By Akumi Agitogi and Tsukiho Tsukioka. Released in Japan as “Watashi no Shiawase na Kekkon” by Fujimi L Bunko. Released in North America Yen On. Translated by David Musto.

It’s been over a year, but we finally have a new volume of My Happy Marriage. (And it’s likely going to be another year till the next one – Vol. 10 just came out in Japan earlier this month.) We’ve now resolved most of the difficulties between Miyo and Kiyoka, and the title is no longer ironic. They’re married and happy. Which means, of course, that normally you would end the series. But the anime of this did quite well. As a result, it’s time to continue, and since you don’t really want to mess up the lovely couple – yet – we need to concentrate on the other part of the plot. As such, this volume returns us to the Earth Spider that is such an important part of Kiyoka and Godou’s backstories. It also introduces new enemies, this time from abroad, who basically want to kidnap Miyo for her powers. But most of all it reminds you that extended family is still family, and it’s really hard to get away from toxic relatives.

Now that Miyo and Kiyoka have dealt with the issues of his own family, as well as Miyo’s horrible former family, we are told that the Kudous are actually a splinter family from the main one, the Miyakoujis. As such, they have to go to the old capital to introduce Miyo to them and try to get their blessing. Miyo is nervous, Kiyoka just seems disgruntled. The head of the family is a very nice guy. The women in the family, fortunately, turn out to be great, and they quickly take Miyo under their wing. The men of the family, sadly, turn out to be horrible arrogant drunks, who are easily manipulated, especially if a passing English “shaman” is trying to stir up trouble for his own benefit. Kiyoka is also distracted because the Earth Spider has escaped from the seal that was put on it years ago, and no one knows where it is.

There’s also a little subplot about Miyo trying hard, now that she knows how powerful she is, to not use her dream powers that much. Naturally, we come across several situations where she has to use her dream powers, one of which helps a young girl (good) but also uncovers a history of family abuse dating back centuries (bad, though getting it out in the open may be good). The My Happy Marriage title and concentration on Miyo’s depression and growing love for her husband has made this feel like a romance most of the time, but the supernatural element is still very much present. Miyo is a hot commodity, and now that the series is willing to go outside Japan, I suspect it’s only a matter of time before she’s kidnapped, like most incredibly powerful people who are also introverted. Still, for the moment, she’s happy and back home.

I’m sometimes wary when a series that reached a natural stopping point keeps going, but this was a really solid volume. Fans should be pleased.

By Akumi Agitogi and Tsukiho Tsukioka. Released in Japan as “Watashi no Shiawase na Kekkon” by Fujimi L Bunko. Released in North America Yen On. Translated by David Musto.

I seem to have run into an awful lot of short story collection volumes lately. This is another one, as after finally getting to the ‘happy’ and ‘marriage’ part of the title, Miyo and Kiyoka are taking the time to have some leisurely microstories that were online web exclusives, or else more serious titles written for this volume specifically. You can probably guess what I’m going to be talking about the most. Still, overall it’s a good, solid volume, with a tragic flashback at the start followed by some romantic schmaltz. There is a suggestion we may get a darker present-day story later on, but even that ends up being a romantic schmaltz sort of thing. Which is great, frankly. I’ve been complaining forever about the fact that these volumes are too damn dark, particularly in the last one, and it’s nice to just see these two do things like accidentally get drunk, or get scared by a thunderstorm and a power outage. Couple goals.

The first story is written for this volume, and takes up almost half the book on its own. It’s a flashback showing Kiyoka’s college years, as he struggles between his powers and the destiny everyone wants him to grasp and his own dreams of being a research nerd. We then get a series of microstories arranged in a chapter, showing things that happened when Kiyoka was sick (mostly Hazuki fangirling over Miyo), Miyo showing off her skill at cooking and distracting Kiyoka from work, Miyo accidentally getting drunk by eating a liquor-laced sweet, in the best anime tradition; etc. The other story written for this collection has our happy couple staying at the main estate for a bit, only to have to deal with a moody Fuyu, who is upset over a broken gift from her husband. We then get a second series of microstories, which is actually mostly one story, showing Kiyoka and his subordinates going out to drink and running into Kazushi.

Every story with a strong, powerful spirit-user who always seems in control and together needs a doomed mentor somewhere in its backstory to explain how he got that way, and it’s now My Happy Marriage’s turn. It’s easily the best story in the book, showing how sometimes tragedies are not really the fault of one person, but also that sometimes, yes, the fault can indeed be spread around. And, honestly, it also shows that this is the sort of world where it’s for the best that Kiyoka did NOT become a research nerd. His mentor, Itsuto, is exactly what you’d expect the moment I said “doomed mentor”, but that’s not a bad thing. The other original story has a lot of Miyo and Kiyoka being adorable (and almost having wake-up sex, but they’re interrupted), but it’s also about interpretation. Kiyoka sees his father as controlling his mother and spying on her every move, while Miyo sees the fact that his mother is aware of it as meaning the gesture is about protection and love. Both interpretations are, in a way, correct – Kiyoka’s family is pretty messed up – but it’s clear Miyo is the best thing that could ever have happened to Kiyoka,

The 9th book in the series is scheduled but not out yet in Japan, so it will be a while till we get more. Despite being a short story collection, every fan of the series should enjoy this.

By Akumi Agitogi and Tsukiho Tsukioka. Released in Japan as “Watashi no Shiawase na Kekkon” by Fujimi L Bunko. Released in North America Yen On. Translated by David Musto.

Every so often, I hot a point in a book where a plot point bounces off me so hard that I just go “NOPE” and throw the book away. Usually it’s pretty easy, as it’s in the first or second volume in a series and I can easily just drop it and never look back. It’s much harder when it’s in a series I really like. I don’t WANT to drop this series. And yeah, the second half of the book is basically everything we wanted to have happen. But man alive. I absolutely did not need the main plotline of this volume, whose entire purpose (and it’s clearly, deliberately on purpose) is to fill this volume with drama even though all the roadblolcks and evil villains have been taken care of. It is there to pile on the pain and suffering once more, and I’m not sure it makes the resolution sweeter for that fact. Basically, there is a scene (it has the words “I hate you” in it) that made me want to jump into the sea. Anyway. Moving on.

It’s finally time. We’re at the wedding, Miyo looks gorgeous, the guests are here, everything is prepared… and the groom is absent. Clearly it’s time for a flashback to show how we got to this point. Miyo is doing her best to get ready for being an actual wife, including facing up to the fact that she will need to be intimate with her husband (when she can’t even say the word “darling” without falling over with a red face) and also trying to brush up on her cooking skills, which are already miles better than her sister-in-law but could use some work. While at a cooking demonstration, she runs into an old classmate from elementary school, who was the other “quiet, shy girl nobody liked” in class, and Miyo gets told a rather depressing story about a sacrificial marriage. She then goes home… and has the scene I mentioned at the start.

The good and bad thing about this series is that it is filled with the supernatural, and there are tons of things that have something evil, monstrous, or twisted as their cause. This is bad because it means that we get everything that happens in this book, which involves curses, evil from the previous generation seemingly trying to rise up and make Kiyoka late for his wedding, and in the end, straight-up murder attempts. The good thing is that it means that we don’t have to have all those horrible romance cliches of “I misheard you and we must now not talk to each other for the next five volumes” miscommunication. It turns out to really be a curse. We also get to see discount bargain-basement Kiyoka and Miyo, who are there as an object lesson in how sometimes you can try to escape a terrible life by entering into an arranged marriage with a stoic, cold man and it goes really badly. I don’t think there’s supposed to be a moral here, like “they should have tried harder”, I think it’s just meant to be “there but for the grace of God go I”.

The good bits of this book were very good. The wedding was fantastic, the ceremony afterwords was heartwarming, the wedding night was moved offscreen but we assume it happened without a lot of blushing and awkwardness, and after that there’s only one minor knife to the heart to deal with and we can get our happily ever after. Except we get an 8th volume soon, so now we get My Happy Married Life. I’ll be reading more. Just… perhaps fewer road cones for the sake of being road cones?