Category Archives: manga moveable feast

Flower of Life, Vol. 1

By Fumi Yoshinaga. Released in Japan by Shinshokan, serialized in the magazine Wings. Released in North America by Digital Manga Publishing.

This has been on my to-read list for some time. I found a copy at World’s Biggest Bookstore in Toronto this May and picked it up, mostly as it’s quite hard to find these days. I had both this title and Antique Bakery in the back of my head, as they had been the subject of a debate regarding the casual use of the word ‘yaoi’ in fandom to refer to anything with the suggestion of gay men in it, even titles that did not necessarily have any romance or sex in them. So I had a certain set of expectations about the content going in. I wasn’t too worried about the quality – this is a Yoshinaga manga, I knew it would be enjoyable.

after the first few pages, which deal with a new pretty boy transfer student running into his flamboyantly swishy teacher, I remained unsurprised. After all, this is a series that ran in Wings, a magazine that seems to specialize in the very debate I mentioned earlier. It rarely has explicit BL, but its shoujo fantasy content skirts the edges a lot. Wings is not a magazine for your typical hot-blooded heterosexual Love Hina reader. So I sat back and enjoyed the otherwise amusing slice-of-life school comedy. This is why the payoff of the teacher’s real gender was possibly my favorite moment of the series. I love a good fakeout, and Yoshinaga handles it perfectly.

The characters in the series are, in fact, the main reason to get it. This is a lot of fun. It doesn’t have much of an actual plot, to be sure. Essentially it’s about Harutaro, a young man returning to school after a long battle with leukemia, and his trying to fit in among a close-knit class of eccentrics. He seemingly does very well, but much of the series examines how people treat others when they know what’s expected of them, and Harutaro finds that everything doesn’t quite go as easily as it would in your typical shoujo manga.

Harutaro bonds immediately with the boy sitting next to him, Shota. Shota’s another example of Yoshinaga writing a seemingly ‘typical’ school comedy, but adding her own eccentricities. He’s not your typical pretty boy, being short and rather portly – several characters call him cute/adorable, and one of the chapters deals with the other classmates casually calling him fat, and how upset that gets Harutaro. If there’s any hitn of BL in the series, it would be here, and clearly it can be read as such, but doesn’t have to be – it’s the perfect Wings-style plausible deniability. These two read just as well if they’re merely a budding friendship.

And then there’s Majima, who was the character in the end I think I found the most fascinating. It’s entirely possible that in later volumes he will open up to someone and show a hidden, vulnerable side, but I hope not, because my god, he’s such an amazingly appalling asshole. And he’s so good at it! He hits all those buttons that would make anyone back away – he’s a giant otaku who unashamedly reads artbooks in the middle of class, and will talk your ear off about it with no thought to whether you care. He’s brusque and rude when you try to interject your own problems and issues. And he gets angry at slights, even when the intent is clearly to apologize to him. He’s a horrible person, and I love that the two leads try to deal with him ANYWAY. His presence enriches the book.

There’s a lot of discussion of manga here, and it gets fairly metatextual. Harutaro has a definite talent for art – he was holed up in his recovery room with only manga and drawing paper, so is mostly self-taught – and once the class finds out about it, they’re quick to ask him to create something for them. This is also a great scene in the book, as everyone asks for their own fetishes, and Harutaro is quick to reject any that offend his sensibilities (incest, intergenerational yaoi), while still showing he’s a pervy guy at heart (yuri is OK). Later volumes apparently take the drawing aspect of this further, which is good to hear.

Also, his parents are chicken sexers. Words can’t describe how awesome that is.

There’s a lot of Yoshinaga out there, ranging from the more explicit yaoi titles that DMP has released to the currently running alternate universe political drama Ooku. But if you’re new to Yoshinaga, and have access to a copy, the first volume of Flower of Life is a good place to start. It has fun characters, a relaxed pace, and lots of humor. It proved to be quite refreshing.

MMF Guest Post: Fruits Basket – Hiro and Rin

Sean here, readers. Another MMF brings us another guest post! Ysabet MacFarlane is not only a good friend but also a huge Fruits Basket fan, and I knew she would not want to be left out of this month’s discussion. She was even able to adapt the two Fruits Basket fanbooks for Tokyopop! Here she is, discussing the relationship between two of the more prickly members of the Zodiac.

Hi, Sean’s readers! Despite my good intentions in previous months, this is my first-ever MMF post. Sean has had several years to notice that Fruits Basket is quite possibly my favorite thing in the world to discuss, and he kindly invited me to come hang out in his space and chat about it.

Disclaimer: Let’s play it safe and assume that this post contains for spoilers for all 23 volumes of the manga.

As a reader, what I look for in a series is great characters, and Fruits Basket has them in spades. I’m generally happy to talk about any of them, including the few I dislike, but when I’m starting a conversation it almost always starts or ends with Rin, and usually has a lot to do with her relationship with one of the other characters.

Sean already blogged about Hiro this week, but I’m here today to talk specifically about Hiro’s relationship with Rin. Like a lot of people, I discovered Fruits Basket through the anime, and when I switched to the manga I found that my feelings about a few characters changed. The main (although not the only) reason for that the manga offers a lot more development for most of them, often even in the chapters that made it into the anime adaptation. Sometimes it still took me a while to adjust, but Hiro found a shortcut: I fell for Rin pretty much on sight; Hiro was intensely worried about her; and poof!, he entered my good graces. And from my new softened-up position, it was much easier to see the many ways in which he’s a great kid who’s well on the way to growing into a truly awesome adult.

Even though Hiro and Rin’s personalities are very (very!) different, they’ve got some surface similarities: they’re both prickly as all hell, they’re each driven up the wall by some of the same things, and they’re both in the habit of calculated verbal attacks—albeit for entirely different reasons. Hiro’s smart-mouthed tendencies have to do with being young and smart and excruciatingly aware of his own limitations, while Rin’s have more to do with being constantly on both the offensive and defensive and having no energy or inclination to be pleasant about it. (Consider this: she’s a terrible liar, and she spends her first ten volumes living and breathing a lie. That alone would wear on a girl.)

What Takaya shows us with these two is almost an incomplete relationship. Time after time, we see Hiro worrying about Rin and actively checking up on her, and she in turn usually ignores him or tries to drive him off, as she does with pretty much everybody. But there are plenty of things we’re not shown. We don’t have any idea how close they might have been, if they were at all, before Hiro saw Akito attack Rin. (The closest thing we have to a clue is that we see Hiro’s mom wishing Rin were around so she could meet Hinata, which at least suggests that Hiro’s not the only member of his family who’s fond of her.) We also don’t know how seeing Rin attacked might have affected Hiro differently if he weren’t already tormented by knowing that Akito hurt Kisa because of him, and if he weren’t keeping that knowledge secret from Kisa.

Hiro is fundamentally a good kid, as I said, so I’m not at all suggesting that he wouldn’t have cared (or been traumatized) by seeing what happened to Rin, no matter what his circumstances were. But as it is, he already felt powerless and as if he wasn’t there for Kisa when she needed him, and dammit, he’s going to be there for Rin, even if that means she bites his head off just about every time he comes near her.

I think “be there” is really the critical thing here: Hiro knows he can’t actually help her, but only he can fill this particular role for her. Tohru is more than willing to befriend and support her, but Rin never actually confides in her about a lot of things (a trend that continues through the entire series, even after they’re obviously real friends), and Shigure knows what happened to her but can’t exactly be said to be on her side.

And then there’s Hiro, who doesn’t just know what he saw; he knows why she got hurt, and he knows what she’s trying to do—break the curse—and what she’s doing to herself in the process, which is literally sacrificing her life to try to save Haru while pretending she couldn’t care less about him. How much of this Hiro knows because of what Akito told him isn’t clear—he says in volume 18 that Akito and Rin both swore him to secrecy about Rin’s “accident”—but the only way he can know some of it is that somewhere along the line, Rin told him. He probably still doesn’t know everything (her red-herring conversation with Shigure in volumes 9 and 14 comes to mind as a likely omission even if she confided in him again later, but that incident would be a whole ‘nother post), but somewhere off-screen, she trusted him with the truth about what she’s trying to do and then trusted him to keep it secret. Given Rin’s rampant trust issues, that speaks highly of how she feels about him.

What this adds up to, IMO, is an unbalanced but important relationship. Hiro is a child and fully aware of how that limits him—as Tohru says, living with that awareness takes real courage—and he’s Rin’s witness. With the exception of his slip-up in volume 15, when he unthinkingly starts to criticize Haru for how his behavior may have made Rin feel (and oh, that’s such a great scene—poor Hiro! But his internal monologue is so revealing), he keeps her secrets as long as he can.

When Hiro finally does break and tell Haru the truth in volume 18, it seems to be due to a combination of factors. Haru opens the door by referring back to Hiro’s brief outburst in volume 15, and Hiro, who’s been guilt-ridden about Kisa (and he seems to be on the verge of talking to her about it before they bump into Haru and it all comes out), who’s seeing everything in a new light after the birth of his little sister, and who’s so very aware of his own inability to do anything to help Rin, betrays her trust and defies Akito because he believes Haru can help her.

I think it’s also very telling of Rin’s character and Hiro’s understanding of her that what he says isn’t “help her”. It’s “tell her she can stop now”.

“Tell her she can stop now.”

Because Hiro may not know where she is or how bad things have gotten, but he’s been watching her long enough to know that what she needs is to be stopped before she completely destroys herself. Of course, at this point she has stopped, but only because Akito has blackmailed her with a “choice” that leaves her entirely powerless, and the effects of that particular abuse and of losing her momentum stay with her for the rest of the series.

We never see Rin and Hiro together again after this point, so how much Hiro ever finds out about what actually happened to her remains a mystery. We don’t know for sure that Rin tells anyone about it herself; she’s not even in the room when Haru discusses the situation with Yuki and Kazuma, and Shigure knew about it before (probably long before) he comes to talk to her in chapter 107.

I don’t want to wrap this up by extrapolating, but as the series closes Rin is moving in the direction of very, very slowly being less guarded, and Hiro seems to be placing more value on his relationships all the time, with the weight of secrecy lifted and a baby sister in his life. If there’s one thing Fruits Basket is clear about at the end, it’s that everyone is moving forward at their own pace, and that there’s more holding this group of characters together than the supernatural bond that’s been broken.

MMF: Fruits Basket – Hiro

I knew I was going to write about Shigure for the Manga Moveable Feast, but wasn’t sure if I wanted to write another article. There’s no end of things to talk about in Fruits Basket, but a limited number of hours in the day. But I also keep coming back to Hiro, and I suspected that, as in fandom itself, he wouldn’t get that much love unless I took the time to write about him.

A lot of characters get introductions in Fruits Basket that don’t show off their best side – Kyo, Kagura, Rin – but Hiro’s entire introductory chapter seems to be designed to get the audience to really take a dislike to him. Which is fine, only Takaya did not reckon on the power of Western fans to grab that first impression and encase it in amber, FOREVER. Hiro’s past, in comparison to the other Zodiac, is not as traumatic, he’s a male tsundere (which usually gets you a severe backlash in North America), and worst of all, he’s too young to be a sexy bishonen, and thus have all his sins forgiven because OH SO HOT. Therefore Hiro tends to get some flack.

What Hiro is, of course, is an extraordinarily intelligent and precocious 12-year-old who lacks the emotional maturity to be able to handle it. And you know? I may not be able to identify with the torture, parental neglect, or horrific emotional trauma of the other Zodiac, but I can TOTALLY get where Hiro is coming from. No curse needed. I don’t get angry much, but the combination of pride, arrogance, worry and powerlessness that Hiro has speaks to many of us.

Hiro is also very much hemmed in by his huge crush on Kisa. He’ll do anything she wants as long as it makes her happy, but much like Rin (and it’s telling that the two of them are close – indeed, with Kagura they form a sort of ‘angry trio’ bond in the story), he gets to decide what her definition of happy is. Balancing between childhood and adulthood is next to impossible, which is why the teenage years are so tumultuous. And Akito beating Kisa up and telling Hiro it was his fault… man, why would anyone do that to a kid?

Much of Hiro’s arc is defined by the inability to speak out. Which is hilarious, given that he’s a blunt prodigy who will happily speak his mind to Tohru to the point where Kyo whacks him in the head. But he can’t tell Kisa why she was injured, so he avoids her. Then he realizes that was the wrong thing to do… but how is he supposed to simply go back to normal now? How do you erase a stupid action? Then even worse, he sees Akito pushing Rin out the window and hospitalizing her. The Sohma love and fear of Akito is the curse as much as the animals, and having him belatedly confess to Hatsuharu, as well as to Kisa about what he did is his emotional catharsis.

Hiro also dislikes Tohru. Now admittedly much of this is due to jealousy over Kisa giving Tohru all the attention, but I think even after he gets over this he’s still uncomfortable around her. He’s the one who notes her devotion to her mother is more like an obsession, and it’s almost as much for the reader’s sake – it’s the turning point at which we begin to understand Tohru is NOT the magical healer of all, but is in many ways just as broken as the Sohmas. And in the end, when they’re getting ready to send Tohru off, he tells Kisa it’s OK to cry because of the bond between them, but I think still is distant from Tohru. Which is good – it’s more realistic than Tohru simply being able to cure everyone’s problems.

Now, much of Hiro’s growth toward adulthood comes from his ability to let go of his fear and pride and admit mistakes. The other part comes from his wanting to grow stronger so he can protect his loved ones. He’s not alone here – see Hatsuharu for another good example – but Hiro is in a unique position with the birth of his sister. Hiro’s loving family is almost unique in the Zodiac – we hear Kisa’s family supports her, but never see them, and don’t get me started on how everyone handles her being bullied – in that his mother adores him, and has no issues with the curse at all. When he finds out she’s pregnant, he immediately starts to think ahead, both to what happens before birth (his mother seems to be a bit of a dojikko), and how he can be a good big brother. My favorite Hiro moment in the series may be when he discusses his sister with Kisa, and notes her complete innocence to the world. He knows what life with the Sohmas is like, and what everyone has suffered, and is determined to be a good big brother to her. It’s here that you can see why Kisa has fallen for him as well.

Shortly after this, his curse breaks. It’s only the second to break, and Kureno’s was years earlier, so it’s quite a shock. [EDIT: Yes, sorry, the third to break. I apologize to Momiji fans. Several volumes were unavailable so I was doing this partly on memory.] But really, after his confession, and with a new path he wanted to walk on, there was nothing tying him to Akito. In fact, as Akito is doing their ‘exit interviews’ after the curse breaks for everyone, she notes that Hiro’s stubborn tenacity was something she admired in him.

Hiro can be a spoiled brat at times, but he grows just as much as everyone else in the series. Interestingly, almost all of his growth has little to do with the animal curses, which don’t seem to trouble him much. If you took his character arc and Kisa and plunked them in some other manga without any supernatural elements, it would be much the same. Hiro’s not a manipulator or an innocent victim. He’s just this kid who knows far too much about what’s going on and needs to mature in order to deal with it. He’s just like us. And that may be why it makes some fans uncomfortable with him, but it’s also why I come back to him again and again.