By Hitoma Iruma and raemz. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Molly Lee.
It should not be a surprise to the reader that, despite saying this is a 12th volume rather than a short story collection or whatever “Volume 99.9” was, this is essentially the same as the previous few books. There has been a running theme of Yashiro trying to unite all Adachis with all Shimamuras to save the universe, and that reaches its culmination here, allowing us to get back to the main story at last. Not that there’s much to the main story, except Shimamura starting to think seriously about what her life will be like going forward, and that it will probably be with Adachi. As for Adachi herself, well, she’s gotten better, but the poster child for “vibrating ball of gay” is still exactly what’s on the tin. If there’s an issue here it’s with the author. As this arc has gone on, we had three volumes of My First Love’s Kiss, in the same universe, come out, and that poisoned me so much against the author that I can’t give them the benefit of the doubt with questionable scenarios anymore.
There are four short stories here, along with two mini-short stories. In the first, Adachi is a school teacher in her early 20s who is teaching 6-year-old Shimamura, who wants them to get married. In the second, Adachi is a best-selling author and Shimamura is the lead actress in the movie adaptation of her book. These are both part of the “Yashiro searches for Shimamuras” plot. In the third story, she rescues Shimamura for almost getting hit by a car, only to realize that by doing so she messed up Shimamura meeting Adachi, and now the world is ending. Only donuts can solve this. In the final story, we’re back to the “main” timeline, and the present day (i.e. high school), as Adachi asks Shimamura on a date to the beach. (The two micro stories are Hino and Nagafuji fluff and Adachi and Shimamura’s mothers fluff.)
As I said, My First Love’s Kiss was a toxic series that featured multiple characters preying on children. As such, the first short story, which is written as if we’re supposed to go “awwww”, gave me the creeps. Adachi tries to think of reasons not to marry a six-year-old, and the only one that she can think of that stops her is she’d be arrested. There’s soulmates and then there’s ick. Fortunately that’s the only ick in the book. The other AU was genuinely cute, mostly as they were both adults. I also like seeing the ongoing repair of Adachi’s relationship with her mother, no matter what timeline. The third story is basically an excuse to write the “canon” Adachi and Shimamura meeting in a different way. The final story really does feel like a continuation of the series, and is filled with adorable yuri moments. It feels very much like the anime.
This was supposed to be the final volume, though the author hasn’t had afterwords lately. But there’s a Short Stories 2 due out in a couple of months, so this cash cow continues onward. If it keeps the author away from creepy shit, I’m OK with more of it.
