By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz.

I’m still a big fan of One Piece, but there’s no getting around it: this arc has dragged, and it shows. The chaos that is Dressrosa is starting to be harder and harder to follow, and while that’s clearly meant to mirror what’s going on with the actual participants, it doesn’t make things any easier. Half the Straw Hat crew have been absent for several volumes now. Oda’s constant scene shifting means we barely get to remind ourselves who’s fighting who before we move on to another location. Rebecca continues to be a thing to be protected, with even Nico Robin getting into the mix, much to my chagrin. Worst of all, a lot of things here, particularly the backstory, are things that have been done before and better in earlier volumes. One Piece is 77 volumes now, and I’m afraid it’s starting to repeat itself.

A good example of this is the entire flashback with Corazon and young Law. It’s supposed to be heartwrenching, and there are moments where you are truly horrified by how cynical and awful people in this world can be (I’m thinking of the hospitals Corazon visits to try to cure Law), but it’s hard not to be reminded of other backstories we’ve had before. Other backstories we see to explain silly characters are either too tragic for the silliness (why Senor Pink wears a baby bonnet) or reinforce negative behavior (literally everything about Baby 5, which may be the nadir of this arc). Again, this is the sort of thing that you’ll only see in a long-running series like this, especially one where the ‘tragic backstory’ part of the arc comes regularly like clockwork.

Some stuff worked better. Robin, Cavendish, and Bartolomeo were probably the funniest part of the volume. Robin is a Straw Hat, therefore Oda has exempted her from any romantic issues such as Baby 5 has. She’s therefore able to simply sit back and stare balefully at these two morons trying either to impress her. Cavendish’s multiple personalities come somewhat out of nowhere, but they lead to some amusing situations and don’t feel quite as repetitive as some of the other things we see here. Luffy’s concern about Bellamy, who is pretty much ready to throw away his own life at this point. Characters rarely die in One Piece, so I doubt Bellamy will, but the fact that Luffy is worried shows how desperate the situation is. Oh yes, and Doflamingo remains a thoroughly evil little snake.

There’s a few other things I could mention, such as Oda’s hilariously awful attempts at writing a tsundere character. But for the most part, I really want this arc to be over and the crew to move on. I want to see Nami and Sanji and Chopper and Brook again. I want Luffy to defeat Doflamingo so that I don’t have to keep staring at his face all the time. Most of all, I want something new. Dressrosa is filled with the angry ghosts of One Piece plots of old, and they’re merely pale shrouds of what we know Oda can really do.

By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz.

Let’s get the bad out of the way right off the bat: Rebecca has not remotely lived up to the hopes I had for her as a character. The reunion with her father, with all the overtones of “you should never have been a fighter, I’m so sorry you had to be strong and not a princess that needs protecting” left a bad taste in my mouth, and I’ve given up on it being subverted at this point. Unfortunately, this is not a sentiment that’s unique to One Piece, as we’ve seen it in countless manga and anime before this. I had hoped Oda might avoid it, but no, there it is. Luckily, it’s a low point in an otherwise excellent volume, so let’s talk about the rest of it.

I have occasionally wondered if I praise Usopp too much, but then I wander on to forums and see more people talk about how useless he is, and so therefore I think no, there is not enough praise. Because he’s hella awesome here, taking out Sugar AGAIN with the help of a truly weird power from a minor character and what I believe is actual haki, which we haven’t heard much about since right after the timeskip. We’d seen Coby use it before, but it’s still awesome to see that a power that is basically “I am enforcing my will on reality” can be used not just by the brute force heroes but by support folks like Usopp.

Speaking of which, Robin and Usopp both have small speeches in this volume where they talk about their devotion to Luffy, and it’s worth noting how much of being a pirate captain in One Piece is creating a cult of personality around yourself. Luffy doesn’t do this deliberately, of course, but those who follow him know that he is the one, they one they can dedicate everything they have to protect and serve. It’s even given a parody over the last few volumes with Bartolomeo, whose idolization of the entire Straw Hat crew is a takeoff of the typical fanboy. It’s worth noting that Robin does not denigrate this love the way others have, though (and that she calls him rooster, I love that she still tends to give nicknames to everyone), as she’s a convert as well.

Meanwhile, Luffy and Law (finally out of the seastone cuffs) are ready to face off against Doflamingo, which means that we get two things that One Piece is most famous for – chaotic final battles with lots of punching, and flashbacks to explain a character’s tragic past, this time Law’s. Sure, we also get a bit of Doflamingo’s, which has a bit of a ‘fallen angel’ vibe to it, but Law, with his tragic white lead poisoning and massacre of his entire homeland (hmmm, seems familiar… Doflamingo even points this out, saying complete genocide is a standard World Government tactic) is the one we’re meant to feel bad for. This story leads us to the cliffhanger for this volume, and I suspect will take up the majority of the next. When it finishes, will we be finishing the Dressrosa arc? Don’t hold your breath. But keep reading One Piece anyway.

By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz.

The Dressrosa arc has gone on for a long time, and it’s got a long, long way to go. This can be a bit exhausting, especially given that this volume takes an already chaotic situation and threatens to turn it into incoherency. Thanks to Usopp, the toys are all turning back into people, and those left behind have regained their memory of them – including Violet and Rebecca. But Doflamingo is not going to let this stop him, as he deploys several body doubles and puts bounties on everyone who has opposed him – including Usopp, who gets the highest bounty of all, possibly the funniest moment in the book. There’s a lot going on, and One Piece is always enjoyable, but I always feel like I should reread the previous few volumes before I start this new one.

At least I’m finally able to talk about some revelations, even though the reappearance of Sabo has been the most obvious plot twist since Sogeking turned out to be Usopp. He and Koala are here representing the Revolutionary Army, who have to stop Doflamingo, but in reality he seems to mostly be here to help Luffy. This now means we have every major force on the island – pirates, marines, revolutionaries, actual residents, Tontattas… and it makes for a giant melee, as there’s just no way Dressrosa can contain this. At least Robin’s not a toy anymore. Oh yes, adn the tournament is over, as the Flame-Flame fruit is claimed by the victor. Somehow I don’t think Luffy will object too much.

Speaking of Luffy, he and Law make for an amusing comedy team throughout. Law is still cuffed with seastone, so literally all he can do is lay there and whine, and boy howdy does he. It’s always wonderful in One Piece to see the incredibly cool characters show off how nobody is ever that cool all the time, and Law’s frustration with Luffy’s ‘whatever, just go with it’ attitude is simply always funny. That said, I do hope he gets unlocked soon, as I’m fairly certain Doflamingo is not going to be as easy to defeat as Caesar Clown.

I’d say there are a few weaknesses. Rebecca continues to not be as strong a character as I’d expected, though to be fair to her she’s really going through a bunch of traumas that would make anyone break down. The huge cast and need to switch to a different part of the city every 2-3 pages does not make for easy reading, and I also miss Sanji, Nami, and other major Straw Hats, who have been shuffled off the page till this is all over. And I will admit, I thought everyone making fun of Pica’s voice was a bit mean. That said, it’s One Piece. If you read it, you’ll love it. If you don’t, you aren’t going to pick up Vol. 75.

Also, Sabo and Koala are totally Luffy and Nami, right? She even carries his hat!