Monthly Archives: March 2023

The Bride of Demise, Vol. 3

Leave a reply

By Keishi Ayasato and murakaruki. Released in Japan as “Shūen no Hanayome” by MF Bunko J. Released in North America by Yen On. Translated by Jordan Taylor.

When I reviewed the second volume of this series, I noted that the first was a fantastic stand-alone, but the second volume was not nearly as good as the first. It would appear that most of the reading public agreed with me, as apparently the series’ sales were so bad the author was allowed to comment in the afterword that this third volume is the final one because of low sales. Unfortunately, I am here to say that this third volume is not nearly as good as the second. It has big Shonen Jump “please look forward to the author’s next work” vibes. The first half, at least, looks like it’s setting things up for future volumes down the line. But about 60% of the way through, you can almost see the point where the author was informed by the editor that this is the last book, and the rest is just a race to a finish line. Not the best finish line, but one that will have to do.

Things are back to normal with Kou… relatively. After the last go round of getting murdered over and over again, and rewinding time over and over again to fix it, Kou’s powers are no longer an immediate ‘get out of jail free’ card, and he can’t always use them when he wants to. That said, he’s also got to deal with more teenage boy problems. Let’s remember the warning that Asagiri was the only one who murdered him last time WITHOUT being mind controlled. And now she has been told – by someone unknown – that he has White and Black Princess, and so decides to go all out in confessing to him. And is rejected. Adding to this teen drama, their fried Isumi is in love with Asagiri, knows she’s in love with Kou, and is busy trying to keep himself from having a complete breakdown. That’s right about when Asagiri completely disappears.

This book didn’t help itself by having a couple of things I really don’t enjoy in my fiction. I’ve never liked the “yandere” trope in general, especially since it tends to be overused by fans to describe any girl who gets angry at all, but it’s definitely in place here, and I still don’t like it. There is a new character introduced here whose role is very obvious almost immediately, and especially when the author starts trying to wrap everything up all at once. On the bright side, the overall message of “you can’t always protect everyone equally, you have to prioritize those you care about” is a good one well handled, even if this also involves abandoning an entire school of students to their inevitable deaths.

The author said that if the series had continued, more of the regulars would have had to tragically die, so this is a decent place to end it. If I’m honest, two volumes ago was a decent place to end it. But if you’ve read the first two, this is here, I suppose.

Reincarnated as the Piggy Duke: This Time I’m Gonna Tell Her How I Feel!, Vol. 9

Leave a reply

By Rhythm Aida and nauribon. Released in Japan as “Buta Koushaku ni Tensei shita kara, Kondo wa Kimi ni Suki to Iitai” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Zihan Gao.

For today’s reading we have Exhibit A in “the suspension bridge effect is bullshit”. Slowe and Alicia are put into a situation where they’re supposed to band together to survive and slowly realize their feelings for each other. There are, however, a few minor problems with this scenario. 1) Slowe is in love with Charlotte. 2) Alicia is MUCH more stubborn than even those who knew her imagined. And, most importantly, 3) They’re just not that into each other. This book starts with the cliffhanger of the last volume, which has the rumor about Slowe and Alicia being engaged again, and both are determined to break it off – Slowe for obvious reasons, and Alicia because, even if she does think Slowe is not as bad as he used to be now, an arranged marriage is anathema to her. I really like Slowe and Alicia’s dynamic, but as “put upon heirs”, not as a couple.

So yes, the campus is abuzz with the rumor about Slowe and Alicia, to the point that neither of them can even have a moment’s peace without the gossip reaching their ears. And a lot of the gossip is nasty, on both sides. Plus Slowe is now having nightmares where he’s married to Alicia and Charlotte is crying. Theoretically, they should team up, but Alicia is not that sort of person. Instead, Slowe and Charlotte have to sneak off after her when she flees the campus. She’s going to one of the most dangerous dungeons in the world to get back a priceless royal heirloom that was taken by a slime monster. If she can return it to the royal family, she’ll have enough clout to get the engagement called off. To help she’ll have Slowe, Charlotte, Charlotte’s “pet cat”, and the world’s most suspicious guide.

The weak point in this book is Blau. She’s a good character, but a lot of her felt underdeveloped. Given what she’s got planned for Alicia in the dungeon, I expected her to be a lot more morally grey than she ended up being, but she was more of a dumbass than anything else. Also, her character really needed a cathartic last meeting with the one she’s been searching for, and just did not get it. Honestly, both of those problems seem like poor editing – I wonder if she was meant to be a villain but that was rejected? Charlotte is also much stronger here than in previous books, which is good, because given the cliffhanger to THIS book she’ll need that strength. And I also appreciated the repetition of Slowe never quite realizing what his reputation is with the kingdom now that he’s saved the day multiple times. He’s still trapped in that damn anime.

The next book promises a confrontation we’ve wanted to see since the start – Slowe vs. his family. Till then, this was a strong volume of Piggy Duke, and had a bunch of cool fights as well. Plus, skeleton warriors. Always terrific.

Accomplishments of the Duke’s Daughter, Vol. 8

Leave a reply

By Reia and Haduki Futaba. Released in Japan as “Koushaku Reijou no Tashinami” by Kadokawa Books. Released in North America by Airship. Translated by Andria Cheng.

This has been an oddly paced series, mostly due to the prequel being almost as long as the main series itself. We do get an epilogue showing Iris and Dean’s kids at the end, but for the most part Iris’ story ended in the 5th volume, and the last three have just been her listening to her mother finally explain her past. The reason for the secrecy ends up being the fact that most of how she and Iris’ father got together revolves around treaties, state secrets, and nearly averted war, so it’s not something that makes for great anecdotes to tell the kids. It’s also darker than Iris’ story, with more deaths – Iris very much had the fairytale “villainess” story, where almost all obstacles were overcome and they all live happily ever after. Merellis’ story shows that peace was temporarily won, but they didn’t ALL live happily ever after, and there are future tragedies shaping up that she can also do nothing about.

There’s trouble brewing in a neighboring principality, and the first quarter of this book shows us Louis’ father visiting all the lords of said principality and seeing how their power structure works. Some are pawns, some are noble, some are secretly led by their spouse, etc. In order to try to avoid being tricked into war, there’s a huge party held in Tasmeria, inviting all the neighboring lords, and Merellis attends as well… which is good, as it turns out there are also planted guards there to kill off most of the attendees. Fortunately, Merellis is able to stop this with a little help. Unfortunately, it turns out that when all the secret plots are unraveled, one of the main forces behind it is a lot closer to Merellis and her family than anyone would like, and may lead to her being unable to marry Louis.

I did worry that this book would completely slide into political battles and that we would not see Merellis fighting anymore, but no need on that score, as not only do we get her saving the day at the ball through judicious use of murdering the bad guys, but we also see her leading a private army to kill more bad guys, though that does not go nearly as smoothly, and does lead to deaths of some named characters. For the most part, though, the lesson of this book is that you CAN marry the true love of your life, but the politics has to line up as well. With Louis and Merellis it does. For Edgar and Sharia, they get what they want, but are tricked/forced into a compromise that will lead to massive tragedy down the road. And also to the events that kickstarted Iris’ story itself. Being a duchess is hard.

And so this series has come to an end. It took a while, and we got the manga first, so it seems longer, but this was a good example of the “sensible” end of the villainess scale, and had lots of fun worldbuilding. Just be prepared for the extended prologue.