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I Don’t Want To Be the Dragon Duke’s Maid! Serving My Ex-Fiancé From My Past Life, Vol. 1

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By Mashimesa Emoto and Masami. Released in Japan as “Ryū Taikō no Senzoku Jijo wa Goenryō Shitai! Tensei Saki no Okyūji Aite wa Zense no Moto Konyakusha Deshita” by Arian Rose. Released in North America by J-Novel Heart. Translated by Amanogawa Tenri.

I think most readers of Japanese light novels by now are used to the title of the book being a summary. This is why I was quite surprised that we were getting to the halfway point of this new series and I had still not seen our heroine being forced to be the dragon duke’s maid. In this particular case, this is a good thing. This world has a lot of stuff in it that needs to be explained, and we also need to get into the head of our protagonist and get used to how she thinks of herself and how she treats others. Oh yes, and there’s also the “I was killed and reincarnated with my past memories” aspect to the whole thing, which is also influencing her. But, at last, she finally ends up serving the dragon duke… sort of. We never actually see her do maid work. She’s far too busy trying to help save the nation.

The dragon duke who rules the nation of Eclair is making his first appearance for one hundred years, and going to see him is the family of our heroine, Mille-Feuille. Unfortunately, the moment she claps eyes on him she passes out, as the memories of her previous life return. She was Charlotte, a human woman in love with the dragon duke, and she ended up dying, though Mille-Feuille can’t remember anything about it except the dragon duke’s face of fury. That said, she has enough in her life to get on with. In this world, men turn into dragons once a month, and can only be calmed by a female family member giving them mana – which causes great pain and suffering to the women who have to do it, ranging from mild facial blemishes to near-comas. Mille-Feuille, who seems to have more magic talent than most, happens across a way to help women recover their mana more easily after this, and she is now secretly passing out cures. Unfortunately, people are noticing…

The main reason to get this book is the heroine, who is very much of the “I am practical and somewhat snarky and completely willfully ignorant of how absurdly powerful I really am” school of heroines. There is a test that women take to determine how much mana capacity they have, but for one reason or another, Mille-Feuille has managed to skip every one of those measuring ceremonies. As such, she is uniquely suited to handle the dragon transformations of the duke himself, who is super powerful and therefore super hard to control. The romance between the two of them is cute and very romance novel-ish, and that comes complete with the mystery villain who keeps trying to wreck things as well as the younger sister of the duke who is a jealous brat till she grows out of it. But again, the heroine is the best.

This feels finished in one volume, but there’s apparently a second one. It won’t win points for originality, except for the dragon mana transfer, but I quite enjoyed it.

Earl and Fairy: A Cursed Diamond Imbued with Love

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By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

Once again, as I read this series I am reminded just how far shoujo has come in the last twenty years, and how different it is. Everything going on between Edgar and Lydia in this series is intensely familiar to anyone who read the popular titles of the day back then… and yet it already feels like it’s from a hundred years ago, with Lydia’s inability to think anything but the worst of Edgar and his own inability to show Lydia what his love actually means feeling more frustrating than romantic. There’s also the “Lydia is kidnapped every volume, and threatened every volume, or both” problem. There’s consent issues. That said, once more, if you read this as a supernatural thriller and try to ignore the romance, there’s gold to be found here. Every volume brings a new creature that I have to google and find fascinating, and this one is no exception. We’re also getting a lot more contextualization about Edgar’s goals… and what he will and won’t do to get them.

Lydia is, unfortunately, at a society tea party, where she is forced to deal with a lot of hot gossip, most of it about Edgar, who now is rumored to have an entire harem of women. Of course, Lydia almost immediately believes this – if there’s one thing we know about Victorian England, it’s that rumors are true unless proven false. And, of course, Edgar *does* appear to be going to what is very carefully not described in this book as an opium den, but, well, is an opium den. He seems to be visiting a mysterious woman who lurks in a corner of the room… and he’s not the only one, as a marquess is also very interested in the same woman. What does this have to do with a paired diamond, black and white, which is mysteriously connected to Edgar’s family? And will Edgar and Lydia ever truly understand each other?

Edgar’s enemy in this, of course, is “The Prince”, and is trying to prove a closer heritage to being the future King of England than the current residents on the throne. Victoria is never mentioned here, nor is “Bertie”, the Prince of Wales at the time of this series (which seems to be set in a vague “somewhere between 1837-1901” time), but the general attitude of the bad guys is basically that they are, perhaps, not quite as British as one would like in a monarch. Perhaps a bit too Saxon. That said, I doubt we’re really going for any critique of the English monarchy here, but instead the series is using the time period as an obvious place where a large number of people would still believe in the fairies that are Lydia’s bread and butter, and who litter this series,. on both sides. Again, it’s all about the thriller.

The 6th book in the series is not scheduled yet, so there may be a bit of a break next. Perhaps it will allow Lydia to realize that not everything she hears about Edgar is true, and for Edgar to realize that confessing his love doesn’t amount to much if he has no future to offer her.

I’m in Love with the Villainess: She’s So Cheeky for a Commoner, Vol. 2

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y Inori and Hanagata. Released in Japan as “Heimin no Kuse ni Namaikina!” by GL Bunko. Released in North America by Seven Seas. Translated by Kevin Ishizaka..

This is a very good second volume in this spinoff series, which sets out to show us Claire’s changing views in more depth and also flesh out some of the minor characters. It succeeds, but there’s also a feeling here that this is the middle volume of a trilogy. A lot of things we know will pay off in the third book are bubbling under here, but the lack of a real climax to the book does make it a bit unsatisfying. That said, overall I’m quite happy. This book reminds us that the goal for the visual novel Rae finds herself in is revolution, and that it’s still lurking. The anime, by necessity of only getting through Manaria, was barely able to touch on this, and Claire’s ignorance and tsundere stubbornness made it a wee bit unsatisfying. That changes here. Claire is learning how the commoners live, and how the commoners die. And she’s also learning how nobles live and what they do to keep that lifestyle. And she hates it.

Claire is having a bit of trouble warming up to her commoner classmate, who confesses her love but who Claire can’t take seriously. Perhaps things will change with the arrival of Manaria from the Sousse Kingdom, who Claire “greatly admires” and had a massive crush on as a child when she was is despair over the death of her mother and also thought Manaria was a boy. The result of Manaria’s visit will change her relationship with Rae forever. We then see Claire and Rae travel to Rae’s hometown, where Claire eats commoner food, has a pathetic attempt at learning to swim, and fights off undead pirate ghosts. Finally, back at school, they deal with Yu’s real gender, and how the Church is tied up in all of this. Claire’s social consciousness is growing by the day, and she knows that things cannot stay the way they are.

Claire’s POV is still the best reason to get this, but I must admit my favorite part of the book is the development of “Those Two Girls”, aka Loretta and Pepi. Both of them get a tremendous amount of character building in this book. Loretta is being potentially married off to someone involved in human trafficking, and also is forced to deal with the fact that commanding an army in real life, as opposed to supervised by her family, means she is sending some people out there to die. Pepi, meanwhile, also discovers that her family is up to their neck in bad things, and things are too dangerous for her to confide in either Claire or Loretta. It doesn’t help that Pepi has realized that her feelings for Loretta are romantic in nature. The only one who remains in a holding pattern in this volume is Catherine, who continues to stay in her dorm room, doling out advice to Claire and ominously foreshadowing her own fate. Clearly this will pay off in the final book, but it does not here.

It does, however, really make me want to read the final volume in this series. It was 14 months here between Vol. 1 and 2, hopefully it won’t be as long between 2 and 3.