By Fuyutsuki Koki and Haduki Futaba. Released in Japan as “Higeki no Heroine Buru Imōto no Sei de Konyaku Hakishita no Desu ga, Naze ka Seigikan no Tsuyoi Ōtaishi ni Karamareru you ni Narimashita” by Overlap Novels f. Released in North America by Airship. Translated by Sarah Moon. Adapted by Veles Svitlychny.

This is the final volume in the series, and I get the sense that the author knew this and was rushing to fit everything in. They didn’t quite make it – there’s a brief bit at the start where they’re inviting guests for the wedding and discuss whether her parents should get an invitation, but nothing comes of it and they’re never mentioned again. Jill fares slightly better, and while I was a bit dubious about her conversion in Book 2, I remind myself that a lot of people in toxic environments become very different when removed from that environment. You could say the same thing about Lingsha, for that matter, only this volumes brings the toxins to the foreground. Yes, after grumping about her being a “Shampoo” sort of Chinese stereotype in Books 1 and 2, we now get even more of them. Fortunately, it’s not as bad as it sounds.

Leia (alas, not a single Star Wars joke in the book) and Eric are ready to announce their engagement. The King and the ministers seem to take it well. But the nobility is another story, especially as they’ve just had a lot of power stripped from them. Margrave Linboldt is very unhappy that the sister of a traitor and attempted murderer is going to be the future Queen, even if she is a Saint. And then there’s the envoy from the land of Ren, who is incredibly strong, incredibly smug, and seems to want to annoy everyone as much as possible – his minder most of all. He’s there to take his little sister Lingsha back to Ren with him (which she doesn’t want), or, as a compromise, to have Lingsha marry Eric and Leia return with him to the Empire, which has no saints. Is his incredibly aggravating plan all it seems to be?

Obviously it’s not, but there’s enough ambiguity that we’re left wondering what exactly is happening. I do like how Jill, who I described in my review of the first book as the most annoying character I’d seen in a “villainess” book, keeps being relevant to the plot. Just because she’s been convicted and sent to a convent doesn’t mean that her role is over – this world does not have convenient magic-sealing powers, and as it turns out someone whose powers are “untraceable poison” is very valuable to those who have people who need poisoning. That said, the danger here can’t be TOO dangerous. We know that we’re going to end with a wedding and a happily ever after, so we can’t have Jill be kidnapped, or Lingsha be kidnapped. Heck, the moment Lingsha’s brother was killed, my first reaction was sarcasm. And that’s fine, I really don’t need THAT much depth or tragedy in what is essentially a story about two people who are almost exactly alike realizing they love each other and want to spend the rest of their lives together.

As far as I can tell, this is a rare villainess series which does not have an anime in the pipeline. Probably for the best. This was fun, but I am happy it ended here.

By Fuyutsuki Koki and Haduki Futaba. Released in Japan as “Higeki no Heroine Buru Imōto no Sei de Konyaku Hakishita no Desu ga, Naze ka Seigikan no Tsuyoi Ōtaishi ni Karamareru you ni Narimashita” by Overlap Novels f. Released in North America by Airship. Translated by Sarah Moon. Adapted by Veles Svitlychny.

This is a classic example of a sequel that manages to do some things right and some things wrong for the second book. Much to my relief, a lot of the broad humor that felt out of place in the first volume has disappeared, which is good, as there’s a very real threat to the kingdom going on here. That said, the tendency of the author towards writing ridiculous cartoon villains has not gone away, and I ended up calling the main villain of the book Jacob Rees-Mogg, if only as he had a top hat AND a monocle, and his inner monologue tended to end in “Mwa ha ha ha ha ha ha!”. There is an exception, though, which I’ll get to later, as it was easily the biggest surprise of the book for me. Oh yes, and the Chinese stereotype girl? She’s worse. I wish she hadn’t been in it.

After the fallout from the arrest of Jade Berklein, Eric and Leia are ready to do things such as visit the new popular ice cream shop, run by a mage with a talent for ice magic. Unfortunately, while they’re there, Baron Almer, one of the minor villains from the first book, is poisoned, and while Leia saves his life, evidence points to the ice cream shop being responsible. While this is going on, Eric and Dale’s father the King declares that he is going to announce the revocation of special rights to the elite families in the kingdom, and boy are those families pissed. So the King needs extra guards. Fortunately, Duke Rees-Mogg… erm, Algrene, is here to lend the King his crack mercenary troops who are totally not assassins in disguise. Can Eric and Leia manage to save the king? And what’s up with Dale anyway?

The surprise I was alluding to, which… mostly works – I give the author credit for trying it in the first place – is the presence of Jill in this book. No, she is not, as I expected, escaped and once again being the worst. She spends the entire book in a cold, damp cell. But she is visited by someone who keeps asking pointed questions, such as “why is no one coming to save you?” and “why do you think your sister hated you?”. And the lack of her mother or other people telling her how to think forces Jill to think for herself, and you can see the “Are we the baddies?” meme show up on her face. This doesn’t go perfectly – she was such a cartoon in the first book that I found her sudden turn a bit hard to buy – but certainly I like it better than just having her executed. It was also a surprise, which is nice.

The third book, judging by the wedding outfits on the cover, is the final one. This isn’t great, but it’s also not awful, stereotypes aside. Also, given she’s now engaged to the prince, we’ll get the Princess Leia joke soon.

By Fuyutsuki Koki and Haduki Futaba. Released in Japan as “Higeki no Heroine Buru Imōto no Sei de Konyaku Hakishita no Desu ga, Naze ka Seigikan no Tsuyoi Ōtaishi ni Karamareru you ni Narimashita” by Overlap Novels f. Released in North America by Airship. Translated by Sarah Moon. Adapted by Veles Svitlychny.

I spent most of this book feeling that it was schizophrenic. There’s a very serious plotline at the core of this, with the prince doing his best to ferret out corruption despite assassination attempts, our protagonist suffering from an uncaring family, a broken engagement and unverified accusations, and a lot of dead bodies (at one point a puppy is murdered, for those of you who want to add this title to Does the Dog Die?). And yet throughout the book there are bouts of comedy, at times so broad that I wondered if it was parody. This comes to a climax at the climax of the book, appropriately enough, where ferreting out a horrible man and a literal murderer descends into exposing the world’s two dumbest people. The author says that it was deliberate, so well done, I guess, but I’m not actually sure if it worked or not.

Leia Westoria is the saint of the kingdom, whose magical barriers help prevent monster incursions. She’s also engaged to a duke. And she has a younger sister who is NOT the Saint and is NOT engaged to a duke, but is very good at crying on a dime and making gullible people believe what she says – which is that Leia is abusing her. This includes Leia’s fiance, who breaks off the engagement and quickly gets engaged to Jill. Then, when she’s reinforcing barriers in the forest, the crown prince, Eric, drops by to accuse her as well. Leia, finally snapping (though really her mood is “overly serious and a bit passive” throughout the book, till the end), denies the accusations and tells the prince to actually investigate. The prince is taken aback, possibly because, as we learn, investigating is what he does. So he apologizes, and asks Leia to be one of his many bodyguards to protect him against the multiple assassins that arrive every day.

Some of the humor here *is* very good. I really loved Leia pointing out that the reasons the assassins have slowed is that whoever is sending them does not have an “infinite cauldron of assassins”, if only for the mental image. There is a Chinese stereotype girl who is an odd cross of Tenten and Shampoo but who is goofy enough to not be too offensive. Leia frequently has a taste for very dry humor. And the ending is so over the top that one cannot help but laugh. But there’s a black hole in this book, and it’s Jill, the “tragic heroine” of the title and a massive spoiled brat that I don’t think I’ve seen quite so bad in any other “villainess” title. She’s worse than anyone else you might think of. We also get her POV at times, which almost made me drop the book. It’s beneficial, as it helps sell the ending – it’s hard to be a mastermind when the pawn you decide to trick is unable to carry out a simple murder plot without cocking the whole thing up. But it’s hard to read.

This is multiple volumes, and I really hope Jill does not come back and this becomes an artifact title, but the fact that she’s not dead at the end of this one leads me to think I will be seeing more of her. If you like straightforward, serious protagonists facing off against a girl so dumb she will happily murder a puppy for the guy she has a crush on, this is ridiculous enough to give you what you want.