By FUNA and Sukima. Released in Japan as “Potion-danomi de Ikinobimasu!” by K Lanove Books. Released in North America by J-Novel Club. Translated by Hiroya Watanabe.

My long-running thesis about the FUNA books is that Kaoru, the protagonist of this series, is the “advanced” version, the one you read after you’ve already dipped your toe into the water with Mile and Mitsuha. Naturally, this means that she is much more difficult to get into and accept. She’s a pain in the ass, to be frank, too smug for her own good, and let’s not forget the occasional atrocities. She’s also unthinking about important things, though that’s something she shares with her fellow FUNA compatriots. But this book reminds me that we are not, of course, supposed to be rooting for her, really. Oh, sure, we’ll root for Kaoru when she’s going after people who are pure evil. For the most part, though, she’s going after shysters, scammers, and lowlifes, and taking them for all they’ve got. It’s kind of … petty? As such, when we see her screw up, which she does a lot in this particular volume, it’s just fun. Seeing Kaoru suffer is fun. There, I said it.

Kaoru is continuing to try to spread the word of Edith, but has suddenly found herself surrounded by those who know her older self. Francette’s descendant Falsetto has been sent there to protect Kaoru. The Eyes of the Goddess are being sent to protect Kaoru. Birds and dogs directed by Mariel are being sent to protect Kaoru. And the King and his Chancellor are panicking whenever anyone comes near Kaoru who they have not already thoroughly vetted. Still, they go ahead with the plan, which also involves Reiko making a name for herself as a hunter by capturing a rare, highly prized ingredient, and Kyoko opening another store in the capital, which gets a grand opening by showing off how to butcher and auction off a wyvern. With all this going on, it’s perhaps no great surprise that Kaoru occasionally forgets to pay attention to “daughter dying” rumors.

I will admit it was morbidly funny seeing the subplot with the Earl’s daughter. I was pretty sure the author was not mean enough to have her actually die, but it’s signposted relatively early in the book that an Earl has a very sick daughter and is paying a lot to get cures that might help her, and Kaoru does not make the logical leap and think “maybe I should, y’know, go there as Edith”. And to top it off, when she does figure it out, we get an almost Looney-Tunes run where she storms the mansion, administers the cure, and takes off… forgetting to disguise ANYONE in her party. But the capper is seeing her rationalize this and think “it’s OK, this will be fine” and then be called out on it by everyone. Even Kyoko, who is the biggest ditz in a party of three ditzes. As for the rest of the book? Same old same old. They’re at least concerned that the orphans have work PTSD, but haven’t worked out a solution yet.

This series is not for anyone but FUNA obsessives, but if you are, it’s still fun.

By FUNA and Sukima. Released in Japan as “Potion-danomi de Ikinobimasu!” by K Lanove Books. Released in North America by J-Novel Club. Translated by Hiroya Watanabe.

Due to a weird scheduling quirk, I think this is the first time that I have read all three of FUNA’s licensed series in the space of two weeks. Seven Seas’ Make My Abilities Average! came out last month, but its digital version was delayed two weeks for unknown reasons. Kodansha’s Saving 80,000 Gold in Another World also came out with a new volume. And now we have I Shall Survive Using Potions!, which may not be the best of the three (I don’t think I can really call one of these series the “best” easily), but it’s certainly the most interesting, mostly as Kaoru is still an atomic bomb of a protagonist (the word “heroine” seems grotesquely wrong), and as these books have shown, the world that she is in, especially after the time skip, is a toxic one filled with greedy nobles, murderous thugs, and temple priests who have no idea why they should not be rude to a 12-year-old. Kaoru is not thinking about wiping out kingdoms for no reason

Kaoru is currently masquerading as the “stray priestess” Edith, but after almost getting herself murdered by bandits, she decides to performatively hire some bodyguards to protect her as well as talk to the local lord to try to find out who may have hired said bandits so she can eradicate them. Fortunately, the dumb evil noble sends a bunch of disguised soldiers, bandits and goons to kidnap and/or kill her, and it’s only due to the presence of… her bodyguards. And half the town. And, um, the local lord and his own soldiers… that this is foiled. Huh. Funny, that. Anyway, she and her two co-conspirators, Reiko and Kyoko, have decided to open a new shop in the capitol. Kaoru, as “Edith”, heads over there… and is immediately almost kidnapped. And then almost kidnapped AGAIN. Fortunately, guardian angels keep showing up in the nick of time. Funny, that.

So yes, the big gag of the back half of this volume is that Kaoru’s masterful powers of trying to fix her own mistakes and remain “an anonymous priestess with a little bit of power” are hopelessly doomed from the start. Partly because she’s so incredibly bad at not being her real, evil… erm, good, sorry… self, but also because in spite of this series timeskipping 70 years into the future, everyone that she adventured with in the past is still alive, because of her ludicrous OP potions. Especially Francette, who is now a living legend, is famous for bitchslapping a goddess till she stopped threatening to destroy the world, and has mobilized all the other Kaoru worshippers of yore to make sure that everything goes PERFECTLY for her. Kaoru must be disappointed, how is she supposed to commit a little genocide or two if everyone’s so NICE to her?

All this plus more of the PTSD-ridden codependent orphans who develop facial tics if they’re not working themselves to death for more than ten seconds. Potion Girl remains AP FUNA, the kind of FUNA you only read if you’re advancing to higher learning. Like learning how to defuse a bomb.

By FUNA and Sukima. Released in Japan as “Potion-danomi de Ikinobimasu!” by K Lanove Books. Released in North America by J-Novel Club. Translated by Hiroya Watanabe.

Again, I am trying to figure out the ideal audience for this series. First and foremost, it needs to be someone who is there for overpowered girls doing whatever the hell they want however the hell they want it, with money and powers being no problem. This is the core of all three FUNA light novel series. Secondly, you need to be really tolerant of underaged girls being cute. There’s no real fanservice in these books (which there has been in MMAA), mostly as the art style is so cartooney and abstract, but but it’s pretty clear we’re meant to go “aaaaaw, cute girls” for 200 pages. And, of course, the core audience has to enjoy seeing men get completely humiliated. This is especially true of Potions, where entire arcs consist of nothing but “completely destroy that guy who did me wrong until he cries and passes out”. If you are all three of these… well, you should also be reading Kuma Kuma Kuma Bear, but yes, Potion Girl is right up your alley.

We pick up where we left off, with KKR trying to organize the downfall of that one scummy merchant guy. Which they proceed to do, and then they go after someone else who Kyoko hired to manage her store while she was away but who turned out to be sneaking a peek at her stock to try to replicate it. And then they go after the guy who hired the guy to do that. And then they go after the guy who employs THAT guy. It is a TAD ridiculous. More annoyingly, at least for the KR part of KKR, Kaoru disguises herself as the new girl she’s trying to make into a holy saint, does ludicrously impossible things while saying “I’m not suspicious”, and then assumes no one will say anything. This is said to be because of her soft nature, and fair (she was upset an innocent guard had his tendons cut), but overkill. Which, admittedly, is what the plot of this book is.

Pardon me if I get back onto a high horse I have gotten on before, but the orphans in this book drive me ding dong up the wall. It’s possible that they’re meant to be a parody of this trope – Potion Girl is so bonkers most of the time it’s hard to tell what it wants us to take vaguely seriously – But man, I hate the way this series, and FUNA’s other series, and, yes, Kuma Bear, treat orphans as “yay, child workforce!”. The implication is that with wages and benefits, they’re much better off than they were before. But the side story here shows the kids genuinely traumatized by the very idea of not working every hour of every day for their “savior”, and going so far as to frame work activities as “playtime” to slip through a loophole in Kaoru’s rules. This is meant to be amusing, but all I could think is: these kids need a therapist.

No FUNA series goes quite as hard as Potion Girl in terms of making you grab your head and shake back and forth. Recommended for those who know.