Monthly Archives: November 2019

In Another World with My Smartphone, Vol. 17

By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Andrew Hodgson.

As with so many prior volumes of Smartphone, the lighter and fluffier the series gets the better it is. As such, let’s start with the less light and fluffy stuff, which is mostly towards the end. Touya and company get themselves involved in a murder mystery in another country, one that is – as with many countries we’ve seen in this series – having a succession crisis. Unfortunately, they’re being manipulated on both sides by what’s left of Yulong, the country taken out mostly by the Phrase in a previous volume. They say Touya did it, which he denies. This is true, but perhaps acting like a smug asshole and killing off the royal family part might be some of the reason. But this is Smartphone World, meaning that the bad guys are all REALLY REALLY EVIL, so it’s OK. This was my least favorite part of the book, mostly as Touya, who is passive at the best of times, is really unlikable as a passive killer.

The best section of the book is, without a doubt, the Mario Kart race. Now, names have been changed to protect the guilt,y but that’s essentially what we have here. Touya is asked to hook up the nerdy engineer price we saw in a previous book with another princess, who also turns out to be a nerdy engineer. They love the sweet cars – erm, Ether Vehicles – but disagree as to exactly how they should be modded, and so get really angry at each other. Clearly a race is the answer, and with a course designed by the Mad Scientists of the book, it’s gonna be Mario Kart. The main reason this is so fun is that Touya spends most of the race grumbling and not doing well, and then is the first one eliminated. Given that Touya is the standard perfect hero who an do anything (and is a literal God by now), this pleased me. Also, the couple bond over their cars and fall in love. Aww.

In between we have the rest of the book. Another country is wiped out by the Phrase, but this time in the reverse world. What’s more, the Red Cats base is destroyed, so now they’re in Touya’s universe. Which is going to be irrelevant soon, as the next book promises to have the two universes merge for good. Oh yes, and Touya also helps save a mom ‘n daughter diner from the forces of eeeeeeeevil (another typically broad villain from a series that can only write broad villains) and gives his spy/sex worker friend a magical panther to be her bodyguard. The other notable part of the book is Ende, who was introduced as the enigmatic know-it-all who gave Touya important info, and has somehow become comic relief, abused by his love interest and his teacher. How the mighty have fallen.

Should you read this volume of Smartphone? Well, if you’ve read the others, sure. It’s not a good jumping off point if you want to stop, and certainly has a good cliffhanger. I’d read it for the go-kart race.

Nicola Traveling Around the Demons’ World, Vol. 1

By Asaya Miyanaga. Released in Japan as “Nicola no Oyururi Makai Kikou” by Enterbrain, serialization ongoing in the magazine Harta. Released in North America by Seven Seas. Translated by Christine Dashiell. Adapted by Rebecca Schneidereit.

The title and cover art alone tell you that this is another in what is fast becoming a genre of “innocent young girl walks around a fantasy world with her supernatural friend who is usually caustic and/or sarcastic”, and that is indeed what it is. That said, it managed to surprise me in several ways. The girl in Nicola, a human who has made it into the world of demons, where she is frequently unwelcome. Her guide around the world is Simon, who has a very nice hat and is also frequently exhausted by Nicola’s exuberance and lack of filter. Together they two of them negotiate an underworld bazaar, have some tasty demon food, meet new friends, find rare mushrooms, stay at haunted hotels, and get a bit too involved in a magic tournament. As events go on, Simon learns that Nicola may be far more than just an innocent human girl…

The first thing I wanted to point out is the art. Given that it’s in the same magazine as A Bride’s Story, Delicious in Dungeon, and Hakumei and Mikochi, there’s a high bar to clear, but Nicola sails over it with a compelling artstyle all its own. It feels as if the entire manga is pencilled, and the character design feels more like it came from a Charles Addams or Edward Gorey cartoon than a Japanese manga. There aren’t any “stunning art two-page spread” designs, the art is simpoly quietly excellent, prepared to show off the supernatural wonder when need be. The demons also have a wide variety of designs and types, and avoid falling into the standard fantasy tropes and/or yokai tropes that we’ve seen a lot of lately.

That said, the most interesting thing about the title may be Nicola herself. As the volume goes on, and the artist begins to see where to take the series, Nicola slowly goes from a Yotsuba-esque little girl to someone far more savvy. The second story has her chiding Simon for describing all the demons he points out to her in stereotypes, and then shattering each of those stereotypes in turn – including the one he uses for himself! Her backstory is merely hinted at, showing that she lived with a witch before coming to the demons’ world, which allows her to use some magic – she can conjure up flowers, and attempts to be able to use a light spell like the young demon girl she befriends. It’s clear that she has a lot of innate magical talent, she just hasn’t activated it yet. But honestly, even more than Nicola’s magic potential, it’s Nicola’s empathy that drives the series, and makes each chapter a delight to read. Simon is mostly there to play minder and make sure things don’t get TOO sweet. He succeeds admirably.

This may be a growing genre, but I don’t think we’re glutted on it quite yet, and Nicola is an excellent example. If you like clever and energetic young girls and fantasy landscapes, along with a unique artstyle, this is a definite pickup.

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 1

By Toshio Satou and Nao Watanuki. Released in Japan as “Tatoeba Last Dungeon Mae no Mura no Shonen ga Joban no Machi de Kurasu Youna Monogatari” by GA Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

First things first, this was hilarious. And, unlike some other books I’ve reviweed recently, I mean that in a good way. Last Dungeon Kid is funny in a KonoSuba/Cautious Hero sort of way, with clueless leads, over the top heroines, fourth-wall breaking narration, and “anyone can be the straight man” style humor. Well, anyone except Lloyd, our hero. As the title implies, in the village he grew up in, he’s a weak little kid everyone pities. But the village he grew up in is a legendary village where everything is a next-level monster and the townspeople are all at Level 99. So when he decides to go to the big city, everyone thinks he’s doomed, except the village chief (who has ulterior motives herself). But the city he goes to is not nearly as dangerous or terrifying as his own village… so he’s suddenly stupidly overpowered. If only he realized this.

The humor in this book strikes a nice balance, never settling on being one specific thing, except of course for the premise of “Lloyd thinks he’s a weak wussy kid but is actually stupidly strong”. Six-foot-tall locusts are just ‘pesky bugs’ to him. His strength with a sword annihilates the practice target when he applies to be a soldier. His magic uses ancient runes no one has seen in a thousand years. Major plot points in the book are resolved offscreen by Lloyd simply saying “oh, by the way…” He’s a hoot. He’s also cute, sweet, and can cook and clean just like the perfect wife. Now, this is the first of (so far) eight books, so the reader will have to be aware going into the series that Lloyd is not going to “wise up” anytime soon, as that would defeat the premise. He’s always going to misunderstand. If he keeps up like he does in Book 1, that should be fine.

The rest of the cast are mostly the girls who fall in love with him. I wasn’t impressed with the village chief, but that’s mostly as I don’t like her “type”. We meet a young witch who holes up in a small house in the poor end of town, who turns out to be far more than she seems. She functions as the straight man half the time. The other half is taken up by (I swear I’m not making this up) Riho Flavin, a mercenary who will do anything for money and has a robot arm made of mithril. Yes, despite that description, she’s the normal one of the group, mostly thanks to Selen, a girl who grew up with a cursed leather mask on her face, something almost instantly undone by Lloyd. She proceeds to fall in love with him HARD. I dislike using the term yandere, as it’s frequently applied wrong, but… yeah, that’s what we have here. (Also, the illustrations of her choose to ignore the author’s description so that she can be “really pretty and cute” instead. Shame.)

This book was fun, and looks like the sort of thing that you can easily make a series out of. If you enjoy silly light novels that mock the usual tropes, it’s an absolute winner.