting into scrapes, usually because Norman is endlessly curious and kind of rude.

The start of the volume is the best, as you will find that Norman is just so appalling most of the time in his dedicated research above nearly anything else that you can’t help but be dragged along, much as Patty is. His research does come in handy in getting out of several scrapes, but honestly I think a large part of it may also be his inhuman endurance – not implying he’s secretly a demon or anything, if anything I suspect his ability to overcome any hardship is meant to be an extension of his “anything for research” side. The main trouble is that Norman is not only somewhat exhausting to Patty, but to the reader as well – about two-thirds of the way through the book I was ready for it to be over. This is not uncommon in many comedy manga, admittedly, and it’s why it’s so hard to do properly.

The series seems to be three volumes and counting in Japan, and I was definitely amused enough to get a second volume – it’s fun. But if you end up falling behind, a word of advice: don’t binge read this. Little sips.