By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Andrew Schubauer. Adapted by Zubonjin.

This is the second volume in a row that can be described as “nothing happens except dungeons and fanservice”, with one exception, but even that exception stays pretty local. Haruka even remarks on the fact that the Empire, who you’d expect would be very angry about everything that’s been happening in the four months (!) since the arrival of our main cast, are instead being ominously silent. So instead Haruka concentrates on improving himself so that he can run dungeons without everyone being terrified he’s going to die, which he manages to make… some progress on. And he also manages to have a lot of sexy encounters with all the women in the cast, culminating in a scene I suspect I’ll have to simply not talk about in this review. Throughout this, though, we’re never allowed to forget how Haruka feels guilty over every bad thing that happens in this world, even things he can’t control, and that all the girls adore him, much as they might yell.

The one bit that’s not dungeon crawling or fanservice involves a ceremony to honor the dead. The dungeon crawls at the start of the book are less wacky than usual, and we’re reminded that all of these dungeons were, until the arrival of Haruka & Co., handled by the people of Omui, who fought to save their city and often died horribly. And that doesn’t even get into folks like that village that was destroyed by monsters, the one that Haruka continues to agonize over. So they decide to do a Shinto-esque ceremony, complete with a shrine on top of the hill (there is no hill, so Haruka built one expressly to have a hill for a shrine to be on top of), and the girls are all dressed as Shrine Maidens. Including Angelica, which is a bit awkward, as this shrine is dedicated in her name, and there’s a statue of her at the center of it. Should she really be eating yakitori next to it?

Moving on to the other 4/5 of the book, the dungeon sections are more interesting than usual as it shows, over the course of the book, that Haruka’s current style of “react so fast that he never dies” is not going to be sustainable. Eventually he is going to get hit – and indeed we see his HP rapidly go down. So he actually listens to what the dungeon emperors are saying, sits back and watches as they kill all the monsters, and takes notes. He’s got to be fast AND clever, not just instinctual. As for the fanservice, it continues to be the reason why, as much as I love this series, I cannot recommend it to anyone except people who are already reading it. There’s another round of underwear making (the series continues to imply that Haruka and the girls are gradually getting a bit less than human, as the girls’ bodies are basically “evolving” a bit too rapidly), and the girls’ attempts to flirt with/get a rise out of Haruka, in the hope that he’ll stop avoiding the very concept of being with anyone other than dead monster girls, ends up getting very… messy. This was the scene that, having read a Japanese wiki about the webnovel, I was waiting for to see if the light novel would cut it. It did not.

The next volume promises a new girl, if the cover is any indication. Until then, enjoy a book that uses the phrase “and stuff?” a lot, only the stuff is more like what you get in Oreo cookies. Also, another MariMite reference, the 2nd in the series!

By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Andrew Schubauer.

This is, for the most part, a “rest” book after the main plot that we just went through with the Church (which Haruka has re-invented as a sort of healing disco that plays Vocaloid tracks). There’s lots of dungeon crawling, of course, and leveling up our latest Dungeon Emperor. There’s lots of sex that’s written for comedic rather than erotic effect, so the book just about gets away with it. The sex, of course, only involves the three dungeon emperors, much to the frustration of the girls, who are trying to get across their attraction to h8im while also sort of admitting none of them are ready to take the next step yet (certainly not Class Rep, who gets an internal illustration of her rearing back in shock after seeing Haruka has “grown”, so to speak). Basically, this book is about hijinks. Yes, there is a hint of what is to come – there’s apparently a couple more really deep dungeons out there – but right now, let’s just watch Haruka run wild.

This cover is meant to mirror the first one (complete with the alternate cover featuring Haruka, though in this volume he has his back turned to the reader), and I suppose it feels appropriate. We’re back in the frontier, we’re back to dungeon crawling, and we even got back to the forest for a bit, to see Haruka testing his new body movin’ on some goblins. See, Haruka had most of his skills, which he spent months perfecting (a reminder that we’re still only four months since they arrived in this world), because they got folded up into other skill trees that he has most decidedly NOT mastered. As a result, he can barely move without falling all over himself, and has to learn how to walk, run, and fight while controlling his body like a puppet. Which, again, reminds us a lot of the start of the series.

I don’t have to tell you that there’s tons of unreliable narration here, but we’re at least getting to the point where the narrators are allowed to admit they know they’re full of it. The first 50 pages or so of the book are all from Class Rep’s POV, and while she tries to frame things as “oh, that wacky Haruka, how can we control him?”, there’s also moments of sheer fury when she sees the disrespect he’s getting from the locals (disrespect which he himself has engineered) to the point where the other girls have to hold her back. Even the locals are allowed to wade in the waters of overly dramatic obfuscation, as we see the guild master agonize for page after page about having to send poor innocent Haruka and his low levels into the most horrible of dungeons… all while his second-in-command says “yes, yes, we know he’ll just go there anyway, so sign the paper”. This world is terrible (as we see several times here), and Haruka and the girls are dead set on improving it while protecting each other (the girls admit here all their lecturing attacks on him by now are them testing to make sure he’s still unable to lose to them). At the same time, this world is overdramatic and loopy, and adding Haruka and the girls does not change that in the least.

The next book seems to have a festival, judging by the cover. Knowing Haruka, it may be more of a carnival. Recommended to those who know what they’re getting.

By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Andrew Schubauer.

Given that a large chunk of this series consists entirely of the same goddamn thing over and over again (Haruka going from level to level of a dungeon, battling monsters, and gaining new power-ups/items), I hope you won’t be too disappointed that I talk about things I’ve talked about in previous reviews. The series’ reputation, both here and in Japan – indeed, more in Japan than here – is that its writing is incoherent and obtuse. This is true. It’s also clear that the author is trying, and slightly succeeding, in making that deliberate. Haruka is so busy telling us about the stream of church guards that he and Nefertiri are slaughtering and the cool +30 Eccentric Item Set A he’s acquired that he glosses over the abused, mentally broken slaves they’re freeing as they do this, the sheer fury that they’ve got on their faces, and Haruka’s battle with trying to save everyone and not destroy his body. Oh, and his depression. Which he hints at briefly. Once.

Haruka and Nefertiri are sneaking into the Cathedral, there to essentially take down the church. On the way there, Haruka comes across a gorgeous woman in a coffin… but he’s just her dead body, there’s no soul. What’s more, seeing her makes Nefertiri start to cry, though she can’t quite remember why. They have to deal with a lot of goons, a lot of monsters (including the husband of his chickenatrice), and the mother of the bunny girl and wolf girl from the previous book, who was tricked by the church and is now in cursed armor. That said, killing the pope and the evil clergy only turns out to be part one of what they need to do, as there’s another dungeon emperor, and Haruka is pretty sure that if he finds them he’ll find the soul that belongs to the body he found earlier.

Haruka’s exterior face and tone when others see him talking don’t always match his narrative blather. Class Rep and the others are used to seeing when he’s actually serious and when he’s just being a loon, but the reader sees it less frequently. That’s why the highlight of the book, frankly, is his confrontation with Faleria, the aforementioned Dungeon Emperor and holy saint, who is drowning herself in guilt and asks Haruka to kill her. You can imagine how well he takes this, and for once it actually shows, as he literally slams her head against a wall multiple times to get her to accept that the people whose lives she is mourning would not want her to simply give up on her own life – indeed, the plot of this entire book was engineered centuries ago in the hopes that someone will come along to save her. Haruka’s not going to let anyone around him (especially a woman) be anything less than insanely happy. And yes, that’s why she falls in love with him.

There’s the usual character bio errors (what is it with these? It’s not just Seven Seas, all the publishers struggle immensely with matching a character bio with the picture), but otherwise this is well adapted… I’d say it reads smoothly but you know it doesn’t, and that’s by design. In any case, next time will likely be Haruka trying to fix his new body, which lacks all the stuff he learned before, so I expect *even more* dungeon crawling and *even more* sex. Recommended for masochists who like puzzles.