Monthly Archives: February 2025

Love & Magic Academy: Who Cares about the Heroine and Villainess? I Want to Be the Strongest in this Otome Game World, Vol. 1

By Toyozo Okamura and Parum. Released in Japan as “Renai Mahou Gakuin: Heroine mo Akuyaku Reijou mo Kankeinai. Ore wa Otome Game Sekai de Saikyou wo Mezasu” by GC Novels. Released in North America by Cross Infinite World. Translated by Jordan Taylor.

For obvious reasons, I write these reviews as if people are coming across these reviews individually rather than sequentially. That said, if you are reading these day by day… boy, there’s been a lot of overpowered protagonists, right? I mean, yes, Sean, it’s a light novel, but even more so than usual. Arius in particular, in this book written around 2021-22 or so, feels like a Fanfiction.net story from 2009 or so. You know, the ones that have “Dark/Grey/Independent Harry” in the summary. I will not lie, this book is filled with tedious scenes of Arius marching through dungeons, or criticizing others for marching through dungeons wrong, and generally being the best thing since sliced bread. That said, I did find things here to like. Most of them have to do with the parts of this book that are not a dungeon crawl, as it’s another otome game reincarnation story.

A nameless college researcher dies from overwork and finds himself as a baby – with his full memories from Japan – and realizes he’s in the otome game Love & Magic Academy. His childhood friend was obsessed with it and forced him to play it, so he knows how it’s supposed to go. He also knows that the makers of the game wanted to make an RPG, but it failed, so they laid over the otome game setup but kept the RPG undertones, meaning this world is filled with terrifying monsters (who are polite enough to stay in dungeons). Arius, as he grows up, decides to become a strong adventurer and fight amazing battles. That said, he does also need to do the whole “I am the son of a marquis and have to attend the noble magic academy” thing. But he’s not following the plot.

So I did promise I’d talk about what’s interesting. The interesting thing, for me, was that this is a rare case where no one is particularly trying to stick to the plot. Arius isn’t. The “heroine”, Milia, at first feels she has to, but eventually Arius convinces her that these are not characters but people. And there is not, so far, any “guiding force” that is forcing the events of the game to happen regardless of how everyone acts. It’s honestly refreshing, a huge “free will, boys!” moment that suffuses the book. I also appreciated how, for all his cool “I’m not interested in romance” bullshit, Arius actually does get to be a teenage boy near the end of the book, as he clearly realizes he likes noble “villainess” Sophia, but she’s engaged to the prince, so welp. (It’s also heavily hinted, but never stated, that Milia is the “childhood friend” he had in Japan.) More of Arius being uncool, please.

I’m not sure there’s enough here to make people want to read it unless their ability to tolerate OP bullshit is high (he’s speaking full sentences to his parents at six months old). But if you gotta catch all the otome game books, this won’t make you angry. Decent-ish.

Loner Life in Another World, Vol. 11

By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Andrew Schubauer.

This series continues to be a masterclass in doing things that I find questionable and them making them heartwarming anyway. Class Rep talks here about Haruka using “Eye Mastery”, which is basically a brainwashing skill that lets him read someone’s mind and then alter their memories. He uses it here on some nuns that were about to be raped by the Church soldiers, as this world, as we are constantly reminded, is awful. I wasn’t happy with hearing that he’d been using it on the girls for a long time now, keeping them content and selfish, fighting over clothes and equipment and being goofy. He wanted them to be unaffected by this crapsack world. Sadly for him, they’ve all now leveled up enough so that it doesn’t affect them anymore, and thus they go to battle knowing full well what the Church’s soldiers have been doing. And they kill them. A lot of them. This is war, and our heroines are no longer going to be kept out of it. Innocent no more.

Our cast are headed off to the theocracy, there to take on the Church who are responsible for so much of the evil in this world. (We meet the Pope here, and he’s cartoonishly evil.) Sister Girl, who is (natch) a princess, will be leading the charge, backed up by Princess Girl, MeriMeri, the 20 girls of Haruka’s group, and Armored Rep as backup in case anything goes wrong. Meanwhile, Haruka and Dancer Girl are headed off to the capital itself, to deliver letters to various cities letting them know that The revolution is coming, and it’s time to break off and join it. They’re also there to kick ass, murder a metric fuckton of goons and assassins, and along the way, pick up a rabbit girl (on the cover), who is searching for her sister, kidnapped by the Church. Her sister is a wolf girl, by the way. Haruka is over the moon, but also a bit disturbed that these two are such an obvious chuuni stereotype.

I deliberately avoided using any names except for Haruka there, because that’s how he thinks. It’s underlined in this volume, where the girls once again yell at him for not using their names, getting their backgrounds wrong, and forgetting the name of their own school. Haruka’s subtext has rapidly become text. (Class Rep mentions the deaths of Haruka’s parents and sister here, though we get no details.) The running gag in the book is that Rabbit Girl and Wolf Girl, who are desperate to thank him for saving them and want to ask if there’s anything they can do for him (sorry, kids, you’re too young for Haruka to feel comfortable with), always have food stuffed in their mouths by him to shut them up, because the idea of hearing himself praised for doing what is essentially a giant pile of murders bothers him more than he can say. (And, just to bring the book back around to its core again, yes, a lot of the time when he’s shoving food in their mouths it’s meant to be phallic.)

Again, this book is for hardcore fans only, but if you are one, it’s always rewarding. And completely filthy, of course. I assume next volume we’ll get a new Dungeon Emperor, and I’m sure she’ll end up being gorgeous. This series is what it is.

Mercedes and the Waning Moon: The Dungeoneering Feats of a Discarded Vampire Aristocrat, Vol. 1

By Fire head and KeG. Released in Japan as “Kaketa Tsuki no Mercedes: Kyūketsuki no Kizoku ni Tensei Shita kedo Suteraresō nanode Dungeon wo Seiha suru” by TO Books. Released in North America by J-Novel Club. Translated by Maddy Willette.

Let’s face it. At its heart, this is a story about a girl who starts off ludicrously OP and just gets even more so. She’s of the stoic variety, but otherwise she fits the stereotype perfectly. She defeats monsters who “swear eternal loyalty” to her, though of course the word slave is not used. If you dislike this sort of book, then this is absolutely not a book that is going to change your mind. I kinda liked it, though. It has a gimmick that took me a while to figure out, which I’ll get to below. It has a few people other than our somewhat sociopathic heroine who have actual heart and soul, though honestly this is not a world for nice people to be nice in. And honestly, I just kinda got on with Mercedes. It’s the sort of power fantasy I don’t mind reading.

Our heroine is Mercedes, a young vampire who has (yes, I’m sorry) memories of her past life in Japan. (Yes, she invents chocolate. Sorry.) She’s the daughter of a concubine, and she and her mother live in a run-down decaying mansion, abandoned by her father. So she decides to become an adventurer. She trains hard to make herself strong, though because she never sees anyone other than her mother and maid, she has no idea how strong she is compared to others. And then she heads off to take on a dungeon and do quests. Which… turns out pretty easy, actually. She even tames an ogre and a dangerous wolf to act as her companions. Could she actually be really strong? Nah. But she’ll soon find out, as her older half-brother is holding a party where he plans to beat up the rest of his family to prove he’s best.

At first I wondered if this series was a satire, as Mercedes continually points out the cliches and weird things about her world. It’s medieval in tone, but has some 21st century amenities. It combines a tourist’s idea of Germany with Japanese writing. It is, in fact, exactly like you’d expect an isekai written by a writer who’s just taking a standard RPG setting and doesn’t care much to be. But, as it turns out, there may be more to it than that, as when she conquers the dungeon (which features a slew of cliches, including her confronting her also sociopathic past self) she learns that this world was created in the past, and records of its past then excised. I hope we come back to this. As for the rest of the book, I liked Mercedes’ interaction with Margaret, which is possibly the only point in the book she shows that she’s not simply exactly the same as her father. Just… mostly the same.

That plotline will play out in the second volume, I assume. Provided you don’t mind everything about its genre, this is quite enjoyable.