Monthly Archives: July 2020

Outbreak Company, Vol. 14

By Ichiro Sakaki and Yuugen. Released in Japan by Kodansha Light Novels. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

Short stories here, two starring Shinichi and one Hikaru, of varying quality. The three together do remind you that this series has been sort of coasting ever since the Japan arc. The author says that he plans to end it in three more volumes (it ended up being four), so they at least have an endgame in mind, but there is very much the sense of “killing time” here. That said, at least the stories, for the most part, avoid the worst of Shinichi’s otaku qualities. The first one is a continuation of the prior volume, and offers us our hero hiding in his room to avoid seeing the girls in love with him. The second one involves Brook and Cerise hatching a family, and Shinichi trying to bond with the new lizard baby, who unfortunately sees him as food. And in the final story, another magical maguffin is found that ends up turning Hikaru into a girl for real.

The first story is the weakest. For all that the series has seen Shinichi achieve a lot of things and even save the world once or twice, there has been little to no actual maturity in his character. That’s really been emphasized in the last couple of books, as he’s totally unable to deal with the idea that more than one girl might be in love with him. Seeing him deal with this by hiding in his room and reading manga/playing games is totally in character but also 100% annoying to a reader who sort of wants him to grow up. That said, there was some nice suspense writing here as the team uses an obvious but effective lure to get him out. As for the second story, it shows Shinichi in a slightly better light. He could have simply given up and avoided the new baby, but he’s stubbornly determined to make it like him. This shows off the qualities Myusel and Petralka see in him.

The final story is the most interesting, though it loses a bit when the author admits the editors gave him the idea. It’s actually a sex-change slime, discovered in the caves and turning out to be yet another piece of long-lost technology. It fastens onto Hikaru and essentially leaves his real body there while putting his consciousness in a female body. The rest of the cast have some discussion of how Hikaru identifies – Shinichi discovers that he wears real bras and panties rather than male underwear, and they discuss how much he might identify as a woman. That said, Hikaru’s own POV narration is more matter of fact about it – he thinks of himself as a man, and is attracted to women, but dresses as a girl for reasons of family upbringing. Probably the most interesting part of the story is seeing Elvia forcibly bathe Hikaru, who realizes that getting involved in wacky harem comedy “I saw your boobs!” scenes is easier than it seems.

There weren’t really any big missteps taken here, and it’s certainly pleasant enough. That said, it’s not a good sign when, after each volume finishes, you’re thinking “When will this series come to an end?”.

The Beloved of Marielle Clarac

By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Saiai” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Philip Reuben.

I enjoyed the first Marielle Clarac series while noting a couple of flaws, and I’m pleased to say that this second book at least does a good job fixing one of them. (The “BL tease but no more” aspect is, I fear, not going away anytime soon.) But the mystery/thriller aspect of the book works even better than the first, keeping us guessing as to the motivations of the antagonist (who is not really a villain) and switching immediately to the thriller aspect the moment things are revealed. There’s also a good helping of elements of the first book I greatly enjoyed: Marielle and her tendency to see everything in terms of romantic ‘shipping’ tropes, who gets to simultaneously be very clever and good at reading people and also capable of the most shockingly dumb moves when trying to chase after a lead. She’s not quite an amateur detective, but it’s on the verge of that genre. And the relationship between her and her fiancee Simeon is fantastic.

It’s wintertime, so all the garden parties are inside. More importantly, the Crown Prince (Simeon’s best friend) is being forced to step up his attempts to find a bride now that Simeon and Marielle are engaged. Marielle recommends, in possibly the best scene in the book, the girl who had been bullying her in the past, because she’s clearly not concealing any hidden side and would stop doing it if her husband demanded it. The prince, however, falls for Michelle, a shy and withdrawn young woman who would rather be anywhere but at this party but who reluctantly opens up to the prince anyway. The Prince invites Simeon and Marielle to Michelle’s estate to basically be on his side, and they discover that the family seems to treat her with contempt, or at least treats her as a pawn rather than a daughter. What secrets does Michelle hold? And why is Lutin here and pretending (IS he pretending) to be an Earl?

Marielle and Simeon may have admitted their love to each other in the last book, but that doesn’t mean that they’re not still filled with doubts and misgivings. Marielle has a tendency to describe herself as plain and dull so often that it would come across as self-loathing if she weren’t so confident – it’s practicality turned inward and twisted, and I’m glad Simeon tries to get her to see that she can in fact be attractive. Marielle also has a tendency to get herself into trouble, and while I doubt that’s going away she does at least understand how much it’s panicki8ng him when she does this. The last third of the book has a number of excellent chase scenes, and shows that the author is just as good at action as they are at mystery and romance. As for Michelle’s secret, it’s relatively obvious (Marielle guesses it), but also not quite as obvious (Marielle is stunned), and is handled slightly better than I expected.

It’s suggested that the wedding might be in the next book, though given the subtitle for the third volume is The Temptation of Marielle Clarac that may not happen. But I’m definitely going to be reading more in any case. These are a fun addition to the J-Novel Heart line, and will interest any romance readers, even those not interested in Japanese light novels.

Bleach: Can’t Fear Your Own World, Vol. 1

By Ryohgo Narita and Tite Kubo. Released in Japan by Shueisha. Released in North America by Viz Media. Translated by Jan Cash.

There have been several Bleach novels released in Japan, but I believe this is the first one to be licensed for the West. Previous books either tended to be novelizations, tie-ins to games, or… well, no, I don’t know why they didn’t pick up We Do (Knot) Always Love You, except shipping reasons. This trilogy, though, is explicitly a direct sequel to the main manga, exploring aftermaths that Kubo couldn’t get to because they cancelled Bleach a bit earlier than expected. Moreover, it’s written by a known name to English-speaking readers: Ryohgo Narita, the creator of Baccano! and Durarara!!. Narita’s series are also known for their huge, hard to wrangle casts and slow-burn plots that end in explosions. Moreover, unlike Kubo, Narita actually knows how to pace. So it makes sense that this is the first novel we see of Bleach over here, and fortunately it’s a good choice, wrapping up several things while introducing a new villain to the piece. And boy howdy, Narita also knows how to write villains. This guy is smug scum who makes you long for Aizen.

Aizen is in this book briefly, and he gets to be smug as well. That said, as the cover might suggest, the star of the book is Hisagi, who is in his capacity as roving reporter for the Soul Society’s newspaper. The newspaper, as you might imagine, was not being published during the last, oh, 30 volumes of Bleach, but it’s starting up again, and he’s trying to interview the participants in the Thousand Year War, figuring that it’s best to get opinions now while it’s fresh than years from now. Unfortunately, a new story inserts its way into the narrative: there’s a new head of one of the Four Great Noble Clans. He’s paying to have the newspaper talk all about him. Oh yes, he’s also a known murderer. Of his wife. Who was Tosen’s best friend. This is not a spoiler, he pretty much admits it. And he has a plan to install a new King in Soul Society. Fortunately, this plan MOSTLY does not involve Ichigo.

The “main” cast of Bleach are pretty much absent from this book, and you get the feeling that will be the case for the other two books as well. Narita seems to have two goals in this book. The first is to wrap up Bleach proper, as we see a lot of the aftermath of Hueco Mundo (including several people I was sure were dead who are, in fact, not dead) and the Sternritter (including several people I was sure were dead who are, in fact, not dead). If you dislike the fact that Jump tends not to kill off characters, this volume may annoy you. The other goal of this book seems to be saying “screw the class system”, and I’m behind that. We’ve seen before that Soul Society has a lot of skeletons in its closet, but here we really get a sense of what it means to be privileged. The villain is absolutely over the top, not in a laughing crazy way but in a smug snake way, and he reminded me not a little bit of another villain Narita has written in his series. I assume he and Hisagi will eventually confront each other.

In the end, I’d say this book succeeds in that it made me interested in Bleach again. I’ll definitely be getting the second in the series. And there’s no romance at all in it, so even shippers can buy it without fear. Maybe Kubo should hire out a writer and just plot his next work. Then again, that did not work very well for Naruto’s creator…