By Hitoma Iruma and raemz. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Molly Lee.

Several volumes ago, I mentioned hearing that the author had worried they would die before the series was finished, which is the main reason we’re getting all these short story books and “Vol. 99.9” in between volumes. You’d think, given that, that the author would also be trying to bring the series to a conclusion, but no worries there. 13 is out in Japan. What it does mean, though, is that the last few volumes have been drenched in mortality – death and what you do after you die, as well as what your loved ones do if you die before they do. We get a few more stories here showing the elderly Shimamura, having lived longer than everyone else, playing an old video game with Yashiro to try to reconnect with her beloved. We also get Adachi waiting in an afterlife parking lot,. unable to move on without their partner. It’s meant to be sweet, and it is, but I also found it a bit grim, to be honest.

The stories, as with many prior books, divide themselves neatly into two. The first part of the book is set from Shimamura’s POV, and shows her life with Adachi as a working adult, with them living together. Adachi has mellowed – a bit – and Shimamura is attempting to be proactive – a bit – and they’re both really fantastic together. The next chunk is from high school days, and Adachi’s POV, mostly showing her interactions with Shimamura’s family and the aftermath of her and Shimamura becoming a couple and sort of trying not to tell anyone yet. We also get a couple of stories in the future of Hino and Nagafuji, showing Hino living at her estate and Nagafuji working there as sort of a part-time maid. And of course we get Yashiro throughout, the same age and mentality even as the characters grow older and move on with their lives. She has a ukulele now.

As the series has gone on, and especially as Adachi’s mother has become one of the main supporting characters, we’ve seen more and more of Shimamura’s mother and her… um… zeal for life. To Shimamura, she’s just an annoying mom. To the Adachis, she is utterly terrifying, as the two of them are both incredible introverts who are terrible at just making conversation, and Shimamura’s mom tries to drag them into that constantly. She can be incredibly annoying, but it’s never malicious, and you can definitely see how Shimamura is a product of her mother as well as her father. As for the short stories themselves, they’re mostly short and sweet. I really loved the marriage proposal, which was very much exactly the sort of thing Shimamura would do. It’s also nice to see that, ambiguous though it is, Hino and Nagafuji are mirroring the relationship Hino’s mom and head maid had. Oh, and we get a semi-sequel to the “Adachi rant”, which is hilarious.

There is, mercifully, no real creepiness in this book, and aside from a “oh no, I woke up and Adachi is a cat” stories, few alternate universes. If you like the couple, you’ll like this.

By Hitoma Iruma and raemz. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Molly Lee.

It should not be a surprise to the reader that, despite saying this is a 12th volume rather than a short story collection or whatever “Volume 99.9” was, this is essentially the same as the previous few books. There has been a running theme of Yashiro trying to unite all Adachis with all Shimamuras to save the universe, and that reaches its culmination here, allowing us to get back to the main story at last. Not that there’s much to the main story, except Shimamura starting to think seriously about what her life will be like going forward, and that it will probably be with Adachi. As for Adachi herself, well, she’s gotten better, but the poster child for “vibrating ball of gay” is still exactly what’s on the tin. If there’s an issue here it’s with the author. As this arc has gone on, we had three volumes of My First Love’s Kiss, in the same universe, come out, and that poisoned me so much against the author that I can’t give them the benefit of the doubt with questionable scenarios anymore.

There are four short stories here, along with two mini-short stories. In the first, Adachi is a school teacher in her early 20s who is teaching 6-year-old Shimamura, who wants them to get married. In the second, Adachi is a best-selling author and Shimamura is the lead actress in the movie adaptation of her book. These are both part of the “Yashiro searches for Shimamuras” plot. In the third story, she rescues Shimamura for almost getting hit by a car, only to realize that by doing so she messed up Shimamura meeting Adachi, and now the world is ending. Only donuts can solve this. In the final story, we’re back to the “main” timeline, and the present day (i.e. high school), as Adachi asks Shimamura on a date to the beach. (The two micro stories are Hino and Nagafuji fluff and Adachi and Shimamura’s mothers fluff.)

As I said, My First Love’s Kiss was a toxic series that featured multiple characters preying on children. As such, the first short story, which is written as if we’re supposed to go “awwww”, gave me the creeps. Adachi tries to think of reasons not to marry a six-year-old, and the only one that she can think of that stops her is she’d be arrested. There’s soulmates and then there’s ick. Fortunately that’s the only ick in the book. The other AU was genuinely cute, mostly as they were both adults. I also like seeing the ongoing repair of Adachi’s relationship with her mother, no matter what timeline. The third story is basically an excuse to write the “canon” Adachi and Shimamura meeting in a different way. The final story really does feel like a continuation of the series, and is filled with adorable yuri moments. It feels very much like the anime.

This was supposed to be the final volume, though the author hasn’t had afterwords lately. But there’s a Short Stories 2 due out in a couple of months, so this cash cow continues onward. If it keeps the author away from creepy shit, I’m OK with more of it.

By Hitoma Iruma and raemz. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Molly Lee. Adapted by Emlyn Dornemann.

So, the rumor is that the author of this series started panicking and worrying that they would die before it was finished, and so they came up with several volumes that would feel like a final volume. That said, there is not a more final final volume than this one. and yes, I know that we still have Volume 12 and a second Short Story collection to go, but thematically, this ties absolutely everything into a nice neat bow. Unlike the SS volume, which featured 3-4 page microstories as well as one long one, this has 4 longer stories and a wraparound plot which were written for the Blu-Ray release of the anime. Generally speaking, Blu-Ray ‘extras’ tend to be a bit more involved than your typical throwaway bookstore giveaways, and it shows. This not only manages to have a lot of typical Adachi and Shimamura style shenanigans, it gets quite sad and tear-jerking at times. Be prepared to be with Adachi and Shimamura to the very end of their lives.

A brief content warning: this volume contains more Yashiro than any other volume to date, and with good reason. The wraparound story has A young woman in the very far future, on an post-apocalyptic world, being slowly led by Yashiro to her destined soulmate. Along with that, we see 1) Shimamura visiting Hino at her mansion; 2) Adachi inviting Shimamura to a hot spring, supposedly so they can finally have their first time together; 3) A Shimamura in her late eighties, with all of her family, all her friends, and her lover now dead, finding solace in playing an RPG her sister once played with, you guessed it, Yashiro; 4) The resolution of the future world, with Yashiro, her mission now done, heading out to find other Adachis and Shimamuras and reunite them; and 5) Shimamura dying, and going where she knows she needs to go.

As you may have gathered, this volume gets a lot darker than I was really guessing. The far future story is more heartwarming than anything else, and the Hino story was fairly pointless except for us to see her as an adult (sorry Nagafuji fans, she’s not in it). The hot spring story, and this is hardly a spoiler, does not end with sex. But it’s the story of Shimamura in her dotage that hit the hardest. The chapter with her looking back on everyone who left her behind is quite touching, especially as she’s haunted by her lover, who shows up to be a Greek chorus. Then there’s the last chapter, which is both a tearjerker and also a bit eerie, as Yashiro shows up to lead Shimamura to the afterlife… which has her grandparents, and her beloved dog, but that’s not where she needs to be. You know where she needs to be? Remember Adachi’s idea of heaven from the previous SS book? Yup. Shimamura is now in Adachi’s heaven, with no one else but them. Never let it be said this series is not defined by the lovable headcases that are its leads.

Possibly this worked well for me because I am overly sentimental, but I found it one of the best in this series. I’m not sure I want the 12th volume, but we’ll see if it can be more than “slice of life”, which this volume was.