By Masamune Okazaki and Hayase Jyun. Released in Japan as “Mob Dōzen no Akuyaku Reijō wa Dansō Shite Kōryaku Taishō no Za wo Nerau” by TO Books. Released in North America by J-Novel Heart. Translated by Caroline W.

I’ve said before that the least interesting part of these villainess books tends to be “who will she end up with in the end?”. Either it’s obvious from the start, such as in Villainess Level 99; it’s obvious but the creator knows it won’t be popular so is delaying it as long as possible, such as My Next Life As a Villainess; or it’s not obvious but it doesn’t really matter as who she marries is mostly irrelevant, such as this series. Honestly, at the end of this third volume, the love interest with the biggest lead is still Lilia. The webnovel version of this series does list “GL subtext” as a warning, so they know what they’re doing, but I’m not convinced that’s an endgame – Lilia here suggests seducing Elizabeth’s older brother so that she can “be in the family” and get to be around her all the time. The good news is the worldbuilding is still pretty interesting.

There’s a new transfer student in school, and he surprises everyone by declaring he’s in love with Elizabeth and asking her to marry him. Constantly. At every possible moment. This is especially surprising to Elizabeth and Lilia, as they recognize him. Prince Yoh Won Lei is from the Eastern lands, and while he is meant to be a spy, he’s not supposed to be like this. For one thing, shouldn’t he be going after the saint? Unfortunately, as the book goes on, absolutely nothing seems to put the man off, and the other random girls in the class all seem to ship it – to the point where they set up a play of Snow White with Elizabeth – in a dress – as Snow White, and Yoh as the Prince. He’s gonna go for a kiss – everyone knows this. More importantly… what’s he really after?

This book has three real highlights. The first is the play – after so many “Sorta Cinderella” bad high school plays in manga, it’s nice to see “Sorta Snow White”, and Lilia as the fourth-wall breaking narrator is a delight. The second is early on when the four male love interests corner Lilia in the student council room and try to get her to back off Elizabeth, as she was rejected. Lilia points out, correctly, that she was rejected as she actually confessed, something none of them have done. Then there’s the climax, which not only has Elizabeth coming to a dramatic (if mostly offscreen) rescue, but also has Lilia confessing that she’s figured out what’s wrong with this world – the gods, or whoever, are trying to keep the game script accurate, but she is now too powerful for it, so can alter the script. She’s not the only one – I think Elizabeth has that power as well, she just doesn’t know it. They may both need reality-breaking powers, though, as more and more people seem to have identified Elizabeth as the reason their evil plans are not working.

The author makes sympathy whining about this possibly being the final volume, but there’s at least two more in Japan. I’ll read more, though honestly, Elizabeth’s baffled density about why all these guys seem to want to hang around her may be the book’s big flaw.

By Masamune Okazaki and Hayase Jyun. Released in Japan as “Mob Dōzen no Akuyaku Reijō wa Dansō Shite Kōryaku Taishō no Za wo Nerau” by TO Books. Released in North America by J-Novel Heart. Translated by Caroline W.

As folks may know, I tend to pay attention to publishers a bit more than is normal. I have my favorites, and I have those where I always say “uh oh” (looking at you, GC Novels). Generally speaking I tend to really enjoy TO Books releases. They do Ascendance of a Bookworm, and Tearmoon Empire. They’re solid. And, like most LN publishers these days, they take the webnovel that’s already published online, have the author revise and add a few scenes to it, and publish it. What makes TO Books different from, say, Hobby Japan is that the cutoff point for where to end a book is much longer for them. To put it bluntly, these books are too dang long. Even the shortest of them usually top out at 260-270 pages, and most can get in the 350 range. And when you’re reading a book that’s doing obvious things, like this one, it can get exhausting.

Everything that Elizabeth has been changing herself for has finally arrived at school: the heroine is here. Lilia has transferred in, and she has Saint powers. Now all Elizabeth has to do is cut off everyone else’s romance routes and seduce her. Well, friendship her. Elizabeth doesn’t want an actual romance route or anything, she just wants to block the “otome game” from running down its rails. However, when Lilia arrives, Elizabeth is in for a shock: she’s clearly ALSO reincarnated from Japan, and is trying herself to hit those routes… and rather puzzled that she has run into this hunk rather than the sickly Prince Edward. Now Elizabeth has to try to step up her seduction while also dealing with a Lilia who has no idea what she should be doing now. Perhaps… it’s time to give up the act?

The best part of this book is the relationship between Elizabeth and Lilia… eventually. That’s what I meant about these books being too long. Though in this case it actually works in the book’s favor, as all the character development is towards the end of the volume. Lilia is written well – she’s not an “evil” heroine, and she’s not a BL fangirl who will love all the guys swooning over the “handsome” Sir Burton – she’s a girl who found herself in this role and is trying to survive while being rather annoyed and also depressed over how everyone forgives her everything because she’s cute. Yes, she DOES find out Elizabeth is really a girl, and it does lead to a brief fight. But just as Elizabeth realizes she’s been too wedded to trying to stop the game she’s forgotten to treat everyone as people, Lilia realizes that just because she’s the heroine doesn’t mean she has to romance one of the targets. The book ends with Elizabeth admitting she’s also from Japan, and Lilia doubling down and saying she has fallen in love with her and will seduce her. Now, this isn’t a yuri book, quite – Lilia seems very happy the game is Rated “T” so she doesn’t have to do any of the ICKY lesbian stuff – but Lilia seems quite happy with her bisexual awakening.

Elizabeth’s ethics are questionable – she’s no Katarina in that respect – and she’s even MORE oblivious than Katarina at times, who I think at least might recognize the voice of her own fiancee – but I still like this enough to recommend it. Also, she fights a massive bear.

By Masamune Okazaki and Hayase Jyun. Released in Japan as “Mob Dōzen no Akuyaku Reijō wa Dansō Shite Kōryaku Taishō no Za wo Nerau” by TO Books. Released in North America by J-Novel Heart. Translated by Caroline W.

If I had a nickel for every villainess book that I read and thought that it was clearly influenced by My Next Life as a Villainess… well, I’d have about 50 cents or so. Which is still a lot! Fortunately, most authors know that they can’t simply straight up photocopy Katarina Claes onto the villainess of the hour, even as the whole “reverse harem starring a clueless protagonist who does not realize what she’s doing to the rest of the cast” plot is present and correct. Katarina is the cheerful, empathic oblivious type. Someone like Yumiella is the stoic, overpowered oblivious type. And now we have Elizabeth Burton (a name as subtle as you’d expect from someone with the pen name Masamune Okazaki), who is also strong, and also cheerful, but goes in a totally different direction. That’s her on the cover. In the center, between the two pretty guys. Does that means this is trans? Or yuri? Well… not really? Not yet?

So yes, as is standard for this genre, Elizabeth Burton eats a horrible bell pepper one day, which triggers memories of her past life in Japan, where she was a fan of the otome game “Royal LOVERS”… where Elizabeth Burton, the fiancee of the second prince, was a minor villain who was doomed, in the second prince’s route, to be rejected and likely live her life alone and unloved. Well, that just won’t do. Unfortunately, all the love interests in this game are bishonen, so she can’t exactly compete once the heroine inevitably arrives in ten years’ time. So Elizabeth, showing a startling, terrifying lack of common sense, decides to cut off her hair, dress in a boy’s outfit, get really buff and strong, become the perfect handsome playboy, and seduce the heroine. Oddly, her family and the kingdom put up only token resistance. That said, she has a problem: the love interests don’t care if she looks and acts like a man. They’re smitten.

Is this yuri? Not really. The heroine only shows up at the very end to be the cliffhanger. What’s more, Elizabeth has put ZERO thought into this beyond “seduce the heroine”, has no plan for what happens after that, and denies at first that she’s gay… then backs off and says she’s not sure. Is it trans? Not really that either. Elizabeth, aka Lizzie, dresses and acts like a boy but uses her real name, never denies she’s a woman, and gets annoyed when other people try to call her a man. Is this a weird little genderqueer thing? Boy howdy yes. She doesn’t fall for anyone here, thought Edward (the first prince, who is the ‘beautiful but sickly’ sort) comes close to breaking her facade, but the three male love interests (I’m ignoring her adopted younger brother) certainly fall hard for her… to the point that they all dress in women’s dresses at the big dance in the hopes of attracting her. Again, while this gets some shocked stares, there are no repercussions and no real opposition to it. It’s mentioned that men will get married but have male lovers (women with female lovers is NOT mentioned, I note). Basically, this world seems very casual about a lot of things.

I spoiled myself a bit by looking at the (still ongoing) webnovel, and the second book in the series should bring us a bit more yuri as not-Maria Campbell hits the scene. Till then, temper your expectations if you want this to be anything other than “reverse harem with clueless heroine”, but the heroine herself makes it worth the read.