Monthly Archives: April 2020

Full Metal Panic!: Dancing Very Merry Christmas

By Shouji Gatou and Shikidouji. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

Well, this is, to a certain extent, somewhat lighter in tone than the previous book. But only just, and the author apologizes afterwards for having far fewer wacky hijinks than he promised last time. That said, we also get a funeral in this book, as Tessa’s chances in the romance sweepstakes finally die as Sousuke says to her face that he loves Kaname and likes her more than Tessa. Note he does not actually say this to Kaname – they’re edging closer to being a couple, and have what may be the sweetest ending in the series to date, but this is not really about Kaname (birthday: Christmas Eve), it’s about Tessa (birthday: Christmas Eve), who may share Kaname’s brain at times thanks to the Whispered but cannot be her. Which honestly is all for the best, as seeing her try to help on this cruise ship mission and be the sad dojikko in snow is really pathetic. Hopefully getting rejected by Sousuke can allow her to relocate her inner badass.

Kyoko is on the cover, and to be fair gets a little more to do than usual. The class, after their school trip got hijacked by terrorists, have been invited on a Christmas Eve banquet about a luxury cruise ship. Meanwhile, Sousuke and MITHRIL are trying to track down AMALGAM based on Gauron’s last words, which (after a nice action sequence where Sousuke takes a missile to the chest) leads them… to the same cruise ship, which it turns out is a giant trap to capture Kaname, who really has had a series of very bad days in these books so far. Especially given it’s her birthday. To stop things, MITHRIL pretend to be terrorists attacking the boat themselves. Unfortunately, various things go wrong, from a gung-ho wannabe hero to robot killer weapons to Tessa getting captured and taken away by plane. Fortunately, Sousuke has reconciled with Al… mostly… and is here to save the day again.

The book’s strengths are many. It really is, despite the drama, far more upbeat than the downer of the previous two. Kaname beats up Sousuke once, but otherwise is starting to think before she acts, and is also starting to use her Whispered abilities far better to help the others. The action sequences are top notch, crying out to be animated (sadly, it wasn’t, being the only early volume to get an audio CD adaptation) and helping the reader gloss over some of the more ludicrous aspects by having Sousuke and Al refer to “Christmas miracles”. It has a stunning cliffhanger, which I won’t spoil, and shows off the seemingly nebbish Mardukas as a hidden badass. The books one big flaw is Killy B. Sailor (a Navy man!), who not only has the most ludicrous name in all of anime, but is also an idiot who should not be rewarded for his extremely stupid actions. He’s a parody of action heroes, but I felt he was one part of the book that wasn’t funny.

Despite that, this is a strong volume in the series, and definitely recommended to anime fans as they won’t have seen it, and light novel fans, as it’s the first FMP! novel not done by Tokyopop 10 years ago.

Owarimonogatari: End Tale, Part 01

By NISIOISIN and VOFAN. Released in Japan by Kodansha BOX. Released in North America by Vertical, Inc. Translated by Ko Ransom.

Yes, I know. This came out in mid-December, and here it is the following April. Part of it is that it’s still print-only (Kodansha is doing e-books for the series, but not right away), part of it is that it’s a long book even in a series with many other long books. But mostly it’s the subject matter. Monogatari in general has been a series that tends to be overdramatic and over the top, be it Araragi’s narration or the events involving a bunch of vampires, ghosts, cat demons, snake demons, devils, corpses and Senjogaharas. And, let’s face it, Ogi Oshino, who is all over this book, is not simply going to end up being Meme’s precocious niece. No, the real star of this book is a brand new character, who arrives and leaves all at the same time – Sodachi Oikura. She loves math and hates Araragi, but there’s so much more to her story than that. And it’s that story that is told here, in excruciating three-part detail.

The first story, Ogi Formula, sees Ogi at last get a proper introduction – she’s been around since the 8th book, but always after the fact; here we get the context of her meeting Araragi for the first time, and the two of them getting trapped in his old first-year classroom, which helps set up Sodachi’s story but more importantly tells us exactly how and why Araragi went from a mostly well-adjusted kid to the “I don’t need other people” guy we met in Kizumonogatari. Sodachi Riddle then shows Sodachi returning to school after a two-year absence, and (after a brief fight with Senjogahara which is probably the highlight of the book) Ogi and Araragi then go back to an abandoned house to see how he met her in middle school and had forgotten it. Then, in Sodachi Lost, after Araragi recalls he also met her even earlier… and also forgotten it… he and Hanekawa try to get Sodachi to return to school while battling her own family past and the even-more-annoying-than-usual Ogi.

The stories told here are strong, don’t get me wrong, and I liked some of the writing. The characters, though, just make me miserable. Araragi, when he’s around Ogi, is a pale shadow of his usual self, and ends up being almost as pathetic as she makes him out to be until right at the end. Ogi is designed to be thoroughly irritating, of course, but so far the series has used her sparingly – here she’s in the entire book, and we are thoroughly irritated. (Her petty rivalry with Hanekawa is probably the highlight, as it turns her smug glibness into actual childish nastiness.) And Sodachi is a child of abuse who has gone through far too much, but is also thoroughly unpleasant in very explainable ways. I can’t blame her, but I admit I’m quite happy she’s not returning. Hanekawa comes off best here… but she announces she’s leaving the country, probably to investigate Ogi, who she finds 8000% more suspicious than Araragi does.

This is a necessary book, as the series has been setting up Ogi to be the villain, and this does a whole lot to advance that. It’s also a reminder that when it comes to actual real-life issues, as opposed to oddities, there’s little Araragi can do. But man, reading this book is like eating your beets. Next time we’ll go back to that incredibly busy four-day period in August – already seen in Tsubasa Tiger, Mayoi Jiangshi, AND Shinobu Time – for the one untold story we still have – what were Kanbaru and Araragi up to back then? Fortunately, as I dawdled reading this book, I can start that one right away.

Outbreak Company, Vol. 13

By Ichiro Sakaki and Yuugen. Released in Japan by Kodansha Light Novels. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

Harem comedies can be immensely frustrating for the reader, especially if they’ve picked the girl they like and would like the author to end the series with their choice please, OK, thanks. But harem comedies are also popular because everyone reads it to see who will be picked, and so that is drawn out forever. You think you’ve reached an end point… and then it backs away again. There are very good reasons for this – much to the frustration of North American companies, harem comedies that have a resolution in Japan see sales in the West drop off precipitously once they know who wins (not their girl). Or it has “no ending”, leaving everyone angry. But again – fans love these sorts of books and read them in great numbers AT FIRST. So they keep happening. And that’s how we get to Outbreak Company, which last time had Shinichi finally realize that Myusel and Petralka are both in love with him. How does he handle it? Unfortunately, like a harem protagonist.

There is a plot here, which is so ridiculous I hesitate to type it up. The kingdom is going through its armory, which includes various mind-controlling weapons and such, and find five boxes of armor with lettering on them that seems to be Japanese. While having our heroes examine it, through various wacky accidents, Myusel, Petralka and Elvia all end up inside one of the artifacts, which are essentially powered suits (powered by fanservice, if the pictures are any indication). The armor removes some inhibitions (meaning they can all yell at each other about how Shinichi likes the other two more than them) and also was military in use, meaning it allows them to attack each other – potentially fatal news for Myusel and Elvia if they hurt Petralka. How do they get out of the armor? Well, the objective has to be fulfilled. Sadly, the objective is “have Shinichi choose a girl”.

I’ve gradually come to realize that I’ve been giving a bit more depth to Shinichi than the author has really intended. I’ve said before how Shinichi’s own self-hatred would make it hard for him to genuinely love anyone, and there’s a bit of that here, notably in the harrowing opening nightmare that he has. But for the most part Shinichi acts like any shonen harem lead would… he whines, he wusses, he says he likes all of them equally, he says he doesn’t want to hurt any of them. That last is perhaps the real reason – he got rejected when he confessed back on Earth, and doesn’t want the others to suffer like he did. And so, inevitably, he arrives at a solution that is very harem manga-like – he gets the girls to resolve their fight by beating him up instead. By the end of the book the feelings are still out in the open, but we seem to be back to “status quo”.

There’s some foreshadowing towards the end, notably in terms of where the armor came from in the first place. But for the most part this is the most harem-like of the books to date, and therefore suffers most of the weaknesses of that genre. The next volume is short stories, so we likely won’t see any forward movement there either. Which suits the author fine.