Category Archives: reviews

The Saint’s Magic Power Is Omnipotent, Vol. 9

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By Yuka Tachibana and Yasuyuki Syuri. Released in Japan as “Seijo no Maryoku wa Bannou desu” by Kadokawa Books. Released in North America by Airship. Translated by Julie Goniwich. Adapted by E.M. Candon.

This ninth volume in the series comes out just in time, as the second season of the anime is currently airing and looks like it will adapt till the end of Book 8. So if you want to continue onward, you can pick right up where it leaves off. Of course, I will warn you in advance that you’re only getting 3/4 of a book. The manga version of this title runs in Flos Comic, but it would fit right at home in LaLa, because, like many LaLa manga, it’s packed with filler to pad out the volume. Now, this is not always a bad thing. The short stories that bookend each Bookworm volume are just as important as Rozemyne’s POV, and some of the side stories are fun. But what we get instead here are scripts for audio dramas starring the voice actor for Albert… talking to himself, as I guess “situational audio drama” means that the reader invents Sei’s half of the dialogue? Not sure, but it’s not worth it.

Sei and Albert are now engaged, and this is officially announced at a ball. Much to Sei’s surprise, there’s a second engagement being announced – Elizabeth is now engaged to the second Prince, Rayne. That said, their wedding will be a year from now, as there’s just that much pre-preparation involved. Sei is content to go back to the research labs, but then the palace gets an urgent missive from Prince Kyle’s delegation in Zaidera, saying one of the most important members was deathly ill, and help was urgently needed. Everyone suspects this is a ploy, but they can’t just ignore it, so Yuri decides to go there and take one of Sei’s panaceas, the one that healed Prince Ten’yuu’s mother. The problem is… Sei wants to go too! She’s so curious! So of course Albert goes along as well. This becomes a problem when the thing they thought was a plot turns out to indeed be a ploy.

So yes, we get the return of Prince Kyle here. Much to my surprise, very little is made of his past by the main cast. He gets a side story near the end, which shows that while to Sei and company he looked calm and collected, inside he was panicking that she was going to start getting furious with him. Setting off abroad seems to have done him a world of good, and I think he agrees. As for the story itself, it’s OK, not great. It’s mostly an excuse to delay the inevitable wedding a bit longer and take a look at this world’s version of China, complete with a few recipes a la foodie manga. The actual plot won’t really get going till Book 10, so instead we get things like Yuri being a giant magical nerd and… more of Yuri being a giant magical nerd. At least Sei has more female friends besides Liz and Aira now.

This is not one of the best in the series, but as a setup for a new arc it’s OK, and it will satisfy anime-onlies wanting to see what happens next.

Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters!, Vol. 3

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By KAYA and Naru. Released in Japan as “Tensei Shōjo wa Mazu Ippo kara Hajimetai: Mamono ga Iru toka Kiitenai!” by MF Books. Released in North America by J-Novel Club. Translated by Amy Osteraas.

It can sometimes be difficult, when a series is told entirely from one person’s point of view, to remind ourselves that they may not necessarily be the best narrator for the job. Sara tells the entire story in these books, and for the most part that’s fine, but there is a good deal of snark, apathy and general grouchiness to her entire character that makes the narration fun but also reminds us that everyone else doesn’t necessarily adore her. That said, the people she’s grouchiest to (Ted, the knights) generally deserve it. As the series goes on, I’m hoping that we get more of her joyful delight at seeing the ocean, which we get at the end of this book, and a bit less of her “whatever, I don’t care” attitude when people try to railroad her into annoying things. Though she’s right, she really should settle on figuring out what to do with her life soon.

Sara and Nelly head back to Rosa to do some shopping for clothes, but end up getting sidelined by a ton of plot. The other Invited we met in the capital last time, Haruto, has arrived in the town, and is acting like a 10-year-old kid – which, to be fair, is about when he died in Japan, so Sara has a big leg up on him. More dangerously, the knights are returning to get Sara and forcibly have a noble adopt her and get her working for the state. She really does not want to do that, so after letting Haruto and fellow Invited Bradley handle the cottage on the mountain, she, Allen and Nelly join Chris is a trip to a town two weeks away that is trying to train new apothecaries. Unfortunately, when they get there it turns out almost every single apothecary has in fact left the town. Oh yes, also frogs. LOTS of frogs.

Because Sara has for the most part been living on a mountain with a mentor who does not really care about much of anything, or else in a town that is very clearly the “last dungeon” town in this fantasy world, she has not really had a normal isekai reincarnation like everyone else in this series. That’s clearly for the good, as it turns out that while reincarnates are coddled, they’re also pretty much used as government-sponsored slaves, with a name change. You can see why – Sara is really, REALLY powerful, and we see more of that here, though at last we seem to have finally hit a magic thing that makes her feel tired rather than just being easy as pie. The next book is set up by Nelly suggesting they go to her hometown to get her family (who are nobility) to adopt Sara, which should stop the knights from trying to abduct her. I’m fairly certain it will not be that simple.

So yeah, Sara’s not sure what she wants to do with her life here yet, but till she’s safe and can relax, I don’t really blame her. Also, the gimmick is that Sara attracts monsters, right? I think we all get that by now, even if the cast don’t yet. She’s a Monster Magnet.

A Young Lady Finds Her True Calling Living with the Enemy, Vol. 1

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By Syuu and Fujigasaki. Released in Japan as “Oguni no Kōshaku Reijō wa Tekikoku nite Kakusei Suru” by PASH! Books. Released in North America by Cross Infinite World. Translated by Kashi Kamitoma.

As we have advanced into the 21st century, we have thankfully moved on from one of the more egregious fan terms (and one I used myself back when I was younger), the “Mary Sue”. Originally used as an example of a character created by a writer purely to be the “perfect” love interest for her favorite character, it then morphed into, supposedly, any woman who lacked flaws and was seen as too perfect. Which, naturally, meant any woman protagonist, if you’re a guy reading it. Meanwhile, male protagonists who kill all the monster, gets all the babes, and wind up leading the nation are a dime a dozen, and despite the attempt to use “Gary Stu” to describe them they never got any flak. And of course let’s not get into the “Strong Female Character”, as best seen by Kate Beaton’s wonderful comics. I mention all this because Bertine, the protagonist of this new series, starts her own business, unites warring tribes, shoots burglars with her rifle, and has such innate economic skills that she was raised by her father to be his successor. And you know what? It’s amazing.

Bertine du Jeanne, daughter of the Chancellor of San Luenne, an independent nation and financial powerhouse, is preparing for her upcoming wedding when she is told that the Empire, which their nation has been giving financial support to, has lost its war with the Federation. The Federation has demanded 1000 large gold coins in reparations. The royal family have decided instead to send them Bertine, as the new bride to the leader of the Federation, Cecilio. She is barely given time to hear this before she and her lady maid are bundled off to Ybit, one of the major cities in the Federation. There they are told Cecilio is away, that he never accepted the bride deal in the first place, and to go home. She can’t go home, though, as it would disgrace her country. So instead the staff at Cecilio’s estate decide to slowly starve Bertina and her attendants to death, and passively abuse them. Having had enough of this, Bertine chooses to leave the estate and make her own way in this new country.

I always enjoy novels that give greater depth to the main character as the book goes on. At first Bertine just seems like a basic “stiff upper lip” noble, though she does seem very exhausted by everything near the start of the book. We then learn that everything has been terrible for her since her mother died over a decade ago, her stepmother tried to kill her and is actively trying to prevent her returning to her own country, that she had *two* marriages called off before this, and that even when her sickly mother was alive, her father, recognizing her economic talent but being unable to properly express love, gave her hellish training that made her think he hated her. She tells Cecilio flat out that when she got to his estate and the staff abused her, she was near suicidal. Fortunately, the book wants us to know that but not dwell on it. What it does want us to dwell on is Bertine empowering herself, then empowering other women around her. There isn’t even any romance in this first novel, though I’m pretty sure she’s gonna end up with Cecilio by the second (he’s nicer than his staff). It’s just Bertine being badass. Oh, and the Candy Ma’am pun is hilarious, well done translator.

I had an absolute ball reading this. Is Bertine too perfect? Damn straight.