By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Sokai” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Jasmin Thairintr.

I’ve been mentoining for a while now that I thought this author was in a bit of a rut. They have a successful series and want to continue it, but they also clearly do not want to go down the baby route at all, they’ve pretty much been doing a series of weddings and engagements with a coating of political intrigue. And that certainly seems to be the case at the start of this one, as we nudge ever closer to (but still have not quite arrived at) the wedding of the Crown Prince. That said, I think the lightbulb has finally gone off, as the coating of political intrigue we’ve had for a while has become the point, and the author flat out says in the afterword that we are headed for War. That would certainly give the cast something to do that doesn’t involve Marielle popping out a kid. Assuming that she’s able to survive till it happens, as I joked that this volume could also be titled The Execution of Marielle Clarac.

As Marielle desperately tries to write before her deadlines pass, she gets a disturbing letter from her husband that says to ignore any rumors she might hear… and this is followed by an invitation from the prince to a royal ball they’re holding that evening for the Crown Princess of Vissel. A wary Marielle shows up, only to find that the princess is throwing herself at Simeon to an almost ridiculous degree. That said… something definitely seems off about it. Marielle’s people-reading skills come in handy, and she soon gets an apology from the princess… who does not actually explain why she’s cuddling up to Simeon, only apologizes for it. (The answer, as it turns out, involves possibly the most misogynistic ass we’ve met in this series to date.) Unfortunately, Marielle soon finds other things to worry about: someone keeps trying to kill her.

Given that the last book had everyone in the cast assume that wherever Marielle goes, trouble follows, I had wondered if a clever villain might try killing her off in order to stop her amateur sleuthing. That’s not what’s happening here, though it might be better for her if it was. As it is, she’s simply someone who is very beloved by most of the important people in her kingdom, and killing her off would be a very easy way to start a nasty war. Which other countries clearly want. There is a bit of hemming and hawing here about the fact that their kingdom has colonies, and that sometimes those colonies rebel and have to be put down. (We have in fact seen this sort of thing before in this series.) Marielle knows it’s bad, as does the prince, but magic wands are in short supply. The climax of this book, meanwhile, is very action packed, and shows Marielle having a crossover with one of Tearmoon Empire’s iconic characters, and not in a good way. Fortunately, she is saved, but it’s probably the closest she’s come to death in this series.

All this and we finally get the resolution of a minor plotline that’s been around since the first book… and one which impacts Marielle’s family in a big way. The next book just came out last month in Japan, though, so get ready for another wait.

By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Yakusoku” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Jasmin Thairintr.

We’re going to Italy! Or at least its fantasy equivalent, as Marielle is finally leaving her home country and traveling to another one. Unfortunately, her fame precedes her, and by now everyone simply assumes that if she breathes out she will stumble upon a fresh new adventure, similar to Jessica Fletcher. This made me worry that Marielle might have to spend the entire book sidelined, forced by those around her to not go gallivanting around stumbling over sinister plots. I mean, she doesn’t even dress up in a disguise this book! Not to worry, though, because I assure you that she will still be accused of murder here, and there’s at least one kidnapping as well. Because where Marielle goes, trouble follows, and I think even Simeon has learned that if he can’t stop that from happening, the least that he can do is to weaponize it.

It’s time for the wedding of Liberto and Henriette, and the wedding party has arrived in the country of Lavia for that purpose. Unfortunately, the prince’s mother has a huge hate on for him marrying anyone from Lagrange, and has decided to emotionally abuse everyone in the party. Even worse, she and a Viscount are assisting the country’s mafia in destabilizing things, which Liberto is trying hard to stop. All this means that Henriette and Marielle have to put up with poor accommodations, grumpy servants, and a mother-in-law who borders on cartoonishly evil. But worst of all, Liberto really doesn’t seem to care enough about what this is doing to his future wife – this is all part of one of his schemes, of course, and he’s got it in the bag, but whether he’ll be able to show the rest of the cast that he’s a normal person is another matter.

This series has always swung between thriller and comedic scenes, and I appreciated that it combined them towards the end, as a tense confrontation with guns where Marielle and the young Prince Luigi are about to be killed has Marielle break the mood in the best Spy Classroom style by asking how long she has to put up with this farce before she’s rescued. The actual intrigue part of the book goes down pretty well, to be honest. More interesting is the character work, as always. Prince Luigi has to deal with a mother who’s always angry and a brother who has no idea how to show affection to anyone, and worst of all, he’s a teenager, so you can imagine how all this is affecting him. I did appreciate that there was no big, dramatic scene where the prince suddenly realizes that he can be outwardly demonstrative towards his wife after all and he starts to be honest with her, because nope, that’s not how people word. Luigi and Henriette are going to have to try hard to turn this guy into a real human being. I hope they manage it.

It appears this series is going to continue as long as there are fresh new mysteries. I’ll keep going. Oh, right, Lutin’s in this as well. Hi, Lutin!

By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Yakusoku” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Jasmin Thairintr.

Usually when it becomes apparent the author is getting a little tired of writing their best-selling series, it’s not quite as blatant as this. Oh, don’t get me wrong, this is another fine book in the franchise for those who like the sort of things Marielle Clarac gives you. But the author states flat out that they had not expected to still be writing this as Marielle hits her 20th birthday (which she does at the end of the book), and they don’t really have a desire to write an adult Marielle. (This re-emphasizes my feeling that we won’t ever see her as a mother, or if we do it will be in an epilogue in the last book.) And I get it. This series is meant to be about Marielle Clarac, but she’s been Marielle Flaubert for far longer. She’s no longer the teenage girl who can lurk in the background and hear juicy gossip, the juicy gossip is now about her. Not great.

Marielle is horrified to find that the gossip newspaper La Mome has a story accusing Agnes Vivier of plagiarism. After talking her down a bit, Simeon agrees with her that her publisher should handle things themselves… but of course, Marielle can’t help but investigate anyway. She meets up with the reporter that she teamed up with a couple of books ago, and discovers that the article was in fact meant to lure her out, as a piece of jewelry described in her latest book perfectly resembles a piece that a young nobleman needs to get his inheritance. Needless to say, that story is absolutely full of holes, and Marielle doesn’t buy it either. This does not stop her from getting involved, chased, kidnapped, kidnapped AGAIN, and seemingly nearly murdered a few times. Fortunately, she has her overprotective husband by her side. Most of the time.

One of the things I liked best about this book is it has a double bluff revelation. We get the somewhat obvious revelation I was expecting about 3/4 of the way through the book, which I did not complain about because it made a lot of the previous peril Marielle was in make a lot more sense. But then there’s another revelation near the end that was more of a surprise. And it’s always fun seeing Marielle sleuth, and fangirl over her husband looking dark and menacing. But I will admit, it *did* feel a bit like the writer is going through the motions, giving the readers what they want. There is a plot point dangled which promises to be of greater importance in the next book (which should be out faster than this one), but a lot of the most exciting things in this book are looking back at past triumphs rather than ahead to the future.

If the author does not really want to write Marielle as an adult, there’s not much further this can go. But it’s going another volume, at least. For fans.