By Tobirano and Mai Murasaki. Released in Japan as “Zutaboro Reijou wa Ane no Moto Konyakusha ni Dekiai Sareru” by M Novels f. Released in North America by Airship. Translated by Rymane Tsouria. Adapted by Zubonjin.

(There’s a spoiler I talk about, but I’ll try to wait till after the summary. Also, the spoiler is obvious.)

I will reiterate that those who cannot accept that Marie’s entire life to date has revolved around being told how terrible she is will find this volume very hard going, because it will feel grating that she loathes herself to such a degree that it almost drowns the narrative. The third quarter of the book is awash in everyone just being very, very sad, and I get the feeling the author knew this and wanted to make sure it didn’t overflow. As such, eventually, when Marie ends up fleeing from her engagement and the castle, things proceed to turn into farce, starting with Mio driving around and around the castle while pretending to be driving her back home, waiting for her to change her mind, and then getting capped off by Kyros leaping onto the carriage to follow them around the castle. It’s so over the top it’s fun.

Marie is doing her best, even though she may not think that it is. As we learn more about her childhood, we discover that she can speak/write in multiple languages, that her dancing is excellent, and that the fact that her favorite children’s book was delivered to her may be the holding thing keeping her from a breakdown. Meanwhile, Mio investigates back at her parents’ manor, and discovers that things are far more disturbing than they or we imagined, especially in regards to the death of Marie’s sister. Even a lovely outing in the merchant district to look at rings and clothing can’t pass by without Mio hearing the voice of her sister calling her and having nightmares. Surely the best thing to do is to simply call everything off and go back to her abusive home.

Rest assured, dear reader, this does not happen. For one thing, Anastasia isn’t dead. I know this will come as a shock to no one. What came as a shock to me was that I was expecting her to have deliberately faked her death to go off the the capital to make things. As it turns out, no, she was almost raped by her coach driver, escaped by the skin of her teeth, and only by miraculous fortune did she wind up in the capital. Oh yes, and her hair is being used to pacify her half-insane mother. Suffice it to say, neither sister has had it easy, and they both love each other yet also deeply envy each other’s positions. Towards the end of the book, when both parents are taken into custody, Marie has to decide what to do with them, and we get a bit of backstory that explains but does not excuse their actions. Much as I liked the wackiness in the middle of the agony, the agony is very much there.

That said, there’s more to this series. Marie and Kyros aren’t married yet. The third prince is hitting on a former noble turned commoner who just wants to be left alone. And what of Mio, the best character in this series? We’ll find out next time.

By Tobirano and Mai Murasaki. Released in Japan as “Zutaboro Reijou wa Ane no Moto Konyakusha ni Dekiai Sareru” by M Novels f. Released in North America by Airship. Translated by Rymane Tsouria. Adapted by Zubonjin.

Ah, it’s time for another of my favorite genres. No, not Cinderella story, although this is that as well. No, it’s the classic shoujo light novel genre of “I am so horribly abused by my family that my self-worth is garbage and I will spend volumes trying to like myself”. Generally speaking, these books live and die on their heroine. Sometimes they suffer stoically, such as The Too-Perfect Saint (this will not be the last time I mention The Too-Perfect Saint in this review). Sometimes they are such pollyannas that the abuse doesn’t even register as such. And sometimes they just accept that they’re terrible and ugly and awful because that’s what their parents say, and live a life of quiet desperation. That’s where Marie is at the start of this book. Fortunately, we know that things will get much better for her, but the challenge, with someone like Marie, is to make her accept that she deserves to have good things happen to her at all.

The title may throw off the savvy reader, who sees it and expects an evil sister to go along with the evil parents. In fact, Marie’s sister Anastasia is the only good thing in her life, and the two of them get along great (Much like Too-Perfect Saint). Unfortunately, Marie’s parents REALLY despise her. They force her to do all the chores – yes, they have servants, but why use them when you have Marie? – and her 18th birthday party is hijacked and used as an excuse to get a rich husband for her sister. A proposal soon arrives from Kyros, a Count who’s going to be a Duke when he inherits. The parents could not be happier. Anastasia is, frankly, terrified, but she goes to his country… and dies in a carriage accident along the way. Now they have to send Marie, the “horrible” sister. (Again, Too-Perfect Saint, yes.) Marie, who is not only grieving for her sister but being told she’s only useful as a womb and that she should never have been born, meekly goes along. Fortunately, a series of misunderstandings mean that her welcome is much nicer than expected.

An anime of this has aired in the summer (so no spoilers for the second book in the comments, please), and everyone agreed that the absolute best thing about this title was Mio, Kyros’ head maid. They’re absolutely correct, Mio is indeed the best thing. She’s a badass, snarky, caring, and has an appetite for food that boggles the mind. She helps both of her charges, though finds herself exasperated with Kyros, whose screw-up (he met Marie at the party when she was hiding in the garden and fell in love with her, but assumed, as it was a party to engage the other sister, that she was Anastasia) led to all this. I also like what little we see of Anastasia, who loves to sew masculine outfits for women and wishes she were in a different type of shoujo light novel (the “my family goes under and I have to become a merchant” kind). As for Marie, well, her growth is the point, but I will warn folks, her self-hatred oozes from almost every line she has till near the end, and she cannot accept anything good happening to her. This is understandable, but readers might balk.

Not me, though. I want more of this. It’s like catnip.