By Chidori Hama and Wan Hachipisu. Released in Japan as “Akuyaku Reijō, Brocon ni Job Change Shimasu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Rymane Tsouria.

At last, we are back at the school, and Ekaterina is back to worry about the plot of the otome game. Literally, she is worried that this plot makes no sense. As many other fans of villainess books have noted, if your family is ludicrously powerful, and you are found to have tried to murder a commoner… you’re not going to get the death penalty. At worst, you may get house arrest. But otome games in light novels (as opposed to real otome games, which until recently have rarely had villainesses in them) rely to a large degree on bad writing, which is what makes things so difficult… or easy… for the villainess. In this case, Ekaterina’s memories of her past and ability to use those memories to advance society (or write hit songs) allow her to evade this fate, but just as she can’t see that everyone is in love with her, she can’t see that getting executed is not in the cards anymore. For her, at least.

Alexei and Ekaterina are at last back in the capital, and Ekaterina can finally go back to school, catch up with her friends Marina and Olga, and do her best to avoid tripping any otome game flags. Unfortunately, given she’s the unparalleled prime candidate to be the next Empress, trouble is still going to find her. In this case, trouble is in the form of Lydia, the daughter of a marquess and another theoretical candidate for Mikhail’s hand… though he doesn’t really seem to care for her much. And she really doesn’t like Ekaterina. And since this is otome game world, it turns out that just as art is really important here, so is music. And as Olga’s barony is under Lydia’s marquessery, and Olga has a beautiful singing voice, Lydia discovers a way to make Ekaterina face a very difficult choice.

This is not nearly as silly as Bakarina, but it’s coloring in the same lines, and one of the ways that it does that is that anyone who comes into contact with Ekaterina seems to fall under her spell. In this case it’s not the God of Music,. mostly as he’s found two prodigies, but it is the former Emperor and his wife, as it turns out his wife is also one of the best singers in the country. And, oddly, it even turns out to be Lydia, who is smart but runs on anger and being told what to do by her parents, and after a hefty dose of humility, appears to actually learn her lesson. This series doesn’t like to have villainesses fall, lest Ekaterina join them. On the bright side, romance is resolved here. No, not that one. But Olga meets a music nerd and the two of them fall in beautiful music nerd love together, only we barely see this because the series is filtered through its protagonist, who has to literally be told they’re a couple by the prince. If only he could be more explicit about his own feelings, but I get it. It won’t work while she’s like this.

As long as there’s no sexual attraction, she and her brother can say they love each other and jump into each other’s arms as much as they like, IMO. A good villainess series for fans of “otome game analysis”.

By Chidori Hama and Wan Hachipisu. Released in Japan as “Akuyaku Reijō, Brocon ni Job Change Shimasu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Rymane Tsouria.

There are quite a few villainess books where I would describe the plot as performative, but Goodbye Overtime really leans into that. Ekaterina admits that these are real people that she loves and not just characters in a game, and also admits that she’s likely derailed things so much that the whole “doom” part of the game is not going to happen. But the monster from Book 2 shook her, and she remains panicked that if she takes her eyes away from things for one moment, everything will get back on the rails. I was startled to hear that she even saved one of the minor villainesses from a previous book, getting her a job as a maid (and the villainess is actually doing it well!) because she sees it as an inevitable future for herself. Ekaterina is very bad at seeing herself as others see her, but she’s also bad at confessing why she’s worried. At some point I think she’ll have to admit the reincarnation.

It’s STILL summer vacation, and after all her adventures across the territory last time, Ekaterina is back next to her brother and hosting events at her domain’s castle. The special guest is Mikhail, the Crown Prince, so all the red carpets are being rolled out. Flora is also there, and rumors are flying. Rumors are also flying about Ekaterina herself, and those rumors might be a lot closer to reality than she knows. Let’s face it, Mikhail is in love with her, Flora is in love with her, Vladforen is in love with her… and she’s completely incapable of seeing any of this, something all her love interests already know. She only has eyes for her brother, and he for her. Though thankfully, it’s made a little more clear that this is not romantic or sexual.

In any case, there’s a party, where they reintroduce a traditional dance her grandmother had banned, and a hunting party, where women are allowed to hunt again as her grandmother had banned that. Really, we see more evidence that her grandmother is simply terrible, though we are also rewarded with the idea that her father may have loved her mother more than she thought. We also see her almost enter into a contract with fairies, which underlines what the other nobles are saying – she may be gorgeous, and brilliant, and a pioneer in business, but she is painfully naive, and one of these days someone will get her away from Alexei and bad things are going to happen. (This is the second book in a row where she’s been spirited away from her main, and I suspect Mina is stressing out about this.

If you think this review is short on substance, the book is also pretty light. On the bright side, we’re finally heading back to school next time, and hopefully we can advance the plot. Though, like Bakarina, this is a series that relies very heavily on romance not happening despite everyone mooning over the heroine.

By Chidori Hama and Wan Hachipisu. Released in Japan as “Akuyaku Reijō, Brocon ni Job Change Shimasu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Rymane Tsouria.

This book feels very different from the three books that preceded it. Oh, don’t get me wrong, the core of “incest? Or no? I’ll keep you guessing because I hate you” from the author is still in place. However, Alexei is absent from the bulk of this novel, which allows it to not only lean into Ekaterina basically making everyone around her fall for her even harder, but also allows her to lean even harder into her past life, the death, and Japan in general. This world has gods, after all, and they notice she’s different. This also leads to leaning harder on the environmental concerns as well – the deforestation had already hinted at this, but it’s emphasized even more. That said, I’m burying the lede here, which is that there’s a dragon and he’s here to make sure that the reader has someone to root for who isn’t incest boy or a wussy prince. The dragon is cool.

Alexei is VERY busy after the events of the third book, to the point where he can’t make a pilgrimage to the mines to visit his uncle and greet the gods. So Ekaterina volunteers to do it for him. Of course, she has to go with a retinue of knights and attendants, because everyone around her is overprotective. And, well, this book is exhibit A for why they should be overprotective. On the way there, they encounter a monster and Ekaterina learns she does not like to kill monsters (especially if they’re mandrake sugar beets that she immediately assigns personalities and backstories to). She learns the tragic backstory of a local legend, and then runs into said legend herself, who is the bride of death. The gods warn her that the local volcano is going to erupt… sometime. And then she meets the dragon, who is so impressed with her that he proposes.

As always, the best reason to read these books is the main character. The most interesting moment in the book comes right after the dragon proposes (where he also points out the very good reasons to marry him), where her Japan-persona completely breaks down… and the original Ekaterina, who is still a terrified child dealing with her family trauma, comes to the fore. This was the biggest surprise of the book, and I hope it’s picked up on in later books, because I had assumed that Ekaterina’s Japan side basically “won”. The other thing I liked is something I also enjoy in other series with characters like this, which is trying to see how others view her. “Goddess” is thrown around a lot, her genius uncle thinks she’s a genius, and the idea that she might have been abducted by a dragon sends the previously 100% stoic Mina to completely freak out. She’s rapidly become the most valuable asset in the world, and that’s concerning. Though possibly good news for those who worry she’ll just marry her brother.

Which is still in play, but I hope it doesn’t go that way. I’m fine with it kicking the can down the road. Next time we should see the return of the rest of the cast. An excellent volume.