By Umikaze Minamino and Katana Canata. Released in Japan as “Kyōran Reijō Nia Liston: Byōjaku Reijō ni Tenseishita Kami-goroshi no Bujin no Kareinaru Musō Roku” by HJ Bunko. Released in North America by J-Novel Club. Translated by okaykei.

Last time I asked for less of Nia hitting things, and that’s what I got – Nia’s antics being super overpowered are confined to the final quarter of her part of the book (the last fifth of the book is a short story starring Fressa), and most of the rest of it is devoted to what I’m actually here for, which is the magivision stuff. Admittedly, I’m more worried about Nia on that front. After the first couple of books talked about her programs, each successive one has cared about them less and less, which this fifth book in the series only noting that she’s filming a lot and that it makes her tired. It’s even pointed out point blank that Reliared and Hildetaura are having far more popular shows and are coming up with far more innovative ideas. Nia briefly worries about it, and thinks they need to come up with some ideas in her own domain, but then goes back to earning cash. Maybe her “downfall” is due to low ratings.

The start of this book has Nia hired by the second prince to film the wedding of Zackford and Phyledia, so that he can better show off the strengths of magivision to his kingdom. This requires a ridiculous amount of prep, as filming is still brand new, so there’s all sorts of rules to follow and contracts to sign. It ends up coming off perfectly, though. Back at school there’s now a junior magivision club, which our heroine is not a member of, but her advice is sought out when it turns out that their ideas and actual filming experience are subpar. She also continues to train her underlings in chi… and is very angry when she finds out that one underling has been training others without her permission. Finally, she’s accosted by space pirates, which allows her to do the overpowered Nia Liston things that are increasingly difficult to hide as being her own invention and not her “master”.

It will not surprise folks that I find the quiet character moments in this book more interesting than child whupass time. The best scene in the book is when Nia takes the newlyweds into a side room so that she can show them the magivision video they spent the previous day flying all over to record – greetings from all their family and friends who were unable to attend the wedding. They’re brought to a side room as Nia knows they’ll cry and she doesn’t want that to be public. It’s very sweet. We also meet new supporting players who I suspect will get more to do later, but I did like the surly punk-looking one who, after observing the art of magivision, realizes that not only does this actually interest him but he could probably be really good at it. We’ve all had those “eureka” moments when we find something that we love and can achieve. It’s nice to see here as well.

Is Nia still marching slowly towards her doom? Is her doom a late-night cable magivision show where she sells pocket fisherman and veg-o-matics? Is this the era of Nia Popeil? Probably not, as long as she can keep punching things.

By Umikaze Minamino and Katana Canata. Released in Japan as “Kyōran Reijō Nia Liston: Byōjaku Reijō ni Tenseishita Kami-goroshi no Bujin no Kareinaru Musō Roku” by HJ Bunko. Released in North America by J-Novel Club. Translated by okaykei.

I will admit, as I was reading this new volume about a small little girl beating the absolute hell out of things she has no business beating, I could not help but think of Do-Over Damsel, which has an anime running this fall and also features lots of this sort of thing. They even have similar “this is vaguely creepy but doesn’t quite cross a line, but I’m watching you” characters. That said, whereas with Jill I tend to really enjoy it when she finally lets loose and lets violence be her answer for everything, with Nia there’s no question that the magivision has become more interesting to me. There’s simply not much about Nia murdering ancient giant crabs by punching them a few times that I can say anything about, beyond “nice punch”. But if she’s being manipulated by royalty (again) or trying to think of things to get ratings besides outrunning dogs, I’m intrigued. And, so far, those are the two plots – though that may change soon.

Nia is a bit grumpy at the start of this book. Relia has stolen Nia’s thunder with the paper play show, and everyone in the school is talking about it. That said, she’s not frustrated enough that she won’t help Hildetaura come up with her own popular show – even if the extent of Nia’s help is “let me ask my brother to be clever for me”. Her greater concern, though, is earning that one billion. Adventuring is earnin g tons of cash, but tons is not enough. As a result, she and Lynokis take a trip over the holidays to a different country filled with expensive monsters that Leeno – or rather, Leeno’s child assistant – can murder without destroying their value as a carcass/magic corpse. Unfortunately, doing feats no one has been able to do in a hundred years attracts the wrong kind of attention.

Possibly the most interesting part of this book was the occasional “had I but known” hint that implies things are going to go very badly for Nia at some point in the future, implying she may have to flee the kingdom. Certainly, while she can quickly take action when her future is definitely being threatened, she is otherwise completely uncaring about being manipulated by the two royal princes in order to get what they want – and, let’s face it, Nia’s best resource is her position as Nia Liston, not her secret super strength. She’s a celebrity, and outrunning dogs is all very well and good, but that’s just more important than punching crabs. Unfortunately, a lot more crab punching may be needed to get that tournament, so I suspect we’ll be getting more fighting next time, though it’s also possible that the politics that threatened in this book overflow at last.

This was a decent volume, but again, I’d like a bit less “Nia hits things”, please.

By Umikaze Minamino and Katana Canata. Released in Japan as “Kyōran Reijō Nia Liston: Byōjaku Reijō ni Tenseishita Kami-goroshi no Bujin no Kareinaru Musō Roku” by HJ Bunko. Released in North America by J-Novel Club. Translated by okaykei.

When I have a book where there are things I liked and things I didn’t like, I generally like to start with the bad stuff and work my way up to the good. And there’s definitely stuff I enjoyed here! But we have to address the elephant in the room, and it’s an elephant that every series starring an adorable six-year-old, past memories/abilities or no, seems to have to deal with. The author finds people creeping on Nia hilarious, and assumes the reader does as well. We’ve already had the first two volumes, where her maid is constantly trying to get into her bed. Here we get Reliared’s older sister (yes, another one) wants to paint Nia in the nude (she’s an artist, but it’s also framed deliberately as “this is a skeezy creep”. And the king essentially saying “you will be mine once you’re old enough.” It’s designed for a very specific light novel audience that isn’t me, and I hate it. Anyway, onward.

It’s summer vacation for Nia, but of course that means ENDLESS FILMING FOR MAGIVISION. Once that’s over with, fortunately, she can visit Reliared and her lovely family (and creepy sister), and then head off to the princess’ private royal island… which also has the king, who is also vacationing, and turns out to be not quite as royal as you’d like… or is that just a facade? As for those of you who follow Nia to see her punch things, well, here’s not as much as the previous two books, but she does discover a new dungeon. And what’s more, she assigns her protege (and maid) Lynokis to go out adventuring and hone her new techniques. And earn money. A lot, a WHOLE lot, of money. Which Nia will need in order to realize the next part of her grand plan.

The best part of this book, aside from the ending, showing Reliared for once winning against Nia, if only indirectly, is her discussion with the King. Aside from his creeper tendencies (again, see the rest of the book), he turns out to be one smart cookie. Indeed, he’s much smarter than Nia, who presents an idea of having an annual fighting tournament but can’t think of more than two reasons why it would benefit the kingdom. The king thinks of eight other reasons, tells her how mind-numbingly expensive it would be to do properly, and sets her a goal of two years to raise that ludicrous amount of money. In just two pages he shifts the entire goal of this book from “let’s watch Nia race puppies” to “let’s watch Nia finance a shonen manga”, and I think it’s a good pivot. More of smart king, less of lecherous king.

So yes, a big asterisk next to this title. Assuming you can get past it (and it’s always used for humor, not seriously), this is a good entry in the “overpowered elementary school girls beat up the world” genre.