Category Archives: reviews

The Evil Queen’s Beautiful Principles, Vol. 1

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By Reia and Haduki Futaba. Released in Japan as “Akutoku Joo no Kokoroe” by Kadokawa Books. Released in North America by Airship. Translated by Gigi Li. Adapted by Abigail Clark.

Even if it didn’t also have the same artist as well, I think that readers of this new series will quickly realize that the author is the same as Accomplishments of the Duke’s Daughter. In fact, the author straight up admits that the idea for this series came about when she thought “what if Iris’ world had magic?”. The book tries not to go along the same lines, and indeed Luxeria’s story is a lot darker and more tragic than Iris’ (well, at least Iris rewriting her own story). But after the time skip, you gradually see that this is another woman who likes to surround herself with super competent servants and colleagues who she has also, in adventures we hear about but do not see, “recruited” from various circumstances. And there’s also a lot of “how do we create a better, more equal kingdom” worldbuilding here, as everyone knows that things need to change but actually making those changes is difficult and takes a while. That said… yeah, this is darker than Duke’s Daughter.

We open with our protagonist, Luxeria, stabbing her groom with a sword on their wedding day in front of the rest of the wedding party. We then track back a bit to see how we got to that point. Young Luxeria is commanded by her family to go live in a tower by herself. She’s delighted by this, as her overpowered magic allows her to see into people’s hearts (and also mind control them a bit), and she dislikes how it makes others uncomfortable. She’s supplied with a maid, the one girl out there who seems to be immune to Luxeria’s powers, and the two settle in and become good friends. Unfortunately, this kingdom is a monarchy but also has five strong marquess houses that have a lot of power. This means that they make an attempt on her life, put the maid into a coma, and kill her parents, the king and queen. Kinda sucks. Oh yes, and she’s a Japanese reincarnation, because of course she is.

I was expecting this to be a typical villainess book where the evil is just a bunch of misunderstandings, but no, Luxeria is out for revenge on those who killed her family and is determined to exact it. Of course, she does not want to exact her revenge while also destroying the country, which is where all that worldbuilding I mentioned above comes in. Actually, I think a flaw in this volume is that I want things to go a bit more slowly. We meet several of her underlings here, but the story of how she got them to work for her instead of against her (her main spy was trying to kill her, in fact) is not told here, but instead we just get a “ha ha yeah those were the days”. The relationship between her and her tragic groom is… also not handled well, mostly as he’s barely in the book. The relationship between her and her maid Alicia is the best thing about the book, and I hope the trust the two have in each other is not broken in the second half.

This was apparently not as long as Duke’s Daughter, so will wrap up in the next volume. I’d recommend it for fans of the earlier series, or for those who want a complete set of villainess books featuring characters called Alicia, of which there are many.

The Otome Heroine’s Fight for Survival, Vol. 1

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By Harunori Biyori and Hitaki Yuu. Released in Japan as “Otome Game no Heroine de Saikyō Survival” by TO Books. Released in North America by J-Novel Club. Translated by Camilla L.

This is another one where I had a different idea of what it was going to be like before I read it. When I typed up the premise in Manga the Week of, I said it was an Otome Game Reincarnation Meets Survival Game. Which… is not inaccurate per se, but I think fans of both genres are going to find this a little less than what they were hoping for. For otome heroine fans, while there are multiple reincarations and a villainess to go with our heroine, it only becomes relevant at one point in the story. As for the survival game, that comes right at the start and then is mostly setup for future volumes. As for what this actually is, well, it’s an attempt to tell a “dark” otome heroine story, featuring a heroine who learns how to kill in order to survive. That said… it’s a stat head book. If you’re the sort who can’t get enough of people raising their STR stat +1, you’ll be in clover.

Alicia, an orphan who is trying to live like a plucky young girl despite the orphanage being a Pit Of Evil, is accosted one day by a madwoman. She says this is actually an otome game, and Alicia, the heroine, is destined to be the secret daughter of nobility and end up at a school with multiple men vying for her. The other woman tries to use a magic crystal to transplant her soul into Alicia’s… which only partly succeeds, then Alicia, being a desperate 7-year-old, kills her. Now that Alicia has the woman’s knowledge of this world… and, it’s hinted, a healthy dose of nihilism… she returns to the orphanage, where she was about to be sold to some pedophile, kills the old woman running it, and flees. As she walks through the forest and cities of this world, she gradually works out how magic really works in this world, self-trains, gets help from a few allies, and gradually grows incredibly overpowered. Despite this, she never loses her new personality.

As you can likely guess, someone’s been watching a lot of the “dark magical girl” shows and thinking “hey, I can do that”. And, to be fair, they can do it pretty well. The usual complaining about stats aside (and believe me, it’s very annoying), Alicia, later Alia, is an interesting protagonist, whose influx of memories from the woman who attacked her helps to ward off accusations of her being nothing like any other 7-year-old out there. The same applies to Elena, the future Villainess of this world, who is also, separately, trying her best to avoid her fate in the game. Frankly, the meeting between Alicia and Elena is the highlight of the book, and the final scene may not be yuri (they’re both too young, leaving aside their mental age), but it’s fraught with doomed Birdie Wing-style dramatics, as one pledges to do one (and only one) thing to help the other no matter what, and the other promises to kill one (and only one) person for the other no matter what. It was damn cool.

That said… again, hope you like stats. I’m definitely reading the 2nd book, though, which may have a new cast, given our heroine fakes her own death at the end of this one.

Management of a Novice Alchemist, Vol. 1

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By Mizuho Itsuki and fuumi. Released in Japan as “Shinmai Renkinjutsushi no Tenpo Keiei” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Sean McCann.

It’s been a while since I’ve come at a light novel series from this direction. Lately, the Japanese companies are getting clever, and getting an English-language company to license a series several seasons before the anime is announced, so that the anime can drive up sales of the book. But when Management of a Novice Alchemist came out in the Fall of 2022, the novel and manga were both absent here, meaning the anime was many people’s first exposure, including mine. Well, “many people” in quotes. This is not exactly Chainsaw Man. There was a small following who enjoyed a mostly laid-back series with the occasional monster battle. And now, a year and a half later, we have the novels, and good news! The same vibe carries through to the books. That said, the anime either added a lot to the start of the series, or else it was brought in from future books. Sarasa’s past is not important here. The shop is all.

Sarasa Feed has just graduated from the Royal Alchemist Academy, and is now able to call herself one of that rare profession. Her master decides to give Sarasa a gift to celebrate her graduation (and also her saving and scrimping to buy the ludicrously expensive 10-volume Alchemy Encyclopedia) and gets her her very own shop at a low low price, where she can start selling potions and remedies. There is one slight snag – the shop is in the middle of a very remote village. And is a bit of a fixer-upper. That said, the core of it is still excellent, and Sarasa is an orphan girl who’s spent her entire life surviving on pluck and guts, so Sarasa settles in, cleans up, orders furniture, and opens shop. Soon she has a shop assistant, a girl two years younger than her 15 (the age of maturity here), and she’s able to find a nearby city where… well, at least one of the shops is not there to rip her off. Most importantly: Sarasa is a totally normal, ordinary garden-variety alchemist. And not an insanely talented terrifying prodigy at all.

Sarasa is pretty much THE main reason to read this. Her matter-of-fact, blase narration sucker punches the reader as well into underestimating her, but we do notice right off the bat that she spent her entire school life studying and making no friends, that her mentor is a Master Alchemist revered the world over, and that she’s not only terrific at alchemy but, when she physically strengthens herself, can easily lift huge logs and take out grizzly bear monsters. She is essentially Twilight Sparkle as a human light novel girl. Two warnings, though, which the anime watchers noticed as well. First, this is another series where the lead cares far more about breast size than I ever will (she’s relatively flat, of course), and it does not go away. More importantly, Sarasa believes everything has a cost, and she will be enforcing that, even if you bring in an adventurer who’s lost an arm and is on the verge of dying. We do not do things out of the goodness of our heart here. Well, mostly. She is a bit of a softy. But the girl still owes Sarasa a huge amount of money for saving her life.

If you liked the anime, you’ll like this. If you never tried it, this is a good one for girls who say they’re typical but are anything but, misers, and a slow life that really isn’t.