By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

You don’t see it quite as much these days, but, especially in the 1970s and 1980s, there was a thing called a “backdoor pilot”. The creators had a show they wanted to get on television, but knew it did not quite have the pull with the networks to get it there on its own. So what would happen is that you’d be watching, say, The Golden Girls, and the episode would instead be devoted almost entirely to a new cast, with the members of The Golden Girls basically serving as a cameo. (See: Empty Nest, as I’m using a real example). Now, sometimes this did not work, and what you ended up with was one of the characters of your hit show meeting a whole group of people, introducing all their plot points and characters, and then we simply never see them again. I mention this because boy, this 12th volume of The Ideal Sponger Life sure seems like it’s a backdoor pilot to show off adventures here in not-Poland.

Freya, Zenjirou and company are making their way slowly back to Uppasala, but they can’t just said there on a non-stop boat ride. So they dock for a few days in the country of Złota Wolność, which is sort of like what Poland would be if it was France. There they try to relax, but are almost immediately caught up in something, as a young orphan boy has big news to tell the priest who came to his (now destroyed) village a year or so ago, and in order to see the priest, he needs people with clout. People like Zenjirou. What they find is that the port is about to be invaded, and they’ll need to rally forces to have a hope of fending it off. Fortunately, they have a royal on their side, who drops in – literally – to help them. Naturally, this has the added benefit of helping her own fight for the throne…

In many ways, The Ideal Sponger Life also reminds me a lot of Bookworm, in that Zenjirou and Rozemyne both seem to casually upend everyone’s lives without even realizing it. I imagine that Aura, like Sylvester, is going to be rubbing her head to ward off the migraine when she hears about what happened. Honestly, Zenjirou does quite well here given the circumstances – despite his “I’m just an ordinary vice-commander… erm, royal consort” talk, he’s quick enough to spot that Anna has an ulterior motive behind all of this. Unfortunately, he and Freya are not quite quick enough to pick up on how she plans to draw them into it, though this will affect Freya more than it does the Southern Continent. There’s also some very interesting history dropped into the conversation at a party which ties in to Francesca’s people, though given that she stated she won’t talk about it till they return to Capua, it may have to be put on the back burner.

All in all, the most inaccurately titled light novel ever continues to trundle along, even as this volume feels like it wants to be the start of some other series set in the same world. Next time we should actually reach Freya’s homeland.

By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

This is the start of a new arc, and also a point at which this series says “OK, we’re in it for the long haul”, so there’s a ton of setup both for the next couple of volumes and for the foreseeable future. That said, the difficult part is that it’s almost ALL setup, with payoff presumably coming down the road. If you enjoy seeing balls thrown in the air, though, this is fine. It also gives Aura more of a role than she’s had in some time, as even through she starts the book off delegating a huge chunk of her power to others, she still has to keep a close eye on them to make sure they are not trying to undermine her own rule. She’s also quick to see that something very ominous is coming, and that their desert neighbors are making a ridiculous amount of concessions in order to make sure to stay in their good graces. Is there an upcoming war brewing?

Aura’s pregnancy and birth of her and Zenjirou’s daughter goes very well thanks to the healer that Zenjirou was able to get. Now, though, it’s time to move some other pieces on the board. Freya has to return home to tell her family that she’s going to be the kingdom’s first new concubine, and it would probably be best if Zenjirou went with her to try to show her family he’s not a creep or evil. More importantly, the events I mentioned above show Aura that they REALLY need a second concubine from the Twin Kingdoms. He gets along better with Bona, but Lucretia has the drive, the political clout, and the tragic backstory to put her in the running. There is, of course, one slight problem. She got off on the wrong foot with Zenjirou trying to lean into “seduce”, and now he’s wary of her. The solution? Join Freya’s sea voyage!

I’ve joked before about how, over the course of the series, the title has become the opposite of Zenjirou’s life. That said, I do wonder if he still sort of sees it as applying to him. His Japanese reserve comes across to everyone else, including his wife, as a complete lack of desire to have ANYTHING for himself. She knows that he objected to both Freya and Lucretia as his concubines, but he gave in really, really fast despite this, and she now is getting concerned that eventually he’s going to start to resent her. I don’t see that happening anytime soon, but it’s probably not a bad idea for the two of them to try harder to understand each other. The rest of the book, as I said, is mostly setup, with perhaps the most interesting thing being that the “problem maids” are split up, with Dolores being sent with Zenjirou on the sea voyage. This allows for a nice, touching scene where Faye and Letti worry about her.

Having talked in the first paragraph about the series settling in for the long haul, I’m sure someone will remind me that there hasn’t been a new volume in almost a year and a half. But that’s future me’s problem. For now, this remains a good political intrigue series.

By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

Gonna be honest, I have not warmed to Lucretia yet. Frankly, I’d be happier with Bona as a 2nd concubine, as the two of them could nerd out together. That said, after getting Lucretia’s backstory here, we certainly see why she’s so desperate to seduce Zenjiro and get into his good graces. Unfortunately, we know our hero better than she does, so she keeps striking out over and over here. It takes Freya spelling it out for Lucretia to get her to change her approach: any attempts to make Zenjiro fall in love with anyone but Aura are doomed to fail. Accept this is a purely political negotiation. She’s in a much stronger position there, especially when her family offers Freya something that, as she herself narrates, she would kill for. But in terms of audience appeal… I think I’m not alone in not really warming to her, and so she’s going to have to work harder in the next few books. But at least now she’ll BE in the next few books, even if she’s still on the outside looking in.

After their error in the last volume, the King and heir to the throne of the Twin Kingdoms are trying to get back into Zenjirou’s good graces, which is unfortunate because he’s still really pissed off. That said, he knows when he can afford to be emotionally furious and when he cannot. Getting a healer is easier, as he negotiates with the Pope there, and it goes very well. A bit too well, in fact. He’s then asked by Freya, who is slowly drying up in the Southern climate, if she can go with him to the Kingdoms to negotiate on behalf of her own nation. This proves to be OK with the Twin Kingdoms as well, who are absolutely delighted to be negotiating with Uppasala. Unnervingly so. What is really going on here?

What’s going on is that the series is now popular enough that things can be planned out for a long-runner, which means we’re setting up plots here for a payoff several books down the road. Honestly, I’m amazed Freya was able to keep her cool as much as she did given the tool they gave her is basically exactly what a nation sailing on a long dangerous voyage would most desperately desire. And then there’s Francesco, still essentially this world’s equivalent of a mad scientist, and trying to invent something that would lead to complete upheaval of the world as everyone knows it. This makes everyone unhappy, but as Zenjirou notes it also may be something that can’t be avoided, so it might be best to control the metaphorical explosion when it happens than to be caught up in it. It might lead to war. The Twin Kingdoms certainly think so.

But yes, Lucretia may be on the cover, and Aura may still be the one Zenjirou loves, but frankly Freya is still the most interesting heroine in these books. I loves her joy when Aura offered her a dress as a gift (which implies she accepts her as Zenjirou’s concubine), which very rightly also got interior art. Given that the next arc will involve Freya’s return home, the author may agree with me.