By Hanako Arashi and Wan Hachipisu. Released in Japan as “Kitai no Akujo, Sandome no Jinsei de “Musai Munou” wo Tanoshimu” by Kadokawa Books. Released in North America by J-Novel Heart. Translated by Mac B. Gill.

So this volume, at long last, gives us a good long look about what happened in the past, even if actual flashbacks to the death of Beljeanne, while there, don’t give the entire story either. One thing that has come up from those who know the real story is why, after Beljeanne’s death, the ones who benefited the most from it and ended up stronger than ever are the ones who hated her the most. Basically, Beljeanne’s plan did not differentiate between her allies and enemies. Towards the end of this book, while talking with one of the antagonists, Laviange makes it perfectly clear: Beljeanne grew up not knowing love, and so why did everyone expect that she would feel it towards other people? I called Laviange a sociopath and got some disagreement, though I think if I say “comedic sociopath” it would be accurate. Beljeanne, though, is the real deal.

Laviange is hanging out in some of the damaged lands that her class is trying to come up with ways to heal, with her sacred beast/puppy by her side. She is then interrupted by two new people: a priest who is trying to essentially get her on the side of the church at the behest of the pope, and a noble who she vaguely recognizes as Mirandalinda, Heinz’s ex-fiancee who desperately wants to get back together with him despite that now being pretty impossible. More importantly, though, Mirandalinda is also interested in looking at the pretty boys around her and imagining them in BL situations, so Laviange takes a shine to her right away, though Mirandalinda’s crippling shyness may not be helping. That said, it turns out that the reason the pope wants Laviange to come to the church is for a different reason. Something a bit more… evil.

I talked before about Laviange’s current life and her past life, but of course there was another life in between those, the one she lived in Japan, where she married, had kinds and grandkids, and died at a ripe old age. It’s very important, because while what little we’ve heard of her Japanese life suggests that she was eccentric, it also shows her capable of love and caring, something Laviange accepts as she thinks back upon that life… but something that she’s struggling with now that she’s back in her original world. This book is, in many ways, a broad comedy about a young woman who has no desire to deal with serious matters seriously – honestly, the book is really freaking weird in ways I can’t begin to describe – but at its core it’s about those who remember the broken woman she used to be and trying to get her to grow and change and learn to open her heart. And if I’m being honest, they’re still struggling.

Now that we have a major subplot, if not dealt with, at least expounded on, what’s next for Laviange? Whatever it is, she will likely be very silly at it.

By Hanako Arashi and Wan Hachipisu. Released in Japan as “Kitai no Akujo, Sandome no Jinsei de “Musai Munou” wo Tanoshimu” by Kadokawa Books. Released in North America by J-Novel Heart. Translated by Jeremy Browning.

As with the first book, it frequently feels as if our main character is in a different book from everyone else. This makes sense, of course. Here is a woman who loved as a princess and died young, then lived for 85 years in modern Japan before dying and being reborn as the granddaughter of… well, the backstory of the “villainess”, while a lot clearer than it was before, is still missing a lot of data. In any case, she’s got the mind of an old woman, and she also really does not care for all the drama that her kingdom wants to throw her into again. As such, it makes sense that she wants to spend her time writing smutty romance novels and avoiding anything to do with responsibility and consequences. Unfortunately for Laviange, there’s someone manipulating things behind the scenes, and they’re not done trying to screw everything up. And they get a willing accomplice in Sienna, who is simply terrible.

After the events of the first book, Sienna is rapidly becoming persona non grata, the second prince is basically no longer in this series, and Heinz has been reduced to huddling in his room and avoiding everything. Unfortunately, a mysterious hooded figure is still trying to manipulate things, and gives Sienna an egg that she promises will allow her to get all that she desires. As for Laviange herself, she’s busy composing new books, getting rare and hard-to-cook meat from her friends, and working hard to at least show up to school (if not bother to try to get good grades) so that she can get the lunch special from the cafeteria. Unfortunately, Heinz shows up looking near death, Sienna is in full “I am a bratty younger sister” mode, and students are dropping like flies, their magic appearing next to them like a ghost. How can this be solved? If your answer is “giant paper fans”, you get this series’ vibe.

I understand that this series is not for everyone. Laviange makes a lot of her own problems by her sheer willful desire to not care, and the fact that she’s turned her older brother into a tsukkomi factory does not really offset that. It also clashes badly with a lot of the vile abuse of children that appears in the pasts of several important characters, especially her own past. There’s also a section about 3/4 of the way through the book where the characters stand around for a good thirty pages while the plot is explained to them, and it’s even more irritating that it’s still not the whole plot. This series has not once flashed back to Laviange’s first life, and I suspect it really wants to keep it vague. On the other hand…; Christ, Laviange is just a HOOT. The paper fans and ofuda, as well as her desire to have everyone shout out anime catchphrases as they’re used, cries out to be animated, if this ever gets one. I’m almost ready to forgive her everything. As are a lot of people, really.

So if your need in a villainess book is “complicated but funny bitch on wheels”, this is for you. If not, reader beware.

By Hanako Arashi and Wan Hachipisu. Released in Japan as “Kitai no Akujo, Sandome no Jinsei de “Musai Munou” wo Tanoshimu” by Kadokawa Books. Released in North America by J-Novel Heart. Translated by Jeremy Browning.

This volume is plotted out in a very odd way, though I did end up quite enjoying it. The backstory of our villainess is quickly tossed off in about a page or two, as if it’s totally irrelevant – though it’s not, and I really want to find out what actually happened in the past. The feigning incompetence part is also given short shrift, as is the “everyone at school bullies her” part. That’s all just setup for the bulk of the book, which is a test that rapidly turns into a “death game” sort of environment. But this too is a sequel to something we only see in a side story at the end, as our heroine and her fellow low-ranking students all share a close bond of trust and are a fantastic team. What, you may ask, is this book interested in, then? This book is interested in taking shallow, arrogant nobles and destroying them.

Beljeanne was, so it is said, a cruel and heartless villainess who tried to kill her rival by summoning a demon. She was killed, and reincarnated as a Japanese girl. There, she went through school, work, getting married, having children, and dying happily at the age of 86. Whereupon she is reincarnated back in her original world, two generations later. as the granddaughter of the rival she supposedly tried to have killed. With ALL her memories, of course. What’s more, her mother enjoys hitting her, her father is indifferent, her brother is priggish, and her adopted sister is the “otome game heroine who’s evil because this is a villainess book” sort of girl. Clearly there is one thing that she can do in order to get the life she wants. Yes, it’s time for sandbagging.

Given that this book has a long sequence where Laviange ends up wreaking her revenge against all the nobles who have wronged her in this life, you may be wondering how I felt about it, given that Livid Lady had a similar plot and I hated it. But Notorious No More is very careful to only go after the specific people who deserve it. The noble who is killed off in this book because of Laviange’s actions tried to use mind control magic to brainwash her while they were in a dangerous area surrounded by powerful monsters. She’s very good at being nice to those who deserve it – the one good member of that team is not only spared by Laviagne but also used as fodder for the romance novels she writes as a side job – but those who have sinned against her are (with one exception) not offered second chances. We see the second prince, who has not only bullied her but is also being seduced by her stepsister – gradually realize that he’s been a complete piece of shit and trying to fix it. He fails. Fortunately, he’s only the second prince.

How much you like this book likely depends on how much you like protagonists taking down anyone they don’t like, but the people she doesn’t like are terrible, so I’m down with it. Hopefully in the next book we might find out what really happened in her first life. For smug villainess fans.