Monthly Archives: March 2022

The Saint’s Magic Power Is Omnipotent, Vol. 6

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By Yuka Tachibana and Yasuyuki Syuri. Released in Japan as “Seijo no Maryoku wa Bannou desu” by Kadokawa Books. Released in North America by Seven Seas. Translated by Julie Goniwich.

One of the better things about this new volume of The Saint’s Magic Power Is Omnipotent, aside from waiting till near the end of the book to justify that title, is that it’s committed to trying to figure out how the magic in this world works, rather than just seeing it as a stat. Of course, it IS a stat here, and we get lots of talk of HP and MP, But Sei realizes here that potions and medicine are not the same thing, and that in fact the use of potions may mean that diseases and maladies that might otherwise have been researched and analyzed are completely glossed over. That said, medicine takes years of testing and watching for side effects, and may not be all that potent, whereas potions are a magic cure-all that you just need to drink down. I don’t see one supplanting the other, especially given that Sei manages to invent the bestest potion of them all. The secret? Apples.

The bulk of this book concerns itself with the arrival of a visiting dignitary from the nation where Sei got her Asian food last volume, which continues to be very much not-China. One of the many princes in this country, he is here to study herbs and medicine, and despite the best efforts of the kingdom to hide Sei whenever he’s around, it’s pretty inevitable that they eventually run into each other. While she’s able to conceal her identity as the Saint to a certain degree, she can’t help but find a kindred spirit in the Prince, who really seems to know his herbs… and is also searching for a specific kind of cure. Can Sei manage to figure out what it is that the Prince’s mother has wrong with her? And if not, is there a way that she can weaponize her OPness to save the day?

The cover art shows off Prince Ten’yuu as a handsome bespectacled young man, but what I noticed more was the internal illustration, which showed him with the “spiral coke-bottle glasses” common to Chinese stereotypes in Japan (see Ranma 1/2 for the most famous instance). Fortunately the stereotypes seem to end there, with the main plot instead revolving around him as a sort of villain (everyone’s trying to stop him seeing Sei and figuring out who she is) who eventually becomes sympathetic (when we find the reason he’s there in the first place). It also reminds us that keeping Sei under wraps just is not going to fly as a long-term plan for much longer. Marrying her off to keep her in the Kingdom seems like the obvious answer, but again, she’s still in the ‘blushing maiden’ stage, and Albert is not inclined to push the matter. The politics remain boiling quietly in the background.

This is apparently one of the top ten light novel franchises in Japan right now, and I can see why. It’s solid and has likeable characters, and Sei is overpowered without being boring about it. She puts in the work.

The Most Heretical Last Boss Queen: From Villainess to Savior, Vol. 1

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By Tenichi and Suzunosuke. Released in Japan as “Higeki no Genkyou Tonaru Saikyou Gedou Rasubosu Joou wa Tami no Tame ni Tsukushimasu” by Ichijinsha Bunko Iris NEO. Released in North America by Seven Seas. Translated by Emma Schumacker. Adapted by Michelle McGuinness.

I suppose it had to happen eventually. There can only be so many light novels brought over here with the exact same premise before you find yourself thinking “this is really a lot like the previous dozen or so villainess novels I’ve read this year”. Heroine tries to change her fate while at the same time convinced that her fate is inevitable. Everyone around her is gobsmacked by her skills and her emotional sensitivity, but she doesn’t see it as anything but normal friendship. Everyone her age falls in love with her, including her adopted brother. We get events from her POV, and the events are then repeated from the love interest’s POV. And this one started in 2018, a good four years after My Next Life As a Villainess, so it doesn’t get the excuse some others have. What’s more, this is 100% serious, so we don’t even get the parody of the genre that Bakarina has become. It’s certainly readable – and had one bit I found quite interesting – but still… been there, done that.

Our heroine doesn’t even get half a page in Japan before she’s hit by a car. She wakes up as Princess Pride Royal Ivy, the daughter of the Queen and first in line for the throne (a rare matriarchy in light novels). There’s just one slight problem – Pride is the evil Queen from our protagonist’s otome game Our Ray of Light, and after years of foul misdeeds she’s killed off at the age of eighteen. Pride, who is eight, only has ten years to fix things. She gets off to a good start, rewriting relationships with her adopted brother and younger sister-in-hiding, while also showing off the “precognition” unique to her family line… though in her case it’s just remembering the plot from the game. Unfortunately, there are people behind the scenes determined to portray her as a selfish evil princess. And the cast keep getting these nightmares…

Without a doubt the most interesting parts of this book are the parts of the “game” where we see the Evil Queen Pride. Generally speaking when we get otome game villainesses in these books they tend to be bullies who go after the main character for not knowing her place, etc. Pride goes above and beyond, ordering her adopted brother (who has signed a contract forcing him to obey her every order) to murder his own mother, and casually admitting to her guard knight that she let his father die because it was more important to kill the bad guys who were after her. She really does live up to her name, and it’s easy to see why THIS Pride is doing her absolute best to avoid going there. Unfortunately, the other side of the coin – why is everyone having nightmares of the game, and why is one of the characters secretly evil – is not answered here, so we’re unfortunately left with the main flaw of many villainess books, where the heroine simply cannot get it in her head that she’s not a bad person anymore. It’s frustrating.

I’m not sure if I’ll get Book 2 in the series, but I do see that, judging by the webnovel content, this is going to be at least 7 or 8 books in Japan, and I don’t think I can last that long. For villainess completists only.

The Demon Sword Master of Excalibur Academy, Vol. 5

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By Yu Shimizu and Asagi Tosaka. Released in Japan as “Seiken Gakuin no Maken Tsukai” by MF Bunko J. Released in North America by Yen On. Translated by Roman Lampert.

Before The Asterisk War went on hiatus here due to no new volumes in Japan (the artist has been sick), I was frequently asked by fans why I kept reading it given how generic and cliched it was. And granted, it absolutely is that. But my answer was, simply, “It hasn’t done enough wrong for me to stop reading it”. And The Demon Sword Master of Excalibur Academy feels a lot like that. There’s really nothing here you can’t get in other magical academy series, and they likely don’t have “lol, he’s in the body of a 10-year-old” dragging down the harem premise. But I dunno, it all feels so harmless. There’s goofy fun, there’s cool battles, there’s the occasional dribble of plot, and the girls are all beautiful. It is a series that you can read and immediately forget about, but when the next volume rolls around you’ll grab it and read it because it’s there. Plus, pool battle!

After the events of the last book, Leo now has to deal with the fact that a Dark Lord has been resurrected… albeit, like Leo, with only a fraction of her power. Also like Leo, that’s mostly irrelevant, because Veira is hella powerful even muted, and the first half of the book is mostly her getting a tour of the modern world and running our heroes ragged. That said, the second half gets more serious, as the Mysterious Organization that is behind all this has decided that the deadliest Dark Lord is the next one they want to bring back… the Undead King, Leonis. I, um, have some bad news for them about their timing. More seriously, there is also a problem of Holy Knights getting corrupted by a mysterious “voice of the goddess” and having their Holy Swords turn into Demon Swords. Which, unfortunately, also seems to send them into a rage.

Not gonna lie, I was startled to see the minor villain from the first novel come back to be a minor villain in this one as well. Arrogant jerkass shows he’s even worse is good only in small doses, so it’s absolutely fine that he gets taken down immediately. If there is a “focus heroine” beyond Riselia here it’s Elfine, who is suffering from PTSD from prior battles causing her sword to lose some of its power, and decides to go on the front lines with our team this time to do something about it. Good thing, too, as the other teams they’re paired up with to explore Leonis’ old underground tomb are being led by demon sword users. Elfine is able to get over her trauma and emerge victorious, but there’s a lot of others who also try hard but either get turned into demon sword users or lose their swords to said users, and unfortunately I don’t see a really good reason why Elfine is different from them other than “main character syndrome”. I wonder if we’ll ever see any of them again.

So yeah, if you like this series, this is a decent volume of it, and if you don’t, you dropped it ages ago. It’s still not doing enough wrong for me to stop.