Monthly Archives: November 2019

Anime NYC 2019, Day One

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A very busy start to Anime NYC this year. First of all, the line management seemed to be much better this year, though I do wish they’d let people into panel rooms before the actual start of the panel. The first panel I attended was the Shonen Jump panel, with the creators of Dr. Stone as guests. Since I can’t make tomorrow’s much larger Dr. Stone panel, I thought this would be a good choice.

They started off with some giveaways, notably to those with good costumes. We then got some Shonen Jump announcements. Most of the new titles had already been announced at NYCC, but they did have some new things to promote. Naruto is 20 this year, and Hisashi Sasaki talks about how exciting they thought the original proposal was, and that green-lighting it was a no-brainer.

Jujutsu Kaisen is out soon, and there were early copies of the manga at the exhibit hall. They also announced that the suddenly super duper popular Demon Slayer: Kimetsu no Yaiba will be getting a speeedup to catch up with Japan faster – monthly releases starting in the spring. They’re also adding chapters to the “Shonen Jump Vault” for members.

Speaking of that vault, there was a passel of digital-only license announcements, all rattled off at the speed of sound. Robot x Laserbeam, Red Sprite, Love Rush!, Hi-Fi Cluster, Yui Kamui Lets Loose (from the Nura: Rise of the Yokai Clan creator), The Last Saiyuki, Ne0;lation, Hell Warden Higuma, and Stealth Symphony (from the Baccano! writer). Most of these are 2-3 volume series from the last four years or so of Jump, and they would not otherwise get releases here. It’s nice to see them.

Also mentioned, and previously revealed at NYCC, were the new Bleach, One Piece and Naruto light novels.

After that we got Riichiro Inagaki and Boichi, the creators of Dr. Stone, as well as their editor Honda-san. Riichiro seemed very extroverted, and tried out some English on us. Boichi was more soft-spoken and quiet. Most of he questions came from the Viz team, rather than the audience, which I felt worked very well.

When the editor wanted to team up Inagaki with an artist (he had previously written Eyeshield 21 as well), Boichi naturally came to mind. Inagaki starts with the storyboards, which he calls scribbles but Boichi says are quite detailed. (There was a lot of “you’re the best – no, you are” during the panel, which was very fun.) Both also insisted they had the easiest job.

They were both very interested in science as kids, with Boichi saying he did a high school physics competition. He noted Arthur C. Clarke as an influence. They also discussed favorite scientists, including (inevitably) Einstein, but also Newton, Dawkins, Hawking, Carl Sagan (singled out by Boichi for making science “warm”), as well as the Japanese scientist who discovered Gibberellin, the seedless grape chemical (who is also the grandfather of Inagaki’s wife!).

Honda was asked what the Japanese editor does, and explained it was a lot of support and logistics – tries to make things possible for the creators. They were asked, given the location of the con, if Senku and company would make it to New York, and it was pointed out they would need a very good reason. Pizza? Could be a good reason.

Boichi was also asked about his very detailed art, and discussed how backgrounds and real-life detailed things take a lot of time due to the research, while characters took him less time. Boichi then stunned the room by stating that it took him one to one and a half hours to finish a page. For those playing along at home, that’s VERY fast. Even with three assistants, all apparently excellent artists.

Inagaki was asked how this differs from Eyeshield 21’s writing, and he said that, being a sports manga, he was far more beholden to rules and regulations with Eyeshield – here he can go wild a lot more. The Dr. Stone characters don’t have special powers like a lot of Jump characters, so he has to rely on science – it needs to strike a balanced tone between scientifically valid and fun. (When asked if Eyeshield 21 and Dr. Stone were in the same universe, the answer was a big NO.)

Boichi was asked about Dr. Stone’s memorable “gag faces”. Again, Boichi states they all are drawn up in the storyboards, and he just touches them up – while Inagaki insists his art is horrible compared to Boichi’s. Favorite character to draw? Kohaku, not just in terms of gag faces but all faces. He jokingly says “I don’t care about Senku.”

Asked whether anime will be invented by Senku, “not with the level of tech they currently have” seems to be the answer. Back to Honda, who notes how much fun editing is, mostly as he gets to read everything first. Indeed, with the finished chapter, he reads it before Inagaki! They then talked about the process for the new spinoff, which Boichi is both writing and drawing. Boichi also talked about using the old French-Canadian film Quest for Fire as a reference for the prehistoric landscapes.

Both creators seemed happy to be there, and were very receptive to the American fans.

The next panel was Denpa, who had as special guest TAa, the artist behind Today’s Menu with the Emiya Family. But first we had panel announcements, which included some stuff they’d announced at the previous Anime NYC – this year has been a “learning experience” for Ed and Jacob, but the schedule seems to be firming up now. They did have a copy of the Gambling Apocalypse Kaiji omnibus, which looks highly impressive.

Much discussion of titles out already or out in the next few months followed, including “Fate/Stay for Dinner” and Heavenly Delusion, which had an animated promo. The Girl with the Fierce Eyes also appeals to me, and it will be interesting to look at Shino Can’t Say Her Name and see if it can avoid getting as dark as Flowers of Evil or Happiness.

After mentioning they were close to launching a new website, we did get some new licenses. Baby Bar’s Bakery (a tentative title) is from Shogakukan, and is about a baby bear that also happens to be a master baker. It’s sweet and cuddly, and really big in Japan, collaborating with sweet shops and stores.

Fate/Go Chaldea Scrapbook is another Fate license, a one-volume manga from Kadokawa. It seems to be amusing takes of the FGO franchise – I spotted Mysterious Heroine X among the heroines in the art.

The big license, at least in my opinion, was L’il Leo. This Moto Hagio title from Flower Comics is about a kitten who grows up with a child and then decides that it too can go to school, get a job etc. It’s one volume, and apparently plays to Hagio’s strengths at bending the concept of what is human.

Lastly, we got The Men Who Created Gundam a two-volume series being released as one omnibus here. Part biography, part comedy, this series from Hideki Owada will tell the story of Gundam as it’s never been told before.

After this we had a few minutes to meet TAa, who will also have a livedraw session tomorrow. She talked about how happy she was to walk around New York and admire the buildings, and how stunned she was at the huge poster for her work in the exhibit hall. When asked if American Fate fans were different from Japanese ones, she notes that “all Fate fans are lively”.

After walking about the Exhibit Hall a bit, my final panel for the evening was “?! vs !? – The Great Debate”. Here Zack Davisson and Erica Friedman debated each other on important issues such as Honorifics, romanization, translation notes, localization, and regional accents. The panel was quite fun, mostly as Zack and Erica were mock-attacking each other all the time.

The audience also seemed to be having fun, though when scanlation came up it got a bit grumpy. Needless to say, both Zack and Erica are very pro-official release and anti-scanlation, and almost all the audience quesitons at the end were about that, with most of them being variations on “yes, but this is an exception, so I have to keep reading scanlations”. It did not go over well. Despite that, it was a highly enjoyable panel. Oh yes, and ?! and !? are meant to convey two completely different things. Apparently. Also, when Zack argued that shounen is pronounced “ooo”, when it should be ‘oh’, my first thought was of Seanan McGuire, and I wondered what Seanan Jump would be like.

This was a busy day, but tomorrow is even busier. Hopefully I will be able to give you a lot of news – the lines may be murder.

The Greatest Demon Lord Is Reborn As a Typical Nobody: The Myth-Killing Honor Student

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By Myojin Katou and Sao Mizuno. Released in Japan as “Shijou Saikyou no Daimaou, Murabito A ni Tensei Suru” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Jessica Lange.

Sometimes I read light novels and feel that, despite the annoying main character, the ludicrous power levels, and the ongoing “horny teenager” vibes, that it’s worth it in the end because the author has something interesting to say behind all that. Sadly, sometimes I do not. Here we have a case of the latter, a series that wants to be “merely entertaining” and succeeds in the sense that I made it to the end of the book, but I was dragging my feet towards the end. Our hero is either frustratingly dense or frustratingly blase, the entire female cast is sorted by the size of their breasts, and the main joke, which is that he’s trying to hide the fact that he’s a reincarnation of the ancient demon lord, is not really something that can be stretched out over an entire series – though apparently we’re going to try. The author says they’ve only been a writer for a year, and I feel that this could be an example of publishers moving to the webnovel well too fast.

Varvatos is a demon lord who has saved the world countless times over but is alone and friendless. He decides to die and reincarnate himself as a normal human being, Ard, several hundred years later, so that he can make friends and have a happy life. There are several problems with this. The first is that he retains his demon lord memories, and he’s just as socially inept as he was before, so making friends is hard. The second is that he’s the son of two of the three great heroes, and what he’s been thinking of as “relatively weak magic” is actually “I CANNOT BELIEVE IT!” powers. So any attempt at living a normal life is out of the question. With the help of Ireena, a shy and busty elf girl who’s his neighbor and first actual friend, and Ginny, a busty succubus with self-esteem issues and a liking for harems, he will start life at his magical academy and be… not a typical nobody.

You’ll notice I wrote ‘busty’ twice in that last paragraph, but that’s simply as Ard tells us about the size of his friends’ breasts over and over again throughout the book. This is at least excusable with Ginny, a succubus who is actually trying to seduce him, but Ireena is his “childhood friend” who he feels a “fatherly affection” for, so it just gets annoying. And yes, the fatherly affection bit is him in denial. Given that he’s already one of the most powerful people in the world at the start of his school life, there’s also a distinct lack of conflict that makes you wonder who will prevail. The sole threat comes towards the end, when Ireena is kidnapped by the villain, stripped naked, and threatened with a tentacle monster. Sigh.

There are one or two plot points that actually surprised me, mostly involving the circumstances of Ard and Ireena’s births, but on the whole this was a bit of a slog. Recommended if you like describing all your friends based on their breast size and also if you like super strong protagonists who constantly get to show it off.

One Piece, Vol. 92

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By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz. Translated by Stephen Paul.

When One Piece was a young, relatively new series, ages ago, it was relatively easy to jump right into, with story arcs that rarely bled into each other all that much. Once they arrived in the New World, though, all that has changed, possibly as Oda realized that a 92-volume series is much harder to have people jump right into with no information. As such, storylines have bled together a lot more than they used to. Law is back again, of course, and the rest of the supernovas seem to be following, as when Luffy is thrown into prison midway through this book, he meets up with Kidd, and the two of them seem to be competing to see who can be the most badass prisoner (it’s a tie). There’s drug-running… pardon me, artificial devil fruit running, which Luffy upended by taking down Doflamingo. And of course Big Mom is back, chasing after the Straw Hats, though the cliffhanger suggests she may have a very different role to play this time.

She’s covered up by the 92 (a very unfortunate placement), but I did notice Robin’s expression along with Usopp and Frankie’s was enough to make the cover art this time around. This is nothing new for Usopp and Frankie, but I still tend to remember Robin as being the one who has “normal facial reactions”, as per Oda himself, and so it always startles me whe I see things like this, even though this isn’t the first time she’s overreacted comedically. I guess it’s meant to be a sign that she’s fully integrated into the crew now – or, perhaps more accurately, a sign that Oda no longer sees her as “untouchable”. It helps that she’s not around the rest of the crew – though everyone’s in Wano, several of the cast are still investigating on their own, which allows Robin to try to be a spy (unsuccessfully), Nami to try to be a ninja (semi-successfully), and Frankie to play a wonderful game of “who’s got the plans?” that goes nowhere.

And then there’s Sanji, who I have discussed many times before. There is a bit of his “I only care about women” behavior here as he runs his soba stand and leers at Robin as a geisha, but once the mob moves in and he has to actually defend people he turns into the cool Sanji that women might actually be attracted to if he could stop being an eternal perv around them. Speaking of which, I found it amusing that one of my least favorite parts of Thriller Bark – Sanji yelling about losing his dream of turning invisible so he could spy on naked women all the time – is seen in a flashback here, as he puts on a superhero suit (no, really, it’s literally that) to fight, because once again he’s the one whose identity is still unknown. And this also ties in with his family as well, showing that self-contained arcs really are in the past now.

The cliffhanger involving Big Mom is quite interesting, and I will not be at all surprised if she and our heroes now team up in some way (because why else give her amnesia?). Till then, enjoy a volume of One Piece that is a bit less chaotic than most of the recent ones, but still excellent.