By Hisaya Amagishi and Hachi Komada. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by A.M. Cola.

Entirely unintentionally, I suspect, this volume of Dahlia came out so that I read it on New Year’s Day, and its own plotline is about celebrating the New Year. That made me smile. It’s a more leisurely book in general, with few ominous hints for the future beyond people with tremendous amounts of power and influence reminding everyone that Dahlia is not to be messed with. If we can’t get Dahlia to acknowledge her own worth, well, at least she has everyone else in multiple countries in her corner. I also owe Dahlia an apology. I’ve put the bulk of the blame for her utter lack of romantic progress on her complete lack of self-esteem, and while that’s true, there are two people in this relationship. And somewhere between Volf running around the training grounds in a giant wolf onesie and starting snowball battles with local children, I realized that Dahlia may need to wait a bit for her handsome young best friend to have the childhood he never got as a child but is having now.

It’s the New Year, and Dahlia and Volf plan to go around the festival together eating all the food. They’re convinced to go as a couple and wear the special masks made for couples to avoid unwanted attention. really. I’m sure that’s the only reason. Meanwhile, Dahlia and Lucia come up with some silly-looking but comfy nightwear for her, and Volf accidentally sees it one day. And then suddenly it’s become a huge invention, and they’re introducing various kinds to the Beast Hunters which they’re not only using to sleep better at night, but as camouflage when they fight monsters. Jonas’ father comes for a visit, and while Jonas wants to avoid him, Dahlia ends up meeting him and being thanked for being Jonas’ friend. And possibly more than friends? Finally, Irma gives birth safely and the twins are fine, much to everyone’s relief, especially Bernigi, who, with the help of Jonas, arranges a serious injury that requires that he and his wife go to the temple to get healed, where by pure coincidence Marcella and Irma are located.

Dahlia in Bloom’s sense of humor is usually more “put a smile on your face” than making you laugh till you’re sick, but the scene with the Beast Hunters all trying on their animal onesies and going outside to test and see if the flying squirrel one can make them fly… that was pure comedy gold. There’s also plenty of heartwarming here as well – Dahlia makes Volf a new magic sword, which as it turns out resembles his late mother’s a great deal, filling him with glee. (Though, as Jonas darkly notes, when used by someone with evil intentions it would be a fantastic assassination weapon.) And there’s dark tragedy here as well – each volume to date has ended with a flashback to Dahlia working with her father on something or another, but they’ve gotten closer and closer to the present each time, and with this volume, we finally see Carlo’s death. It’s well written and will make you choke up.

All this plus zero romantic progress! But that’s why we read Dahlia, of course. (Oh, and her big New Year’s gift is essentially a wine-of-the-month club, in case you worried she and Volf weren’t still drinking like fish.)

By Hisaya Amagishi and Kei. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by A.M. Cola.

After a volume of side stories that focused on other characters, we’re back to Dahlia and Volf. Who, you can be assured, are exactly the same. For better and for worse. Volf, at least, seems to be trying a bit harder to realize what his feelings for Dahlia are. Dahlia KNOWS what her feelings for Volf are, but he can’t possibly love her back, because there’s no way he can possibly get over the massive wall that is her low self-esteem. Fans of seeing Dahlia try to avoid getting credit for anything or paid for anything will be pleased to see that folks are kicking back against that on a regular basis now. Oh well, at least she managed to do well in her debut ball. Indeed, that’s the basic core of Dahlia. She’s beautiful, brilliant, and savvy, but refuses to see herself as anything but plain, basic, and doing the same things anyone could do. I hope a barony will help a bit, but I suspect she may need stronger methods.

It’s time for Dahlia’s debut, and that means learning how to dance. Fortunately, as with everything else she does, she picks up on it really fast – though she’s her own worst critic, as always. Unfortunately, Volf is called away to subdue a wyvern, and then take on giant bears, so may not be able to get there in time to dance with her. Fortunately, Gildo, his wife, and their staff are here to help, and it turns out Dahlia is a natural at making friends with noble wives almost without thinking about it. Later on she helps to invent a new kind of magical weapon just by thinking of the idea of insribing spell circles on both the inside and outside of the wand, and she and Volf go out for dinner at a high-class restaurant that specializes in monster recipes. But it’s not a date. Honest.

I do appreciate that it’s made clear every book that it’s not the readers. Half the cast assume they’re already dating, and the other half desperately want to do everything to make them date. And yes, this includes breaking the noble rules that say it’s too big a jump. Also, for all that Dahlia still occasionally reminds you this is technically an isekai by thinking about Japan, it’s made clear from the way others react that even without her memories from there, she is her father’s daughter, and would have been brilliant regardless. We haven’t seen Tobias for some time now, but it’s clear that his dumping her, along with her father’s death, really is responsible for EVERYTHING in this series, because Dahlia’s lack of desire for anything good to happen to her is painful. Fortunately, sometimes good things happen anyway. The ball is terrific.

Next time we might get a festival, which traditionally you invite a girlfriend or lover to. Volf has invited Dahlia. She’s already rationalized it. So has he, I think. For romantic masochists.

By Hisaya Amagishi and Kei. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by A.M. Cola.

I like to think that Dahlia in Bloom is a reasonably popular series. It’s gotten a manga and an anime (let’s not talk about the anime). That said, it’s not ludicrously popular with trivia-loving nerds. This is no Re: Zero or A Certain Magical Index. As such, when it comes to wiki power, Dahlia is lacking. Which makes it unfortunate when you’re reading a volume filled with side stories, only a few of which focus on Dahlia and Volf, and I kept thinking to myself “have I seen this character before? Have they been a minor character in the series I’d simply forgotten as they aren’t plot-relevant, or have they been especially written for this volume?”. This is especially true with all the wives we meet in this volume. The main series, and its spinoff, both run on, primarily, an utter lack of romantic progress. Dahlia is oblivious, Lucia is too job-focused. As such, a lot of this book seems devoted to giv9ing us actual happy romantic ends.

This is a short story volume, so there’s no real plot to speak of. The only stories that connect to each other are one or two “we get this from one perspective, then the other side” twofers, and one story where Volf is convinced to buy fancy, scented stationary to send letters to Dahlia, who keeps every single one in her room. You know, like besties do. Other than that, we see how Grato met his wife (she’s been waiting for him to get a clue), how Gildo met his wife (he fell for her, unthinkingly, when she was six years old… no, not like that), Ivano trying to run away from his future wife (he fails), how craftsman Fermo met his wife (she’s the granddaughter of his master, but they’d never seen each other before), how Irma got her husband (the family had to approve), and how Oswald got to be the silver fox (being bullied is different when you’re in a noble society).

That last one is the longest story in the book, and it reminds you that while a whole hell of a lot of light novels deal with nobles and the different tiers between them, none of them quite drench themselves in the culture quite like Dahlia in Bloom. Dahlia herself is finally getting her barony, so might be able to marry Volf… except his family is also getting elevated. Back to square one. Oswald having a girl date him on a bet ends up with the girl AND the two nobles who forced her to do it all getting punished, while the humiliation forces Oswald to throw off his family’s kid gloves and give himself a makeover. Volf is forced to learn about noble etiquette, and he’s absolutely terrible at it. Yes, the main reason this is the slowest of slow burns is because Dahlia’s lack of self-esteem causes her to throw Volf into the friend zone, but there are also real reasons why nothing has happened just yet.

We’re back to the main series next time, as Dahlia finally meets barony. Will this mean anything new? Probably not. Will she get to dance with Volf, and maybe have some really good alcohol? Most definitely.